Sorry, something went wrong. Please try again.
When you drive north toward Ordos City in China’s Inner Mongolia province, you can’t miss the Mausoleum of Genghis Khan. The massive complex, rebuilt in the 1950s in the traditional Mongol style, houses genuine relics and is an important sanctuary for the shamanic worship of the legendary Mongol leader. But the Khan’s tomb is properly called a cenotaph—a monument to someone buried elsewhere—because it is empty.
While we can be certain his mortal remains are not there, we’re completely uncertain as to where they might be. And that’s odd. In life, he was the most powerful person on Earth. He was the Universal Ruler (“Genghis Khan”) of an empire that would eventually stretch from the Pacific Ocean into Eastern Europe, encompassing large swaths of present-day China, Russia, and the Middle East. Yet his grave is unmarked and remains undiscovered.
This is by design. Despite his exalted status, Genghis Khan retained the frugal, itinerant lifestyle of his youth, and indeed of most Mongols. So, it makes sense that he would want a humble, anonymous burial in his homeland. “Let my body die, but let my nation live,” he is supposed to have said.
Possible Preaching Angles:
Source: Frank Jacobs, “Mongolia’s ‘Forbidden Zone’ Is Guarding an 800-Year-Old Secret,” Atlas Obscura (7-28-23)
Benedict Cumberbatch has played a superhero involved in some precarious situations, but it turns out the actor has also experienced an actual life-threatening situation in his past. He revealed that in 2004, he was with friends in South Africa when they were robbed and abducted by six men. Eventually, Cumberbatch and his friends were tied up and made to sit execution-style before the men finally fled.
Cumberbatch said of the experience, “It gave me a sense of time, but not necessarily a good one. It made me impatient to live a life less ordinary, and I’m still dealing with that impatience.”
He also explained how the harrowing encounter spurred him to try extreme things to get his adrenaline up. “The near-death stuff turbo-fueled all that,” he said. “It made me go, ‘Oh, right, yeah, I could die at any moment.’ I was throwing myself out of planes, taking all sorts of risks.”
“But apart from my parents, I didn’t have any real dependents at that point. Now that’s changed, and that sobers you,” he added, in reference to his wife and three sons. “I’ve looked over the edge; it’s made me comfortable with what lies beneath it. And I’ve accepted that that’s the end of all our stories.”
Source: Dan Heching, “Benedict Cumberbatch explains how a near-death experience changed his outlook on life,” CNN (1-24-25)
Paul Auster, a prolific novelist, memoirist, and screenwriter was described as a “literary superstar” and “one of America’s most spectacularly inventive writers.” But his life was haunted by tragedy and death. In 1961, a 14-year-old Paul Auster watched a friend die after being struck by lightning. Later, he lost one grandmother to a heart attack and another to A.L.S., a disease which Auster said left victims with “no hope, no remedy, nothing in front of you but a prolonged march towards disintegration.” Later there were the deaths of his mother and father; the passing of his 10-month-old granddaughter Ruby, and his son, Daniel, who overdosed in 2022.
Auster wrote that “the world was capricious and unstable, that the future can be stolen from us at any moment, that the sky is full of lightning bolts that can crash down and kill the young as well as the old, and always, always, the lightning strikes when we are least expecting it.”
Sadness permeated Auster’s work. After his death at the age of 77, his wife wrote, “Paul was extremely interested in the idea of the hero who is cast into a new world by grief. He used that device a lot: the stripped person. The person who has lost their most profound connections to the world.”
Source: Matthew Shaer, “The Lives They Lived: Paul Auster,” The New York Times (12-20-24)
In the year 1909, seven-year-old Walt Disney was playing by himself in the backyard of his family's farmhouse. He decided to sneak up on a big brown owl, but when he grabbed it the owl panicked, Disney threw it to the ground and stomped it to the death. According to his biographers, that owl haunted him for years, and produced a morbid fear of death.
Disney’s first big hit as a young animator came when he was 26 years old, in a cartoon featuring Mickey Mouse. But he immediately followed up that success with a short feature titled “The Skeleton Dance,” which opens with a terrified owl perched in a tree followed by skeletons rising from their graves. Disney’s distributor complained, saying, “We don’t want this gruesome crap… More mice… More mice!”
