Art

In 1889, Vincent van Gogh committed himself to a psychiatric asylum in Southern France, where he spent a turbulent year creating roughly 150 paintings, including masterpieces such as “Irises,” “Almond Blossom” and “The Starry Night.”

Now, a former curator of ancient art at the Metropolitan Museum of Art has teamed up with a group of conservators, scientists, and historians who believe they’ve discovered No. 151. It is a previously unknown Van Gogh portrait of a fisherman plucked from a Minnesota garage sale a few years ago by an unsuspecting antiques collector in Minnesota. The dealer called to say he’d spotted this fisherman in a bin of other paintings at a garage sale. He’d bought it because he liked the work’s impasto, or thickly painted brushstrokes.

A team of specialists is trying to prove that the canvas bought for less than $50 was painted by the iconic artist and is now worth $15 million.

Possible Preaching Angle:

Human Worth; Value - Just as we often find unexpected treasures in the most unlikely places, people, too, carry within themselves hidden value that may not be immediately apparent. Each individual holds unique talents, perspectives, and strengths waiting to be discovered and appreciated. By taking the time to look beyond the surface, we open ourselves to the possibility of uncovering remarkable qualities in others.

Max Evans-Browning, a five-year-old from Wales, captured hearts worldwide by creating a touching tribute to Sir David Attenborough’s 99th birthday. Max spent four days drawing 99 animals — one for each year of the renowned naturalist’s life — demonstrating his admiration and artistic dedication.

Max’s project spanned eight A3 sheets, and his parents proudly shared, “He’s a huge fan of Sir David and wanted to do something special to celebrate his birthday.” The child’s detailed and colorful drawings include a wide variety of animals, from familiar pets to exotic wildlife, showcasing his keen interest in nature at a young age.

Attenborough himself has been a source of inspiration for many generations, and Max’s artistic gift is a heartfelt homage to the man whose documentaries have shaped public understanding of the natural world. Max’s mother said, “It’s amazing to see such creativity and enthusiasm in a child so young.”

The tribute also highlights the power of youthful curiosity and creativity in fostering a connection with nature and science. Max’s drawings not only celebrate a milestone birthday but also encourage others to appreciate the diversity of life on Earth.

Local media praised Max’s efforts as “a wonderful example of how children can be inspired by science and nature.” The story has resonated globally, reminding people of all ages to cherish the natural world and those who dedicate their lives to protecting it.

Possible Preaching Angle:

Like Max’s art honors Attenborough and creation, our worship honors God through our gifts and love for what He made.

In a remarkable fusion of art and science, researchers have unveiled Anauchen picasso, a newly discovered microsnail species from Southeast Asia, named in honor of the iconic artist Pablo Picasso. This tiny creature, measuring less than 5 millimeters, boasts a uniquely angular shell that evokes the geometric forms of Cubist art. The team described it as resembling "a cubist interpretation of other snails with 'normal' shell shapes."

This species is one of 46 newly documented microsnails found in Southeast Asia. One researcher wrote, “Although the shell sizes of these snails are less than 5 mm, they are real beauties! Their shells exhibit extraordinary complexity.”

The complexity is not merely aesthetic. The snail has an aperture lined with tooth-like barriers, likely serving as defense against predators. Even more unusually, some of the snails carry their shells with the opening turned either upward or downward—creating an “upside-down” orientation. These details, including the shape and orientation of the final shell whorl, were key to distinguishing between species.

Some of the species were found in recent fieldwork, while others had been overlooked in museum archives for decades, collected all the way in the 1980s. Tragically, many of the snail habitats may no longer exist due to widespread deforestation and limestone quarrying in the region—two major threats to these endemic creatures.

The naming of Anauchen picasso not only pays tribute to artistic innovation but also underscores the intricate beauty and diversity found in nature's smallest creations. This discovery highlights the intersection of art, science, and conservation, reminding us that even the tiniest organisms can inspire awe and appreciation.

