Arts

In 1889, Vincent van Gogh committed himself to a psychiatric asylum in Southern France, where he spent a turbulent year creating roughly 150 paintings, including masterpieces such as “Irises,” “Almond Blossom” and “The Starry Night.”

Now, a former curator of ancient art at the Metropolitan Museum of Art has teamed up with a group of conservators, scientists, and historians who believe they’ve discovered No. 151. It is a previously unknown Van Gogh portrait of a fisherman plucked from a Minnesota garage sale a few years ago by an unsuspecting antiques collector in Minnesota. The dealer called to say he’d spotted this fisherman in a bin of other paintings at a garage sale. He’d bought it because he liked the work’s impasto, or thickly painted brushstrokes.

A team of specialists is trying to prove that the canvas bought for less than $50 was painted by the iconic artist and is now worth $15 million.

Possible Preaching Angle:

Human Worth; Value - Just as we often find unexpected treasures in the most unlikely places, people, too, carry within themselves hidden value that may not be immediately apparent. Each individual holds unique talents, perspectives, and strengths waiting to be discovered and appreciated. By taking the time to look beyond the surface, we open ourselves to the possibility of uncovering remarkable qualities in others.

Some people call it the most joyful work ever written: Ludwig van Beethoven’s Ninth Symphony, composed in 1824, which ends with the famous anthem “Ode to Joy.” In English it says: “Joy, thou shining spark of God / Daughter of Elysium / With fiery rapture, goddess / We approach thy shrine!”

You might assume that Beethoven, was a joyful man. You would be incorrect in that assumption. He was well known among his contemporaries as an irascible, melancholic, hypercritical grouch. He never sustained a romantic relationship that led to marriage, was mercurial in his friendships, and was sly about his professional obligations.

Of course, Beethoven progressively lost his hearing and was therefore deaf when he wrote his later works (including the Ninth Symphony). But we have ample evidence that his unhappy personality predated his deafness. Even before his hearing loss set in, for example, he complained bitterly about his music’s shortcomings, as he saw them. He is said to have reviled what was probably his most popular early composition, the Septet in E-flat Major, saying “I wish [the score] were burned!”

At the same time, he clearly saw—and regretted—the effects of his unhappy personality. “I can easily imagine what you must think of me,” he wrote to an “esteemed friend” in 1787, “and I cannot deny that you have too good grounds for an unfavorable opinion.”

Perhaps you can relate to Beethoven: You recognize that you have some unhappy personality traits—and, like him, you regret that. But remember, even with his flaws, Beethoven transformed his struggles into timeless masterpieces. Your challenges, too, can become the source of your greatest strengths and achievements.

Googly eyes have been appearing on sculptures around the central Oregon city of Bend, delighting many residents and sparking a viral sensation covered widely by news outlets. On social media, the city shared photos of googly eyes on installations in the middle of roundabouts that make up its so-called “Roundabout Art Route.” One photo shows googly eyes placed on a sculpture of two deer, while another shows them attached to a sphere.

A Facebook post received hundreds of comments, with many users saying, “We love the googly eyes. This town is getting to be so stuffy. Let’s have fun!”

Now, after months of speculation, the mystery of the googly eyes has finally been solved. Jeff Keith is the founder of the nonprofit Guardian Group that combats human trafficking. But in his free time Keith apparently also battles boredom, because he claimed responsibility for placing googly eyes on public art sculptures around the city of Bend, Oregon.

Keith, who used duct tape to attach the googly eyes, admitted, “It’s a (way) for me to cope with some pretty heavy stuff," Keith said to an AP reporter. He noted the "unimaginable trauma" that many of the trafficking victims he's worked with have experienced.

The city of Bend shared photos of the googly-eye-decorated art, noting that adhesives can damage the art. According to city officials, eight sculptures were affected, and it cost $1,500 to remove all the googly eyes.

Keith said he didn’t anticipate the attention and offered to pay for any damages. After he came forward, a spokesperson for the city said its post had been misunderstood, and that the intention was to raise awareness about the damage adhesives can do to public art.

