
Hello, fellow wayfarers … What a disturbing evolution in “freebase pornography” should warn us about our post-human future … Why a new album of Rich Mullins songs cheered me up this week … How David French and I see the next ten years ahead of us … A Desert Island Playlist from the actual desert … This is this week’s Moore to the Point.
Warning: You Might Want to Skip This Newsletter. Seriously.
I’m usually not much for content warnings, but I seriously considered not sending this one out because it is about a topic so gross and unsettling that I found it too dark—and I’m the one who wrote it.
I was unnerved by the Harper’s Magazine piece I write about below because, though it’s seemingly sensational, I do not believe it to be a moral panic. It tracks with what I’m hearing from Gen Z Christians about what many of their friends are facing and with the questions I get from youth pastors about the crises facing their students.
If you’re not up for some dark and disturbing descriptions, then it is perfectly okay to skip this one and come back next week. I’ve included a link to the Harper’s piece, but it is much more descriptive and thus even more distressing than anything here, so be aware of that if you decide to click through.
A Disturbing Porn Subculture Warns of Our Post-Human Future
Somewhere near you—next door, in a room down the hall—there may well be a gooner. You might not know what that is, and I’m trying to figure out how to tell you without making me too squeamish to write this or you too squeamish to read it. But we’ve waved away too many things because they seemed too strange to discuss—until it was too late. We might want to unsee all this, but it’s time to see it clearly.
In the latest issue of Harper’s Magazine, Daniel Kolitz documents the widespread and growing phenomenon of “gooning”—a pornography-obsessed subculture among predominantly Gen Z males who spend hours, even days, consuming pornography, often in front of multiple screens in specifically constructed rooms they call “gooncaves.” The goal isn’t sexual satisfaction but the indefinite prolongation of arousal: what they describe as reaching a “goonstate” of transcendent bliss, supposedly to achieve the kind of “ego death” promised by the higher levels of Eastern meditation.
Even before reading this piece, some might conclude they know what it’s about. After all, we’re a quarter century into the almost-ubiquitous presence of internet porn. The subject comes up in virtually every church men’s accountability group, every congregational parenting seminar. And, of course, we know the problem behind porn is much more ancient than any of our modern technologies. From the very beginning, the Christian church—in continuity with the Old Testament—warned believers about sexual immorality (porneia). And Jesus taught about the dangers of imaginations captive to lust (Matt. 5:28).
Lust, after all, is the abstraction of a person into someone consumable and disposable. Pornography is meant to give a person the simulation of a sexual experience unanchored from the covenant fidelity and intimacy of the one-flesh union of marriage. The Bible’s vision of sexual integrity is not, as is often caricatured, the result of a scolding God who resents human pleasure. Quite the opposite. Usually, though, the church has had to teach this proper understanding of lust in spite of the fact that the short-term “benefits” of sexual unrestraint seem more carefree and harmless than chastity.
In recent years, many have pointed to the misogyny of the “incels” (involuntarily celibate)—young men, perhaps first brought to attention in the gamer world, who cannot find a mate and who burn with rage against the women to whom they believe themselves entitled for attention and sexual pleasure.
The gooners, though, would not claim to be involuntarily celibate. They describe themselves as even a step beyond those men—in a tale as old as Lamech—who want sexual pleasure without responsibility. It is not that these gooners want other people’s bodies apart from their hearts and souls; they don’t want the bodies either. It’s not that they want to distill pleasure from covenant; they don’t even really want the pleasure.
Kolitz describes those among the gooners who call themselves “pornosexual.” They are, he writes, not just uninterested in real-life sex with a real-life person but are terrified by it. Respondents told Kolitz they found it “exhausting” to try to figure out what’s going on in a partner’s head. Indeed, over time, this community has found that it’s not just the friction of interpersonal intimacy they find exhausting and boring but even pornography itself—at least the way any previous generation has understood it.
The gooners represent the evolution of porn: Those adapted to the ubiquity of it have grown accustomed to a degree of stimulation most porn isn’t equipped to satisfy. A new form described as a “porn music video” (PMV) has emerged, with rapid-fire and contextless images speeding by almost too fast for any of them to be noticed. This, Kolitz writes, is a kind of “freebase pornography—porn purified of anything that might disrupt its swift passage to the brain.”
In pornography as humanity has known it, going all the way back to its roots in ancient prostitution, one of the typical pretenses is that the person being “consumed” actually likes the consumer. Not so with gooning.
In this new evolution of porn, Kolitz notes, entrepreneurs design videos that explicitly ridicule the gooners for their inability to have real relationships, for the shamefulness of gooning itself. “Healthy gooning, as any gooner can tell you, is an oxymoron,” Kolitz writes. “In this world, I was coming to learn, the degradation is the point.”
