1 of 2

"I do not worship matter, I worship the God of matter, who became matter for my sake and deigned to inhabit matter, who worked out my salvation through matter. I will not cease from honoring that matter which works for my salvation. I venerate it, though not as God."

Visitors to an Orthodox Church are confronted with many unfamiliar elements of worship: for example, the use of incense and Byzantine chant and the custom of standing throughout the service. But perhaps the most perplexing element is the icons, especially when Orthodox worshipers bow before and kiss them. Isn't this idolatry?

This very question raged through the Christian world in the eighth and ninth centuries, and it occupied the attention of two of the seven ecumenical (worldwide) church councils. The strongest defense of the practice came from a Christian living in the heart of the Islamic empire, John of Damascus.

He was born John Monsur, into a wecaptionhy Arab-Christian family of Damascus. Like his father, he held a position high in the court of the caliph. About 725 he resigned his office and became a monk at Mar Saba near Bethlehem, where he became a priest. In this secluded place at the relatively advanced age of 51, John's lasting legacy began to unfold. It began when Emperor Leo III, in 726, outlawed the veneration of icons.

The conflict had been brewing for decades. It wasn't a question of bowing and kissing icons; this was a culturally acceptable way to show respect. The basic question went deeper: are Christians allowed to paint pictures of Jesus, or other biblical figures, at all? As Islam spread through the Mediterranean region, bringing its absolute interdiction of images, Christianity was feeling pressure to rid itself of images.

The main threat to icons came not from the Islamic caliph but from the heart of the Byzantine Empire. A few bishops from Asia Minor (now Turkey) believed the Bible, particularly the second commandment, forbade such images:

"You shall not make for yourself an idol in the form of anything in heaven above or on the earth beneath or in the waters below. You shall not bow down to them or worship them."

The bishops' argument convinced Byzantine Emperor Leo III, who set about to convince his subjects to abandon iconography. But a natural disaster changed his approach. In 726 a violent volcano erupted in the middle of the Aegean Sea and terrorized Constantinople, the capital. Afterward, tidal waves buffeted the shores and volcanic ash extinguished the sunlight. Leo reasoned that God was angry about icons. That's when he outlawed their use.

In 730 Leo commanded the destruction of all religious likenesses, whether icons, mosaics, or statues, and iconoclasts ("image smashers" in Greek) went on a spree, demolishing nearly all icons in the Empire.

From his distant post in the Holy Land, John challenged this policy in three works. He argued that icons should not be worshiped, but they could be venerated. (The distinction is crucial: a Western parallel might be the way a favorite Bible is read, cherished, and treated with honor—but certainly not worshiped.)

John explained it like this: "Often, doubtless, when we have not the Lord's passion in mind and see the image of Christ's crucifixion, his saving passion is brought back to remembrance, and we fall down and worship not the material but that which is imaged: just as we do not worship the material of which the Gospels are made, nor the material of the Cross, but that which these typify."

next page... |  1 of 2

share this page

FREE E-Newsletter Sign up for the ChristianHistory.net e-mail newsletter. Discover more about your Christian heritage with this weekly e-newsletter that features key people, topics, and events from the history of Christianity.      RSS Feed   RSS Help