This was a small sample of what was to come. One scholar said, “If Disney was a mouthpiece for an American way of life, the force of his voice depended on a curious obsession with death.” Virtually every one of his famous films focused on the subject, from Snow White to Pinocchio.
His personal life was focused on decline and demise as well. Disney’s daughter Diane said that Disney hired a fortuneteller when he was in his early 30s to predict when he would die. The fortuneteller predicted the age of 35. Disney distracted himself by workaholism and success. If he stayed busy, maybe he could distract both himself and the Reaper. He survived 35, but never forgot the prediction. Shortly before his 55th birthday, he knew that maybe he had misheard, and the fortuneteller had said 55, not 35.
Source: Arthur C. Brooks, From Strength to Strength (Penguin, 2022), pp. 98-99
The New York Times unearthed a surprising trend in the wedding industry: Many couples are now choosing cemeteries as wedding venues. It’s a way to highlight an eternal commitment by choosing a place of eternal rest, and after all, many wedding vows include the promise “until death do us part.”
“Every year, we get more and more requests,” said Richard Harker of the Historic Oakland Foundation, which runs Atlanta’s Oakland Cemetery, the oldest public park in the city. According to Harker, Oakland hosted more weddings in 2023 than funerals (36 to 25, respectively).
Some couples choose them for personal reasons, such as to honor a loved one who can’t be present in the flesh. Others simply find the combination of outdoor décor appealing. In some cases, the cost is lower because of less demand, and often restrictions on the size and scope of the gathering make it easier for couples who want a smaller gathering.
Cemetery weddings are nothing new. Jews living in Eastern Europe and in the United States sometimes held weddings in cemeteries during times of mass disease, like during the 1918 influenza, in the belief that having the ceremony in the presence of the dead might bring about better times.
Whatever the reason, couples looking to choose a cemetery for their nuptials must be prepared to abide by a lot of logistical rules that govern the locale; no matter how joyous the affair, cemeteries are still the resting place of the dearly departed. Many of the more historic cemeteries have rules in place preventing, for example, dancing or loud music.
Still, for the right couple in the right situation, a cemetery can be a great choice. There’s so much love [there],” according to Laura Lavelle of Oak Hill Cemetery in Washington, D.C. “It can hold sadness and happiness. It can hold grief and joy.”
While this trend may seem unconventional, it offers a unique perspective on the meaning of marriage and the human experience. 1) Marriage; Commitment; Vows - It invites us to consider the deeper significance the sacredness of vows, and the reality that love and commitment persist even in the face of death and sorrow. 2) Remembrance - The Bible often emphasizes the importance of remembering the past and honoring the dead. A cemetery wedding could be a way to honor loved ones who have passed away and to keep their memory alive.
Source: Alexander Nazaryan, “A New Life Started Where Others Are Laid to Rest,” The New York Times (10-31-24)
Multiple New York Times best-selling author and documentary director Sebastian Junger had a near-death experience in June 2020. This was due to an unexpected abdominal hemorrhage, which he survived thanks to his doctors. This led him to explore the topics of death, near-death, and the afterlife in his 2024 book In My Time of Dying: How I Came Face to Face With the Idea of An Afterlife. After he had escaped death, Junger, a committed atheist, had several deep moments of reflection:
But I didn't die, and it made me wonder what this new part of my life was supposed to be called. The extra years that had been returned to me were too terrifying to be beautiful and too precious to be ordinary. A week after I came home, I found myself sitting at a window looking at a crab apple tree in the backyard. The branches were waving in the wind, and I had the thought that they'd be waving in exactly the same way if I'd died, only I wouldn't be here to see them. The moment would be utterly beyond my reach. Eventually [my wife] Barbara asked if I felt lucky or unlucky to have almost died and I didn't know how to answer. Was I blessed by special knowledge or cursed by it? Would I ever function normally again?
Junger flipflopped daily from wondrous thankfulness to existential dread:
Barbara said she couldn't take much more of me like this and made the excellent point that I had an opportunity to experience the insights of terminal illness without - almost certainly - having to pay the price. What was I learning? What could I come away from this with? My father had continued reading history books until the last weeks of his life. Would I keep practicing music if the news were bad? Reading? Running? What would be the point - but then, what's the point anyway?