Keith hopes his pranks bring humor to people's lives. “I think the biggest thing is, for me, just to get a laugh,” he said. “When I come up on these roundabouts and I see families laughing, like hysterically laughing at these, it makes for a good time.”

Editor’s Note: You can see an example of the googly eyes here

Possible Preaching Angle:

While it is never a good idea to deface public art or buildings, we can appreciate the attempt to bring humor into people’s lives. As Proverbs says, “a cheerful heart is good medicine” (Prov. 17:22).

All cultures seem to have at least one thing in common—they write music and sing. But why? Music baffled the evolutionist, Charles Darwin. Humanity’s ability to produce and enjoy melodies, he wrote in 1874, “must be ranked amongst the most mysterious with which he is endowed.”

All human societies made music, and yet, for Darwin, it seemed to offer no advantage to our survival. He speculated that music evolved as a way to win over potential mates. Other scientists were skeptical. That debate continues to this day. Some researchers are developing new explanations for music. Others maintain that music is a cultural invention, like writing.

In recent years, scientists have analyzed the acoustic properties of thousands of songs recorded in dozens of cultures. One researcher offered the following guess for why we sing: “Maybe music was needed to improve group cohesion.” Or maybe sharing choruses and melodies, could have brought people together whether as a community or in preparation for a battle. Or maybe it helped parents bond with children.

Possible Preaching Angle:

The fact is, these are all guesses, but the Christian knows the best reason for singing—because the Living God is worthy of our joyful worship. He puts a new song in our mouth.

Brooklyn residents were in mourning in late October after a leaky fire hydrant was paved over by city workers. Over the previous summer, leaks from the hydrant had filled a small enclosure around the hydrant with water. Residents responded by adding goldfish and other bits of aquatic décor, painting goldfish onto a nearby light pole, and creating a seating area to view the fish.

Neighbors called it The Bed-Stuy Aquarium, referencing the name of the neighborhood known as Bedford-Stuyvesant. The pond became something of a tourist attraction after it became searchable as a location on Google Maps, and people from as far away as California flocked to it to take photos in front of the trending destination.

The unofficial aquarium was destined to be short-lived, because the fire department needed to make sure the hydrant remained in working order and didn’t freeze over the winter. Area resident Sofia Talavera said, “People actually took their time and their money to make it beautiful. This was literally the community coming together.” Talavera particularly enjoyed the aquarium as a late-night hangout spot. After the New York Liberty won the WNBA Finals, she posted a grainy image to Instagram with the caption “last night was so awesome I had to go to the aquarium to celebrate.”

The Department of Environmental Protection said in a statement that it was “looking forward to working with community members to find an appropriate alternative location for this impromptu gem,” adding that the goldfish were rescued and available for a new home.

Possible Preaching Angle:

Community Impact; Fellowship - While community safety is an important value to uphold, God’s people can promote mutual flourishing by adding value to the common good and creating opportunities for celebration for people. 2) Beauty; Creativity; Encouragement – It’s important to look for opportunities to add beauty and a moment for contemplation into people’s busy lives.

How do you make sense of the problem of pain and the wonder of beauty occurring in the same world? If you’ve ever had the privilege of visiting the Louvre in Paris, you probably braved the crowds to get a glimpse of the statue of Venus de Milo.

Millions have been captivated by the woman’s physical beauty displayed in stunningly smooth marble. They’ve also been disturbed by seeing her arms broken off. Somehow the damage done to her arms doesn’t destroy the aesthetic pleasure of viewing the sculpture as a whole. But it does cause a conflicted experience—such beauty, marred by such violence.

I doubt if anyone has ever stood in front of that masterpiece and asked, “Why did the sculptor break off the arms?” More likely, everyone concludes the beautiful parts are the work of a master artist and the broken parts are the results of someone or something else—either a destructive criminal or a natural catastrophe.

