I’m not a collector, but I love the Nativity sets that begin appearing this time of year. Whether ornate, simple, ethnic, crafty, plush, porcelain, enormous, or fit-in-eggshell teeny—show me a crèche, and I’m a kid on Christmas Eve again.
But even I admit there’s a point at which crèches cross into the realm of weird. Nativities starring chickens, for instance. Or trolls. Or zombies. Or any of the bizarre kitsch that youth ministry veteran Mark Oestreicher has found for his ongoing list of “the worst and weirdest nativity sets,” including the Meat Nativity—made of bacon and sausages on a bed of hash browns.
Discerning Christians in the West often protest the mishandling of Christmas: the tacky, irreverent, quaint, and theologically-problematic distortions that pass as the gospel, not to mention as art. While I find the Meat Nativity hilarious, I realize a hotdog Jesus takes the carne of the Incarnation a little too far. But I wonder if, in our hurry to correct such spiritual shallowness, we miss a vital opportunity to engage the broader culture at a moment when our neighbors are actually focused on the right thing: the story of Jesus.
Humans are story-formed people. Our first sense of who we are and where we fit within an often-confusing world comes through the narratives our communities tell us. And this narrative engagement is not simply a developmental stage only for children: it’s a function and framework of the imagination, that part of our human mind that makes connections, discovers patterns, and processes meaning in ways that include but transcend reason. You can’t get three pages into Scripture without both using your imagination and being ...1
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