Potential Preaching Angles:

When we pay close attention to God’s creation, we can rediscover wonder and joy. God is the master artist, and continually displays His glory through the details of His creation.

For over two decades, a vibrant mural featuring "The Wizard of Oz" characters adorned Stead Park. Painted by local graffiti artists in 2001, it became a beloved landmark. However, last spring, a new group of artists replaced it with a whimsical scene of toy buildings and a toddler, symbolizing the neighborhood's evolving culture.

The transformation sparked controversy when Roger Gastman, one of the original muralists, sued Cory Stowers, the leader of the new team. Gastman claimed the new mural destroyed his original work, while Stowers argued that the old mural had deteriorated and needed repair. The dispute has reignited debates about ownership and creative control in street art, pitting preservation against evolution in the ever-changing landscape of graffiti.

The case is unique as it involves artists suing other artists over the alteration of building art, rather than building owners. Stowers, a prominent figure in D.C.'s graffiti scene, had secured funding and permission from the property owner to repaint the wall. However, Gastman, now well-known in the graffiti world, argues he wasn't consulted before the work was altered.

This conflict has raised concerns within the graffiti community about the future of murals and how artists navigate issues of ownership. It also highlights the tension between preserving artistic legacy and embracing the fluid nature of street art. As community member Renée Vara noted, "It's a shame that a beautiful collaboration has kind of come to this," encapsulating the mixed emotions surrounding the dispute.

Possible Preaching Angles:

1) Transformation; Renewal - The replacement of the old mural with a new one echoes biblical themes of transformation or the idea of a new creation; 2) Conflict between generations: The dispute between the original artist and the new group mirrors biblical stories of generational conflict, like Jacob and Esau or Joseph and his brothers; 3) Stewardship and responsibility - The debate over who has the right to alter the mural reflects biblical themes of stewardship and responsibility for God’s creation. 4) Legacy - Gastman's desire to preserve his artistic legacy echoes biblical themes of leaving a lasting impact and honoring one's legacy.

A piece of conceptual art titled "Comedian," created by Italian artist Maurizio Cattelan, was recently auctioned for $6.2 million at Sotheby's of New York. The artwork consists of a banana duct-taped to a wall.

This unusual piece caused a sensation when it premiered at Art Basel Miami Beach in 2019, sparking debate over whether it was a clever commentary on the art world or simply a joke. The attention was so intense that the piece had to be removed from display. Despite its simplicity, three editions of "Comedian" sold for between $120,000 and $150,000.

This time around, the winning bid at Sotheby's came from Justin Sun, founder of the cryptocurrency platform TRON. With auction house fees included, Sun paid over 40 times the original selling price. It's important to note, however, that Sun didn't purchase the banana itself. Instead, he bought a certificate of authenticity that grants him the right to duct-tape a banana to a wall and call it "Comedian."

Bidding for the piece began at $800,000 and quickly escalated, reaching millions within minutes. Auctioneer Oliver Barker, trying to maintain a lighthearted tone, quipped, "Don’t let it slip away,” and “Don’t miss this opportunity. These are words I’ve never thought I’d say: Five million dollars for a banana.”

Sun, commenting on his purchase, stated that "Comedian" represents “a cultural phenomenon that bridges the worlds of art, memes, and the cryptocurrency community." He also revealed his plans for the artwork, stating, "Additionally, in the coming days, I will personally eat the banana as part of this unique artistic experience, honoring its place in both art history and popular culture.”

Possible Preaching Angle:

This story can serve as a modern parable, challenging us to reflect on our values, the use of resources, and the nature of true worth in light of biblical teachings. It reminds us of the empty value the world places on temporary things.

Stephen Steele writes about sculptor Gillian Genser who was experiencing headaches, vomiting, hearing loss, confusion, and suicidal thoughts. For years, doctors were baffled by what was afflicting her. They asked if she was working with anything toxic, and she assured them she wasn’t. She told them that she only worked with natural materials. They prescribed antipsychotics and antidepressants, but nothing seemed to help.

