Shortly before my husband and I got married, someone gifted us a copy of Despicable Me—a movie we had enjoyed so much that we added it to our wedding registry. I don’t particularly enjoy kids’ movies, but Despicable Me was such a perfect balance of sentiment and humor, plot and character, that it resonated with me immediately. I was also, however, disappointed by Universal’s decision to follow it up with a series of increasingly minion-laden sequels—not because the franchise seemed unworthy of revisiting but because it seemed not to need it.
For this reason, Despicable Me 3 surprised me. Three movies in, the franchise still works, and works well: Gru’s relationship with his daughters, as well as the new addition of his wife, Lucy, ground the film with a fitting sentiment—one that keeps the value of community at the forefront of this franchise. I also appreciated the film’s acknowledgement of moral complexity, with its inclusion of a character whose path toward righteousness has been, as it is for many, a struggle.
Despicable Me 3 opens on Gru’s failed attempt to capture the film’s villain—Bratt Balthazar, a vengeful ’80s child star seeking retribution on Hollywood for canceling his television show. Armed with fiendishly strong bubble gum and a keytar that (naturally) plays popular ’80s music, Balthazar quite nearly steals the world’s largest diamond—a feat for which Gru is held accountable and ultimately fired alongside his wife.
Rocked by his unemployment, Gru struggles to stand firmly committed to his new crime-fighting creed—a creed for which his minions ultimately abandon him. Gru and family barely have time to lament this fact, ...1
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