In his novel, This Is Happiness, Niall Williams’ elderly narrator, Noe (pronounced No), remembers when electricity and light came to their little Irish village of Faha:
I’m aware here that it may be hard to imagine the enormity of this moment, the threshold that once crossed would leave behind a world that had endured for centuries, and that this moment was only sixty years ago.
Consider this: when the electricity did finally come, it was discovered that the 100-watt bulb was too bright for Faha. The instant garishness was too shocking. Dust and cobwebs were discovered to have been thickening on every surface since the sixteenth century. Reality was appalling. It turned out Siney Dunne’s fine head of hair was a wig, not even close in color to the scruff of his neck, and Marian McGlynn’s healthy allure was in fact a caked make-up the color of red turf ash.
In the week following the switch-on, (store owner) Tom Clohessy couldn’t keep mirrors in stock, as people came in from out the country and bought looking glasses of all variety, went home, and in merciless illumination endured the chastening of all flesh when they saw what they looked like for the first time.
Possible Preaching Angle:
Such is the illumination of the gospel—in a person’s heart, in a community, even in a culture. It’s no surprise, then, that John 3:19 says, “Light has come into the world, but people loved darkness instead of light because their deeds were evil.” James 1:23-24 warns against the folly of looking in the mirror of God’s Word only to walk away without changing.