Finally, she saw a specialist who tested her blood for heavy metals and found high levels of arsenic and lead in her system. She was shocked, but still confused—how had she ingested those dangerous compounds? Finally, she talked to one doctor who was horrified to hear that she had been grinding up mussel shells for the past fifteen years to use in her sculpture. She had no idea that mussels can accumulate toxins over years of feeding in polluted waters.

The most fascinating thing about the story is who the sculpture was meant to be. It was Adam, the first man. Genser recognized the irony herself. She said: “It’s very interesting and ironic that Adam, as the first man, was so toxic. He poisoned me. Doesn’t that make sense?”

Steele comments,

And it makes perfect sense, because that is what Adam, the first man, did to all of us. He poisoned us. He rebelled against God – and we are contaminated by that rebellion. The message of the Bible, however, is that a second Adam – Jesus Christ – has come to cleanse us from this in-built corruption, as well as the other poisonous thoughts, words, and deeds we add to it during our lives. It doesn’t mean those who trust him will be perfect. Like Gesner, we will suffer the effects of Adam’s poison for the rest of our lives – but it will no longer define us forever.

Many have wondered what place AI or robots will have in the future. They will make life easier, but could robots replace the world’s greatest artists?

Filippo Tincolini and Giacomo Massari formed Litix, a company that creates sculptures on commission for artists, architects, and designers. They sell their technology to clients around the world, including three sizes of Litix’s signature robot and proprietary software to program the robot for sculpting.

Massari said, “What used to take months or even years can now be done in days. Machines can run round-the-clock. They don’t get sick or sleep or go on vacation.” One of his favorite stories is about Psyche Revived by Cupid’s Kiss, Antonio Canova’s 1793 neoclassical masterpiece that sits in the Louvre. “It took Canova five years,” Massari said. To make a replica it “took our machine … less than 12 days.”

The robot does not put on the finishing touch. “… the final details will be executed by human sculptors—even Litix’s techno-evangelist owners don’t pretend that its machines can match the finest subtleties of human artisanship.”

“It took the robot four days to complete its work on Flowered Slave. Artisans then spent another 20 days finishing the work by hand—what Tincolini calls ‘“giving life to the sculpture.”’

By contrast, Enzo Pasquini has worked only with hand tools since his days as an apprentice more than 70 years ago. Around town he’s known as a master who can carve the most elaborate details into stone. “I have to do it the old way. But you have to go with the times. There are fewer and fewer young people who want to do the hard physical labor. But machines won’t change the sensitivity of the work. You will always need the sculptor for that.”’

Possible Preaching Angle:

In the same way, no matter how many intelligent computer programs we use to solve problems, or even how many skilled humans are involved, people will always need the Master Sculpture to finish what he started in our lives. “And I am sure of this, that he who began a good work in you will bring it to completion at the day of Jesus Christ” (Phil. 1:6).

In a surprising turn of events, a real photograph entered into an AI-generated images category won a jury award but was later disqualified. Photographer Miles Astray submitted a photo of a headless flamingo on a beach to the 1839 Awards competition, judged by esteemed members from various prestigious institutions. His image, titled FLAMINGONE, won the bronze in the AI category and the People’s Choice Award. However, Astray revealed that the photo was real, leading to its disqualification.

Explaining his decision Astray, cited previous contest results. “After seeing recent instances of A.I. generated imagery outshining actual photos in competitions, it occurred to me that I could twist this story inside down and upside out the way only a human could and would, by submitting a real photo into an A.I. competition.”

Lily Fierman, director of Creative Resource Collective, appreciated Astray's message but upheld the disqualification: “Our contest categories are specifically defined to ensure fairness and clarity for all participants. Each category has distinct criteria that entrants’ images must meet.” Despite the disqualification, she acknowledged the importance of Astray’s statement and announced plans to collaborate with him on an editorial.

Astray supported the decision to disqualify his entry, praising Fierman and calling it “completely justified.” “Her words and take on the matter made my day more than any of the press articles that were published since.” In general, he seems to have no regrets about the AI stunt, given the overall positive response.