We need a unified perspective on created beauty and marred ugliness that can make sense of both. The Christian faith provides that. It points to a good God who made a beautiful world with pleasures for people to enjoy. But it also recognizes damage caused by sinful people. Ultimately, it points to a process of restoration that has already begun and will continue forever.

In a surprising turn of events, a real photograph entered into an AI-generated images category won a jury award but was later disqualified. Photographer Miles Astray submitted a photo of a headless flamingo on a beach to the 1839 Awards competition, judged by esteemed members from various prestigious institutions. His image, titled FLAMINGONE, won the bronze in the AI category and the People’s Choice Award. However, Astray revealed that the photo was real, leading to its disqualification.

Explaining his decision Astray, cited previous contest results. “After seeing recent instances of A.I. generated imagery outshining actual photos in competitions, it occurred to me that I could twist this story inside down and upside out the way only a human could and would, by submitting a real photo into an A.I. competition.”

Lily Fierman, director of Creative Resource Collective, appreciated Astray's message but upheld the disqualification: “Our contest categories are specifically defined to ensure fairness and clarity for all participants. Each category has distinct criteria that entrants’ images must meet.” Despite the disqualification, she acknowledged the importance of Astray’s statement and announced plans to collaborate with him on an editorial.

Astray supported the decision to disqualify his entry, praising Fierman and calling it “completely justified.” “Her words and take on the matter made my day more than any of the press articles that were published since.” In general, he seems to have no regrets about the AI stunt, given the overall positive response.

Astray said, “Winning over both the jury and the public with this picture, was not just a win for me but for many creatives out there.”

Possible Preaching Angle:

Human creativity is a gift from a creative God. When we use our creativity, we're showing appreciation for this amazing gift. God gives a unique gift to each person that can’t be duplicated or manufactured artificially. Whether a student, a pastor, an artist, or business person, we can use AI as a helpful tool, but we should never short-circuit the creative process by relying completely on it.

What's blasting from your car speakers, and more important, how does it sound? For sound-system engineers at the audio-equipment manufacturer Bose, a playlist is more than tracks that slap. To test stereos, they need songs representing a variety of sounds and recording techniques to make sure new systems can re-create a song with the depth of the original recording.

To have a common reference point, Bose engineers all over the globe share a master playlist. Mark Armitage, head of the acoustical-engineering team at Bose says, "Every system engineer knows these tracks inside and out. It makes for a universal language we can use when testing and tuning." He named a few selections from the test list:

Bruno Mars, "24K Magic" – It features a lot of instruments from the high tweeter notes all the way down.

Tom Petty, "Learning to Fly (Live)” - The crowd starts singing along, Petty's voice drops out, and you get a real sense of how big that auditorium is.

Dave Brubeck Quartet, "Take Five" - Listen for the cymbals from the intro, which are hard to reproduce.

Straight No Chaser, "Homeward Bound" All a cappella. The vocals span all the way across the stage and you can independently hear each person singing.

Possible Preaching Angle:

We also use music to tunes our minds and souls. The world has its music, which attunes them to worldly thoughts, desires, and actions. But believers also have music which tunes our hearts to God by giving us the vocabulary to express praise and worship to God, unifying us as we gather for worship, and adjusting our hearts so that our faith is expressed to God in worship.

When the prospect of war threatened the viability of the annual international classical Kharkiv Music Fest, organizers were left scrambling. But their answer was found in the same place as many other Ukrainians looking for shelter amidst the conflict: underground.

Instead of the Kharkiv Philharmonic concert hall, musicians assembled their instruments inside of an underground subway station. They played their instruments for a grateful public in an ad hoc event known as the “concert between explosions.”

Among the first pieces was the Ukrainian national anthem, played while members of the audience stood with their hands over the hearts. Art director Vitali Alekseenok said, “Music can unite. It’s important now for those who stay in Kharkiv to be united.”

The program was intended to highlight the connections between Ukraine and other Western Europeans. It included arrangements of Ukrainian folk songs, interspersed with works by Bach, Dvorak, and other well-known composers.

One violinist said that the concert was unique among his performance experiences. “There was no stage excitement that usually happens when performing for people. But I knew that I was where I should be.”