“If there is any coherent message to the sprawling folk-art practices of Goonworld, it is this: kill yourself,” Kolitz writes. “Not literally, but spiritually. Where mainstream porn invites the straight-male viewer to imagine himself as the man onscreen, gooner porn constantly reminds viewers that they are alone,” even taunting the viewers themselves that no one would ever want to be with them in real life and that their using this “content” is proof of that.
One commenter on the social media platform X, whom I couldn’t discern as Christian or otherwise religious, wrote that he found the article “genuinely, viscerally upsetting” for the “dehumanization” described in the piece, noting that there’s something “really grim going on here.”
“It’s like total abstraction,” this commenter wrote. “The arousal is coming not from sex but from the stimuli itself. It’s almost post-human.” I would argue almost is not even the right word here.
This should alarm us on its own terms, but it also should wake us up even more, because this is not just about pornography or sexuality or the next generation. It fits with a much broader move toward a world where everything is like goonspace—stimulation without communion. Describing the misery of the gooners, Kolitz uses the metaphor of hell. This is perhaps more apt than even he intends.
As C. S. Lewis taught us in the last century, our problem is not that we want more pleasure than a schoolmarmish God will let us have but that we are too easily pleased—fine with mud pies in the slum because we cannot imagine a holiday on the seaside. We’ve quoted that repeatedly, but I wonder if we really understand it.
What’s unique here is not lust and shame (as old as Eden’s fig leaves) but the ecosystem that can give us exactly what we think we want—until we are so trapped that we no longer know how to feel want. Sexual sin distorts attachment; this ecosystem dissolves it.
Porn industries and their allies don’t make people sexier. They evacuate the capacity for human eros by abstracting pleasure from persons, from story, from place, from love.
Again, Lewis rightly argued throughout many of his books that when we treat appetites as masters rather than as signals, they shrink our capacity to enjoy even the pleasures they promise. Overstimulated and underattached, the nervous system habituates to novelty and speed and loses patience for the slow, strange mercy of covenant love.
The gooners are not some freakish fringe. They are omens of a disembodied age that beckons us all. We can say no to it. We might seem powerless in front of such matters, even willfully ignorant, but the broader body of Christ, transcending time and space, knows the way out: the mystery of Christ (Eph. 5:31–32).
But escaping this disembodiment will require us to recognize that we face not only our own fallen flesh but also an entire industry of unseen algorithms trained to lead us, step by step, toward this post-human hell. It will require seeing clearly and modeling a different story—one that is set at a wedding feast, not in a warehouse of screens.
Among the first tasks of the 21st-century church will be to break this spell—to remind ourselves that we are creatures, not machines, and that we are created for love. Love is slower and riskier than a blur of images. Love seeks not to degrade and humiliate us but to point us to the one who loves us beyond all we can ask or even think. Love does beckon us to come and die, but not to be obliterated in ego death. Love calls us through death to newness of life and fullness of joy.
We can proclaim that kind of love, and we can model it—especially with those who believe themselves too far gone to ever be really loved. We can offer grace and mercy and community through the gospel and, with it, actual life and love.
The gates of hell cannot withstand that kind of love. Surely the screens of goonspace can’t either.
A Ragamuffin Revival
One of my happiest moments of the past several years was sitting in the Ryman Auditorium listening to Andrew Peterson and an all-star team of other artists singing reinvented versions of the late Rich Mullins’s songs. I knew they were putting out an album to honor him, but somehow I had forgotten when it would be here. I audibly cheered when I saw it in my Spotify feed this week. The album is A Liturgy, a Legacy, and the Songs of Rich Mullins (Live). It is truly amazing.
Some of my favorites of the Mullins corpus are here: “Elijah,” “Here in America,” “Hold Me Jesus,” “Land of My Sojourn,” and “You Did Not Have a Home.” And my all-time favorite is here too: “Hard to Get,” which the Lord used to get me through the darkest time of my life. These lines hit hard:
I can’t see how you’re leading me unless you’ve led me here
To where I’m lost enough to let myself be led
And so you’ve been here all along, I guess
It’s just your ways, and you are just plain hard to get
This album is not a greatest-hits rendition of Mullins. It’s a genuine reinterpretation from some of the best musicians of this age. I loved it, and I think lots of y’all will too. Listen to it and remember that the holy King of Israel loves us, even here in America.
The (David) French Revolution
Normally I spend hours preparing for a podcast. The goal is to make it seem easy. I think through all sorts of directions the conversations could go so I can follow any possible stream. A few weeks ago, though, Beth Moore and I decided to record unfiltered and unvarnished. I didn’t plan a single question. I just wanted y’all to overhear us in real time as though you were there. I liked it so much I decided this week to do it with another friend, David French.
