If the number of awards scooped up by George Marsden's 2003 biography of Jonathan Edwards is taken as the index of achievement, Marsden stands as the dean of living interpreters of American religion. With The Twilight of the American Enlightenment, he offers another compelling study, one that relates more to his own life and times than to a life from the past.
In six artfully crafted chapters, Marsden sketches the tectonic shifts set in motion in the years immediately following World War II. He looks at common assumptions held by the leading cultural analysts of the age, intellectuals writing for middlebrow Americans. The protagonists were mostly white, male, well educated (especially at Harvard, Yale, and Columbia), centered in New York City, and descended from old-stock Protestant culture. Alongside these were a fair number of Jews, many of them émigrés from Nazi Europe. Leading figures included journalist Walter Lippmann, poet Archibald MacLeish, historian Arthur Schlesinger, magazine tycoon Henry Luce, culture critic Hannah Arendt, and especially sociologists Vance Packard, Erich Fromm, and David Reisman. Taken together, their views constituted what might be called the liberal mainline consensus.
The two books bear important similarities. Both are beautifully written and reveal imposing erudition. But they also bear important differences. While Jonathan Edwards is long, richly detailed, and largely descriptive, American Enlightenment is short, elegantly interpretative, and strongly argued. Another difference concerns the reaction from readers and critics. The Edwards biography won virtually unanimous praise. This latest offering likely will provoke both sustained praise and spirited debate (sometimes ...1
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