Possible Preaching Angle:

Even in a time of deadly conflict, music and art are gifts that can point us back to God.

Success is the unrelenting prize of our culture. We will sacrifice whatever we must to avoid feeling the pain of failure. And when we do fail, our society tells us to move on as quickly as possible. But what if there's something to be gleaned from times when we do not succeed.

In the film Bob Ross: Happy Accidents, Betrayal, and Greed, Joshua Rofé describes the unseen parts of Ross' fame. The painter and television personality mesmerized audiences in half hour blocks. Mountains, bushes, and rivers emerge seamlessly before our very eyes. His ideas passed effortlessly from pallet, to brush, to canvas.

But, of course, this fluidity did not imply flawlessness. Often, Ross would extend a stroke too far or lay down a color that did not match with what he had imagined. When this happened, Ross simply labeled the mistake a "happy accident" and adjusted his plan to incorporate the mistake into a masterpiece.

Near the end of the film, Steve Ross gave some insight on this topic:

It's hard to tell people their faults. It’s even harder to admit that you have made a “happy accident.” A lot of times, I've wondered if it's not your mistakes that teach you a lot more than your successes. After success, you just move on to the next thing. But when you make a mistake, or have a “happy accident,” as Bob called it, suddenly you learn all kinds of new ways to correct it. And through that learning process you really start developing in new ways.

When French impressionist painter Auguste Renoir was confined to his home during the last decade of his life, Henri Matisse was nearly 28 years younger than him. The two great artists were dear friends and frequent companions. Matisse visited him daily. Renoir, almost paralyzed by arthritis, continued to paint in spite of his infirmities. He had to hold his brush between his thumb and index finger. As he painted, students often heard him crying out in pain.

One day as Matisse watched the elder painter work in his studio, fighting torturous pain with each brush stroke, he blurted out, “Auguste, why do you continue to paint when you are in such agony?” Renoir said, “The pain passes but the beauty remains.”

Possible Preaching Angle:

If we were to speak to Jesus on resurrection morning, He might have said the same thing. The pain of the Cross has passed, but the beauty remains: The beauty of new creation, the beauty of an army of disciples that spans the millennia, the beauty of a kingdom established in the hearts of his people, all this remains. But it may be that you are going through pain just now and you can’t see an end to that pain. Can you trust that out of the pain will come a beauty that will last forever? Give that pain to God and ask him show you its beauty.

In his book Culture Care, Makoto Fujimura tells a story of valuing art and beauty:

As a newlywed couple, my wife and I began our journey with very little. After Judy and I got married in the summer of 1983 we moved to Connecticut for Judy to pursue her master’s degree in marriage counseling. I taught at a special education school and painted at home. We had a tight budget and often had to ration our food (lots of tuna cans!) just to get through the week.

One evening I was sitting alone, waiting for Judy to come home to our small apartment, worried about how we were going to afford the rent and pay for necessities over the weekend. Our refrigerator was empty and I had no cash left.

Then Judy walked in, and she had brought home a bouquet of flowers. I got really upset. “How could you think of buying flowers if we can’t even eat!” I remember saying, frustrated. Judy’s reply has been etched in my heart for over thirty years now. “We need to feed our souls, too.”

Michelangelo, the great Renaissance artist, is known for his statue of David and the incredible Sistine Chapel. But what many don’t know is that Michelangelo lived as the Reformation was sweeping through Europe and was influenced himself by Reformation ideas about justification by grace through faith.

Michelangelo was plagued throughout his life to live up to his own and others’ high demands for his artwork. But as he approached his death, a spiritual rebirth began to occur. One of his final works, intended to be his gravestone, was a statue of himself, in the guise of Nicodemus—the one who was “born again” (John 4)—holding the dead body of Jesus. You can see the statue at the Duomo Museum in Florence, Italy, where a poem by Michelangelo is printed on the opposite wall. In the poem, Michelangelo describes coming to the end of his life and seeing that his artwork was actually harmful to his soul because it became “my idol and my King.”

