If you hate Cloverfield (or don't even know what it is), then you probably loathe emerging Christians. If you like Cloverfield, you're likely to dig the emergent conversation. Both deliver on their grand promises in a novel way (that is decidedly not for everybody). But why does the film (and the emergent folks) inspire such antipathy? Why can't we appreciate the next generation's re-imagination of tired clich?s?
Movies offer a safe way to process our cultural anxiety. In monster movies we're presented with an opportunity to corral our fears. Zombies or UFOs or viruses wreak havoc for ninety minutes before order is inevitably restored. Cloverfield depicts a seemingly ordinary evening in New York City that is derailed by an unexpected and unexplained attack. Sound familiar? Cloverfield is a direct response to the fear unleashed by the collapse of the World Trade Center on September 11, 2001. Eerie shots of panic in the streets remind us how vulnerable we felt. We follow shell-shocked New ...1