Unbelievers are given an opportunity to come to faith by God, but sadly many hedge, delay, and then go back to their old ways, ultimately untouched by their experience.
Source: Sebastian Junger, In My Time of Dying: How I Came Face to Face With the Idea of An Afterlife (Harper Collins Publishers, 2024), pp. 93-95
In an interview with Danny Devito, actor Arnold Schwarzenegger despairs at the reality of death and wonders who’s to blame. When someone asked him what happens when we die, he said (curse words deleted):
Nothing. You’re 6 feet under. Anyone that tells you something else is a [...] liar. We don’t know what happens with the soul and all this spiritual stuff that I’m not an expert in, but I know that the body as we see each other now, we will never see each other again like that … When people talk about, 'I will see them again in heaven,' it sounds so good, but the reality is that we won’t see each other again after we’re gone. That’s the sad part. I know people feel comfortable with death, but I don’t. Because I will [...] miss [...] everything.
Schwarzenegger considers what that he’ll miss when he dies: “to have fun and to go to the gym and to pump up, to ride my bike on the beach, to travel around, to see interesting things all over the world.”
DEVITO: “Life! It’s the best!”
Schwarzenegger then wonders who’s to blame.
SCHWARZENEGGER: I tell you, there’s someone that mixed up this whole thing. Think about it. Who can we blame?
DEVITO: You mean that we don’t live forever?
SCHWARZENEGGER: Yeah. That we have to die.
DEVITO: That’s tough, man.
SCHWARZENEGGER: I don’t know what the deal is, but in any case, it’s a reality, and it truly [ticks] me off.
DEVITO: You don’t want to die.
SCHWARZENEGGER: No. What the […]? What kind of deal is that?
Source: Danny DeVito, “Arnold Schwarzenegger and Danny DeVito on Life and Death,” Interview Magazine (6-5-23)
On a recent episode of The Howard Stern Show, the “shock-jock” host asked his guest, music legend Paul Simon, questions about music, life, art, and anything else that came to mind. Stern rose to fame with his exaltation of immorality and self-adulation. At the end of the interview, Stern said:
Paul, just give me one last answer. You seem very wise. You’ve lived through everything. You’ve created great masterpieces. Is there a God? Because I need to know. I’m getting older. Is this it for me? Am I going to die and that’s it or am I going somewhere? And please answer it in a serious manner.
Simon responded,
This is my feeling about God or Creator. The planet that I’m living on is so beautiful and the universe is so awe-inspiring. If that is the work of a creator, I say, “Thanks so much. I really love your work on the universe. Excellent work, coming from me, Paul Simon, to you, I really dig what you’re doing.” If it turns out that there’s another explanation for creation, I’m still unbelievably grateful for my existence. I still think it’s amazing. If it turns out, I thought it was God but it’s some other explanation, it doesn’t matter to me ….
Then, Stern interrupted, “But it’s so cruel. We have this existence and then we have to disappear. It’s hard.”
Source: Randy Newman, “Searching Again in a Post-Modern World,” The Washington Institute (Accessed 8/21/24)
Actress and former Seinfeld star (as Elaine) Julia Louis-Dreyfus has had moments when tragedy and comedy get put in a blender. Monday, September 18, 2017, was one of them. Louis-Dreyfus and the hit TV show Veep had triumphed at the Emmys the night before. By morning, her doctor was on the phone telling her she had cancer. The first thing she did after hanging up was double over with laughter.
She said, “I mean, it felt like it was written. It felt like it was a horrible black comedy. And then it sort of morphed into crying hysterically.” [But she was also] terrified. “You just simply don’t consider it for yourself, you know, that’s sort of the arrogance of human beings. But of course, at some point, we’re all going to bite it.”
Source: Ellen Gamerman, “For Julia Louis-Dreyfus, It’s So Funny It’s Sad,” WSJ Magazine (11-1-23)
Some years ago, a frozen pizza company was trying to figure out an advertising campaign to bring attention to their product. They designed a series of humorous commercials where an individual was about to lose his life in some melodramatic fashion—in front of a firing squad, about to walk the plank, or a teenager who’d had a party while his parents were away for the weekend. In each case, they were asked, “What do you want on your tombstone?” to which the answer was “pepperoni and cheese” or some other pizza topping.