At the end of the day, his only hope was not in being a great artist or receiving acclaim from others, but rather, the “divine Love, who to embrace us, opened his arms upon the cross.”

Click here for a poem and photo of The Deposition statue.

You thought pianos dropping from the sky is a gag for cartoons? Then hear this story out. During World War II, all kinds of production involving metals, such as iron, copper, and brass, that was non-essential to the war effort were halted by the American government. This was because these metals were needed to make guns, tanks, and artillery. Many musical instrument makers were affected by the new regulations, which meant that either they had to manufacture something else the military could use, or wait for the war to end, which was as good as going out of business.

Piano makers Steinway & Sons was also affected by the restrictions. Instead of shutting down their factory, Steinway decided to bide their time manufacturing parts for troop transport gliders.

Steinway’s patience was rewarded when the US Military granted them a contract to make heavy-duty military pianos. By June 1942, Steinway’s workers had designed a small upright piano, no more than forty inches wide and weighing 455 pounds. It was light enough to be carried by four soldiers. Each piano was treated with special anti-termite and anti-insect solution and sealed with water-resistant glue to withstand dampness. The best part was— the piano used only 33 pounds of metal, about a tenth as much as a typical grand piano.

Known as “Victory Verticals,” these pianos could be packed into crates and conveniently dropped by parachutes along with tuning equipment and instructions. An estimated 2,5000 pianos were dropped to American soldiers fighting the war in three continents.

Steinway’s pianos continued to serve the military well after the war was over. When the nuclear-powered submarine USS Thomas A. Edison was built in 1961, a Steinway upright was installed in the crew’s mess area at the request of its captain. The instrument remained on board until the sub was decommissioned in 1983.

Possible Preaching Angles: The US military knows the importance of music and singing for the morale of the troops. God’s people have also sung through the ages, from the shore of the Red Sea (Exodus 15:1-21), to the battlefield (2 Chronicles 20:21-23), and from deep within dungeons (Acts 16:25). Believers know that singing “songs, hymns, and spiritual songs, singing and making melody in your heart to the Lord” (Colossians 3:16) is a powerful encouragement and an act of worship.

A beautiful article in the Chicago Tribune told the story of a woman named Rachel Long who died in 2017 at the age of 97. Based on the information in the article it certainly sounds like Rachel was a follower of Christ who fell in love with God's Word, especially the Psalms.

For decades Rachel Long taught over 300 piano students as well as aspiring opera singers. One of her former students said, "She didn't have children of her own, but she had hundreds of children, including myself, who benefited from that unconditional acceptance and love."

But then in the early '90s she lost her ability to hear musical intonation. The sound of a recording, or of her fingers playing on a piano, had turned into a screech. The singing at church sounded like the grinding of a buzz saw. One of Long's closest friends said, "She was stricken by something that forced her to look for beauty in other places. Her world was reduced to her apartment, but every day … she would try to chant the Psalms."

And she wanted to share the richness of the Psalms with others. So for each of the 150 biblical psalms, she composed a short introduction. She had no computer but wrote on the closed piano cover, near her old records and turntable.

Two nights before Long had the stroke that took her life, a close friend talked to her on the phone. The friend said, "She told me she had a dream that she was in a glass sailboat, all dressed up and much younger. It was sailing toward a shore where there was a crowd of people and when the boat reached the shore, all the people were the people she had known, and they were all dressed up and throwing her a party."

Unless you're a true jazz aficionado you've probably never heard of Horace Parlan who made news headlines in 2017 because the 86-year-old musician died on February 23rd. According to his obituary in The New York Times, "Horace Lumont Parlan was born in Pittsburgh on Jan. 19, 1931. His parents, who adopted him when he was a few weeks old, gave him piano lessons as therapy when he was 7, two years after polio left him partly paralyzed on the right side of his body. His teacher was not encouraging, and the lessons did not last long. He gave the piano another try with another teacher when he was 12, and this time he embraced the challenge."

