Rob Stennett's first novel, The Almost True Story of Ryan Fisher, is equal part dramatic fiction and biting satire. It is the engrossing story of a young real-estate agent's audacious plan to start a church and become its pastor, even though he doesn't believe in God or subscribe to any Christian faith. It is written in a meandering sort of way, akin to the storytelling of National Public Radio's This American Life. Indeed, more than once I found myself reading it with the voice of Ira Glass, the show's host, in my head.
For me, reading Fisher was like literary déjà-vu — the distinct impression that I was reading a story from great literature. That's because in some twisted way, I was. There's an uncanny resemblance, whether intentional or not, between Fisher's plot and characters and those of Fyodor Dostoyevsky's Crime and Punishment. Both main characters, Ryan Fisher and Rodion Raskolnikov, concoct a plan to commit a "crime" based on an irrational, unhealthy view of ...1