It was a risky ad since Americans don't want to hear about death. The company was trying to be funny with their name: Tombstone Pizza Company which originated in the Tombstone Tavern in Medford, Wisconsin. The tavern was across the street from a cemetery.
But seriously, if you requested a stone to be placed over your grave, what would you want on your tombstone?
For example, Ruth Bell Graham, the wife of evangelist Billy Graham, died in 2007 and had this chiseled into her tombstone, "End of Construction -- Thank you for your patience." She didn't pick a favorite Bible verse or a lofty quote from a famous leader. She humbled herself and admitted that her life had been "a work in progress" until she died.
Source: Tombstone (pizza), Wikipedia (Accessed 4/26/23); “Ruth Bell Graham’s Grave Site, Pinterest (Accessed 4/26/23); Pastor Kurt Jones, “What Do You Want on Your Tombstone?” ValleyChurch.org (5-13-22)
Many funerals today are not about mourning death but a “celebration of life.” As our culture discards all-black attire and other formalities of a traditional funeral, families create more personalized—and often more up-beat—experiences to honor the deceased.
The BBC has reported on the trend of “happy funerals,” noting that Monty Python’s “Always Look on the Bright Side of Life” had become the UK’s most popular song played at memorial services—replacing Verdi’s Requiem.
After celebratory memorial services, we are encouraged to “move on,” comforted by memories and knowing that the person we’ve lost is no longer in pain. But this positive focus can afflict and baffle people deep in grief.
As Daily Mail columnist Bel Mooney wrote, “Even though modern, cheerful funerals can be hugely touching and beautiful, a part of me wonders whether they show how petrified people are of death, and of the long agony of bereavement.”
Jesus, the One who sustains every life, was not immune to the ravages of death. In John 11, Jesus learns that his friend Lazarus has died. He goes to his grieving friends and does what anyone would do: he cries.
Jesus knew that while death is not the final word for the deceased believer, it brings a full range of heartache to those left behind. Jesus’ response shows us that the gospel promise does not exempt us from sadness over death. Death is real, it is sad, and Jesus himself felt it.
We can grieve over this, while also recognizing the hope of a resurrected body for all of us who cling to the Jesus who perfectly did both. This same Jesus who wept over the reality of death sent blood rushing back through the cold veins of his dead friend—and promises to give us new life too. Death is imminent, but Sunday is coming.
Source: Courtney Reissig, “The Problem with Happy Funerals,” CT magazine (April, 2016), p. 24
Singer songwriter Willie Nelson has a long history of tempting, and cheating, death. In 1969, when his home in Ridgetop, Tenn., caught fire, he raced into the burning house to save two prized possessions, his guitar and a pound of “Colombian grass.” He has emphysema, the consequence of a near-lifetime of chain smoking that began in childhood, when he puffed on cedar bark and grapevines, before turning to cigarettes and then—famously, prodigiously—to marijuana.
In 1981, he was taken to a hospital in Hawaii after his left lung collapsed while he was swimming. He underwent a voluntary stem-cell procedure in 2015, in an effort to repair his damaged lungs. Smoking has endangered his life, but it also, he thinks, saved it: He has often said that he would have died long ago had he not taken up weed and laid off drinking, which made him rowdy and self-destructive.
Now, in his late 80s, he has reached the age where getting out of bed each morning can be construed as a feat of survival. “Last night I had a dream that I died twice yesterday,” he sang in 2017, “But I woke up still not dead again today.”
Source: Jody Rosen, “Willie Nelson’s Long Encore,” The New York Times (8-17-22)
Anyone who has more money than they know what to do with eventually tries to cure aging. Google founder Larry Page has tried it. Jeff Bezos has tried it. Tech billionaires Larry Ellison and Peter Thiel have tried it.
Now the kingdom of Saudi Arabia, which has about as much money as all of them put together, is going to try it. The Saudi royal family has started a not-for-profit organization called the Hevolution Foundation. It plans to spend up to $1 billion per year of its oil wealth supporting basic research on the biology of aging and finding ways to extend the number of years people live in good health.