Parlan then gave up on music and studied law, but then abandoned law to pursue a career in jazz. More from the article: "Unable to use the middle two fingers of his right hand, Mr. Parlan still forged a style that impressed critics. … as well as his fellow musicians … Mr. Parlan's approach to the piano required 'developing a facility with my right hand that I worked out myself,' he explained to The New York Times in 1984. I was trying to voice chords using as few notes as possible.' Of necessity, he also made greater use of his left hand than most jazz pianists do when improvising melody lines. As he put it to JazzTimes magazine, 'I had to find a groove of my own.'"

The musician, poet, songwriter Leonard Cohen used the following image for the creative process of writing (for teachers, artists, preachers, etc.):

[The creative process is] like a bear stumbling into a beehive or a honey cache: I'm stumbling right into it and getting stuck, and it's delicious and it's horrible and I'm in it and it's not very graceful and it's very awkward and it's very painful and yet there's something inevitable about it.

Possible Preaching Angles: 1)Teachers; Pastors; All who teach and preach Scripture know the labor of studying the Word and the delight of discovering its sweetness to present it to others; 2) Arts; Creativity; Vision; The creative process can be a fire in the bones that combines agony with a drive to complete the vision.

In his book My Name Is Asher Lev, Chaim Potok's main character is an awakening artist, beginning to see the world with a different perspective. The author captures a simple moment at a family dinner from the emerging artist's point of view:

That was the night I began to realize that something was happening to my eyes. I looked at my father and saw lines and planes I had never seen before. I could feel with my eyes. I could feel my eyes moving across the lines around his eyes and into and over the deep furrows on his forehead. He was thirty-five years old, and there were lines on his face and forehead. I could feel the lines with my eyes and feel, too, the long straight flat bridge of his nose and the clear darkness of his eyes and the strong thick curves of the red eyebrows and the thick red hair of his beard graying a little—I saw the stray gray strands in the tangle of hair below his lips. I could feel lines and points and planes. I could feel texture and color …. I felt myself flooded with the shapes and textures of the world around me. I closed my eyes. But I could still see that way inside my head. I was seeing with another pair of eyes that had suddenly come awake.

What if we changed the way we looked at people? What if we paid attention to people with a new set of eyes that "suddenly came awake"? Might we see the helpless and hopeless condition of people with whom we come into contact every day? Noticing may be the first step in bringing someone the good news about Jesus and the kingdom of God … We begin to see others, ourselves, and even God differently. People we never noticed before (because we never paid attention to them) quite suddenly matter to us in ways we can't explain.

In the early 1980s the city of Philadelphia had a huge problem with graffiti. The mayor established the Anti-Graffiti Network, committed to combatting the vandalism, which morphed into the Mural Arts Program, led by the artist Jane Golden. Golden said, "I spent the first five years of my life in Philly being told that graffiti is never going away and the kids you're working with are going to end up in jail." But she didn't give up. When police caught kids painting graffiti, program officials first asked them to sign an amnesty statement, pledging to refrain from graffiti writing, then assigned them scrub time, cleaning spray paint from walls.

Then without warning one Friday night, about a dozen guys showed up at Golden's door. As they introduced themselves, she recognized most from their graffiti tag names, like "Rock" and "Cat." Golden invited them inside. "They came in and went right for my art books, pulling out all the books on abstract expressionism," she said.

Many of them had dropped out before high school, but they had learned about art from books they had checked out or stolen from the library. Most had brought Golden their sketch books, so she could see the type of work they were doing. "They'd learned about drawing from comic books; they had an intuitive sense of color and design," Golden said. After talking with the young artists about their work, Golden explained the anti-graffiti program, and before they left her house, all had agreed to sign the pledge and commit themselves to scrub time.

Golden connected with the young graffiti writers not as "criminals," but as artists. She offered them a lifeline, a way they could be paid money to paint murals legally. The organization is now the largest public art program in the U.S, with a collection of over 4,000 murals.

Editor’s Note: The program is still going strong in 2024, you can read the latest here