I did not worry for one nanosecond that we would struggle to find stuff to talk about, since we do that virtually every day. It’s unusual if an hour’s gone by without David getting a text from me that says something along the lines of “Can you believe this?”
I imagine most of you know who David is—New York Times columnist and my collaborator on The After Party and countless other projects.
We started this conversation asking whether there’s a revival going on among Gen Z. We talk about the weird backlash we’ve seen toward women in evangelical spaces, whether the nonbinary gender-identity trend is now over, and whether we are headed to a dark place on questions of religious freedom. Then we got personal, talking about why, after all that each of us has seen, we are still Christians and what advice we give to those who wonder if they still can be.
You can listen here.
Desert island Playlist
Every other week, I share a playlist of songs one of you says you’d want to have on hand if you were stranded on a desert island. This week’s submission comes from reader Greg Memberto in Florence, Arizona. Here’s his list:
- “Up on the Roof” by Laura Nyro. Yes, it has to be Laura’s version. Great song, many versions. She nailed the passion.
- “A Beautiful Morning” by The Rascals. Pick any Rascals song for the list. But this one expresses their joy in life.
- “People Got to Be Free” by The Rascals. Even after almost 60 years, this says even though stuff happens, we still can do better.
- “Jesus in 3/4 Time” by J. D. Souther. Not a hymn. So many Souther tunes to pick, but off his first album, it showed how deep and personal he was going to be.
- “Autumn Blue” by Craig Chaquico with Richard Elliot. Smooth jazz has played a role in my later years, and this one was a perfect blend of guitar and saxophone.
- “Magnolia” by Poco. A J. J. Cale mellow classic, but Paul Cotton made it his own. Brings a tear to this day.
- “Raindrops Keep Fallin’ on My Head” by B. J. Thomas. I would substitute The Muppets’ version with the soundtrack of Butch Cassidy and the Sundance Kid. Loved the movie and the album; especially this song has always been fun to listen to.
- “Venice” by Baron Stewart. I am probably one of the eight people who purchased Bartering by Mr. Stewart. This was the first cut of the album that was always so fun to listen to. A classic SoCal recording.
- “Where’s the Playground Susie” by Glen Campbell. From “MacArthur’s Park” through the songs Glen sang, Jimmy Webb showed what a great storyteller he was. This one just oozes melancholy.
- “Nowadays Clancy Can’t Even Sing” by Buffalo Springfield. Neil Young’s words and music, the voice of Richie Furay. For those few months, for those few concerts, in that one album, there was Buffalo Springfield. Then “For What It’s Worth” was the pin that popped the balloon.
- “Old Friends” by Simon & Garfunkel. Some duos are just not supposed to break up. With this song I picture me sitting on a bench next to my friend Fred or Rick or Marcel or Joel or Floren or Kenny or Ricky or Lloyd.
- “Heart of the Night” by Poco. Had to add another one from Paul Cotton of Poco. The perfect combination of guitar, steel guitar, and saxophone, plus Paul’s great voice in a song of longing to be somewhere. Aren’t we all?
- A baker’s-dozen 12. “The Innocent Age” by Dan Fogelberg. Because the San Fernando First Baptist Church in the late ’60s truly was my age of innocence.
Thank you, Greg!
Readers, what do y’all think? If you were stranded on a desert island for the rest of your life and could have only one playlist or one bookshelf with you, what songs or books would you choose?
- For a Desert Island Playlist, send me a list between 5 and 12 songs, excluding hymns and worship songs. (We’ll cover those later.)
- For a Desert Island Bookshelf, send me a list of up to 12 books, along with a photo of all the books together.
Send your list (or both lists) to questions@russellmoore.com, and include as much or as little explanation of your choices as you would like, along with the city and state from which you’re writing.
Quote of the Moment
“We come to throw ourselves on grace, but it is by grace that we throw ourselves on grace. Before we touch the cross, Christ has shouldered it; before we shape a prayer, Christ has prayed it. Let the prayer of Christ, let the sacrifice of Christ, placed in my baptism under the root of my heart, break upwards and displace the sunny rubbish of self-will, to become my prayer and my resolution.”
—Austin Farrer in The Truth-Seeking Heart
Currently Reading (or Re-Reading)
- Justin Whitmel Earley, The Body Teaches the Soul: Ten Essential Habits to Form a Healthy and Holy Life (Zondervan)
- Amie Barrodale, Trip: A Novel (Farrar, Straus and Giroux)
- Kwame Anthony Appiah, Captive Gods: Religion and the Rise of Social Science (Yale University Press)
- Elmer O’Brien S. J., ed., The Essential Plotinus (Hackett Publishing)

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Russell Moore
Editor in Chief, Christianity Today
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