Astray said, “Winning over both the jury and the public with this picture, was not just a win for me but for many creatives out there.”

Possible Preaching Angle:

Human creativity is a gift from a creative God. When we use our creativity, we're showing appreciation for this amazing gift. God gives a unique gift to each person that can’t be duplicated or manufactured artificially. Whether a student, a pastor, an artist, or business person, we can use AI as a helpful tool, but we should never short-circuit the creative process by relying completely on it.

Sally-Lloyd Jones, the author of the popular Jesus Storybook Bible for Children, tells the following story about visiting the Museum of Modern Art in New York City:

A few years ago, I overheard someone commenting on a piece of [modern] non-representational art. I think it was a Rothko [a 20th century American abstract painter]. "My child could to that!" someone said. I take that as a compliment.

“My child could do that.” But really, isn't that the point? Artists like Rothko were specifically drawn to children's art. Picasso once said, “It took me four years to paint like Raphael, but a lifetime to paint like a child.”

The power of a child's art is defined by what they can't do--by their lack. They know they can't do it. And as a result, their art is not about showing off skill or expertise. It's coming from somewhere else. It's all heart ... A child is physically not able to master [pencil or paints]. They struggle to depict things--and every line has heart ... The power of the art of a child comes not from their ability or their strength. It comes from their weakness, their not being able, their vulnerability.

Stephane Breitwieser is “perhaps the most prolific art thief in history,” said Michael Finkel in GQ. The Frenchman has robbed more than $1.4 billion worth of art from nearly 200 museums and steals like he is performing a magic trick, without violence or a frantic getaway.

When 47-year-old Breitwieser sees a piece he likes, he says, “I get smitten. Looking at something beautiful, I can’t help but weep.” He never sells anything he steals, but simply brings the piece home to adore. “The pleasure of having,” he says, “is stronger than the fear of stealing.”

He became hooked after lifting an antique pistol from a French museum at age 22, and by the early 2000s he averaged a theft every two weeks. His trick is acting as casually as possible and waiting for a distraction, sometimes slipping paintings under his oversize coat while on guided museum tours. He did many heists with his longtime girlfriend, who’d cough softly when someone approached as he unscrewed display cases with a small Swiss Army knife. At an art fair in Holland, Breitwieser heard someone shout “Thief!” and turned to see security guards tackle another burglar. He nabbed a painting amid the commotion.

Arrested and imprisoned several times, Breitwieser was caught yet again last month after French police discovered Roman coins and other objects in his home, allegedly taken from museums in France and Germany. “Art has punished me,” he says.

Possible Preaching Angle: Greed; Temptation; Original Sin – This guilty person says, “Art has punished me.” But really it is the power of sin and yielding to temptation that truly punished this man.

The Indigenous Arts In Prisons & Community program, also known as The Torch, has become an incredible boon for inmates in Victoria, Australia. It allows inmates to sell their artwork to the public, helping them manage the stress of their incarceration as well as assisting in their post-prison rehabilitation. The proceeds from the art sales are placed into a trust, which then reimburses the artists upon their release from prison. Last year alone, The Torch provided $280,000 for prisoners and ex-prisoners.

Victorian Ombudsman Deborah Glass founded The Torch in 2015 during her research into prisoner rehabilitation, when it was only a program that allowed inmates to express themselves through art. She saw the success of the program but was bothered by the fact that the prisoners weren't allowed to make money from their work, so she set out to change that.

According to Glass, The Torch is not only a great place to purchase art (she's got several pieces in her newest office space) and help inmates change their lives for the better, but it's also a great investment.

"When you think about what it costs society when somebody comes out of prison without support, commits crime, and goes back in again—[it's] over a billion dollars a year," Glass said. "If we can invest some portion of that into the sort of programs that prevent reoffending how much better off are we?"

Potential Preaching Angles: Hardship can often sensitize us toward God's beauty and wonder. God's blueprint for justice includes restoration. Godly correction is not condemnation, but an opportunity for repentance.

