Style: Worshipful indie-folk-rock; compare to Coldplay, Chris Tomlin, Mumford & Sons
Top tracks: "Come Find Me," "Leaning on the Everlasting Arms/Tis So Sweet to Trust in Jesus," "Oh My God"
The David Crowder Band's final studio album opens with the words, "Give us rest / We're all worn thin from all of this / At the end of our hope with nothing left / Oh great God, give us rest." It's an honest plea from a man who almost single-handedly redefined modern worship for the 21st century, which certainly was no easy task. But before stepping away from the microphone for good, Crowder showed exactly why he and his bandmates are in need of a rest, by creating an exhaustingly epic, double-disc album. (Read our extensive interview with Crowder here.)
It's even got an epic title: Give Us Rest (a requiem mass in c [the happiest of all keys]). The album starts quietly, with gentle piano keys over atmospheric synths, but quickly turns to stadium-filling anthems that would inspire U2 or Sigur Ros. The energy levels rise and fall, each new crescendo more triumphant than the previous. And this goes on for a staggering thirty-four tracks. The overzealousness of Give Us Rest is comparable to watching all three Lord of the Rings films in one sitting. It's epic, inspiring, breathtaking—and really, really long. As great as it is, there are times when you can't help but wonder how much more is possible.
Not unlike Frodo Baggins' tumultuous expedition, Crowder trudges through a lot of emotional and spiritual terrain on his last journey. He coos quietly with an acoustic guitar on "Why Me Lord?" but shouts his lungs out on "Oh My God." Styles range from simple country ballads a la Johnny Cash to electronic-tinged rock-outs that Family Force 5 ...
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This week at the Southern Baptist Convention’s annual meeting, attendees will ask for change from the top. But regular members also bear responsibility.
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This week at the Southern Baptist Convention’s annual meeting, attendees will ask for change from the top. But regular members also bear responsibility.