The actor Bill Murray claimed that a work of art once saved his life. He was in Chicago for his first experience as an actor. Murray said, "[My performance] was so bad that I just walked out afterward and onto the street. I kept walking for a couple of hours. Then I realized that I walked in the wrong direction and not in just the wrong direction from where I lived, but in the desire to stay alive."

He headed for Lake Michigan as he contemplated taking his own life. Murray continued:

I thought, "If I'm going to die, I might as well go over toward the lake and float a bit." So, I walked toward the lake and reached Michigan Avenue and started walking north. Somehow I ended up in front of the Art Institute and walked inside. There was a painting of a [simple peasant] woman working in a field with a sunrise behind her. I always loved that painting. I saw it that night and said, "Look, there's a girl without a whole lot of prospects, but the sun's coming up and she's got another chance at it." I said, "I'm a person, too, and will get another chance every single day."

After gazing at the painting, Murray decided to live.

You can view the painting here: "Song of a Lark" by Jules Breton

Possible Preaching Angles: Art; Beauty; Gratitude; Thanksgiving; Despair; Hope; God, goodness of—Sometimes the simple but good things of life—like beauty, for instance—can awaken us to gratitude and the goodness of God.

If anything epitomizes the current cultural fascination with uncovering antique treasures, it would have to be the story about the discovery of an original painting by the Renaissance artist Raphael in an estate in Scotland, which was originally thought to be a fake. The painting, credited as a copy for years to a minor artist named Innocenzo Fancucci da Imola, had been valued at $26 in 1899 (about $2,600 in today's prices). The painting caught the eye of art expert Dr. Benor Grosvenor during the filming of a BBC television series while he was looking at other artwork. "I thought, crikey, it looks like a Raphael," Grosvenor told reporters. That fact would bring the value of the painting up to an estimated $26 million.

The piece has not had sufficient time to complete the vigorous process of consultations and expert viewings to completely verify its identity, but in the eyes of Grosvenor, it's only a matter of time. "All the evidence seems to point in the right direction," he says, adding that the discovery might even be of national significance: "It would be Scotland's only publicly owned Raphael." It would appear to be quite the turnaround for a painting that has been disregarded and treated as virtually worthless for hundreds of years.

Potential Preaching Angles: (1) Scripture compares Jesus to a rejected cornerstone. (2) The painting was virtually worthless until the true artist behind the work was revealed. Human beings have inherent dignity because God is the author of each person.

In the early 1980s the city of Philadelphia had a huge problem with graffiti. The mayor established the Anti-Graffiti Network, committed to combatting the vandalism, which morphed into the Mural Arts Program, led by the artist Jane Golden. Golden said, "I spent the first five years of my life in Philly being told that graffiti is never going away and the kids you're working with are going to end up in jail." But she didn't give up. When police caught kids painting graffiti, program officials first asked them to sign an amnesty statement, pledging to refrain from graffiti writing, then assigned them scrub time, cleaning spray paint from walls.

Then without warning one Friday night, about a dozen guys showed up at Golden's door. As they introduced themselves, she recognized most from their graffiti tag names, like "Rock" and "Cat." Golden invited them inside. "They came in and went right for my art books, pulling out all the books on abstract expressionism," she said.

Many of them had dropped out before high school, but they had learned about art from books they had checked out or stolen from the library. Most had brought Golden their sketch books, so she could see the type of work they were doing. "They'd learned about drawing from comic books; they had an intuitive sense of color and design," Golden said. After talking with the young artists about their work, Golden explained the anti-graffiti program, and before they left her house, all had agreed to sign the pledge and commit themselves to scrub time.

Golden connected with the young graffiti writers not as "criminals," but as artists. She offered them a lifeline, a way they could be paid money to paint murals legally. The organization is now the largest public art program in the U.S, with a collection of over 4,000 murals.

Editor’s Note: The program is still going strong in 2024, you can read the latest here