The sum, if the Saudis spend it, could make the Gulf state the largest single sponsor of researchers attempting to understand the underlying causes of aging—and how it might be slowed down with drugs. Former Mayo Clinic endocrinologist Mehmood Khan says, “Our primary goal is to extend the period of healthy lifespan. There is not a bigger medical problem on the planet than this one.”
Khan says the fund is authorized to spend up to $1 billion per year indefinitely. By comparison, the division of the US National Institute on Aging spends about $325 million a year on the biology of aging.
The Saudi government may be partially motivated by the belief that diseases of aging pose a specific threat to that country’s future. There is evidence that people living in the Gulf states “are aging faster biologically than they are chronologically.”
Basically, the country is being beset by diseases of affluence brought on by rich diets and too little exercise. Even though Saudi Arabia has a relatively young population, with a median age of around 31, it is experiencing increasing rates of obesity and diabetes.
Source: Antonio Regalado, “Saudi Arabia plans to spend $1 billion a year discovering treatments to slow aging,” MIT Technology Review (7-7-22)
In Wendell Berry’s novel Hannah Coulter, the main character, Hannah, is grieving the death of her first husband, who died in World War II. She offers the following reflection on grief and how we often deal with it:
I don’t think grief is something we get over or get away from. ... It is around us and in us all the time, and we know it. We know that every night … There are people lying awake grieving, and every morning there are people waking up to absences that never will be filled. But we shut our mouth and go ahead. How we are is fine. There are always a few who will recite their complaints, but the proper answer to “how are you” is fine.
The thing that you have most dreaded has happened at last. The worst thing that you might’ve expected has happened, and you didn’t expect it. You have grown old and ill, and most of those you have loved or dead or gone away. Even so: how are you? Fine. How are you? Fine.
Grief; Sorrow; Church —The presence of Jesus and the presence of his church are the two places where it’s okay to not be “fine.” We can bring our griefs to our Savior and to his people. Future; Heaven – We can patiently endure our current troubles because we are secure in the fact that a better world is coming, where we will have eternal peace, joy, and fellowship.
Source: Wendell Berry, Hannah Coulter (Counterpoint, 2005), p. 61
In 1977, Sandra Ilene West, a flamboyant Beverly Hills oil heiress, was buried with her baby-blue 1964 Ferrari. Her grave is next to her husband’s at Alamo Masonic Cemetery in San Antonio, and it has become a tourist attraction.
In 1984, Willie Stokes Jr. of Chicago was interred in a coffin styled like a Cadillac Seville with functioning head and tail lights, an event immortalized in song by Stevie Ray Vaughan.
Another Cadillac fan was Aurora Schuck, a native of Cuba who was buried in Aurora, Indiana, in 1989 with her red 1976 Cadillac Eldorado convertible. With the top down, the coffin was placed over the rear seats. Sixteen gravesites were required to fit the car, one of the largest Cadillacs made.
George Swanson of Pennsylvania had his ashes interred with his 1984 Corvette in 1994.
In 2009, Lonnie Holloway and his 1973 Pontiac Catalina went into the ground together in South Carolina. His sister said, “It’s something he always wanted to do, but I didn’t like it.”
Editor’s Note: Notice the title of the article —“You Can Take It With You, if the Grave Is Deep Enough.” Nice try. Of course, the following saying is far more biblical—“You can’t take it with you.”
Source: Jim Motavalli, “You Can Take It With You, if the Grave Is Deep Enough,” The New York Times (2-24-22)
Back in 2007, computer science professor Randy Pausch delivered a lecture at Carnegie Mellon University. He called the lecture “Really Achieving Your Childhood Dreams.” But what made this lecture so significant was not so much the topic, but the stage of life Randy was in when he gave it. He had been diagnosed with cancer, and only had a few months left, so this speech became known as “The Last Lecture.” What he said and how he said it has really inspired a lot of people.
When he talked, he was funny, smart, he talked about his field, science and engineering. He gave advice, life lessons, and even did some push-ups on stage. The room was packed and he received a standing ovation. His lecture has been viewed more than 20 million times on YouTube. He went on Oprah, Diane Sawyer, and there’s a memorial scholarship in his name. Something about what he said, and when he said it, struck a chord with lots of people. He has left a lasting legacy.
You can watch it here.
This illustration could be used to introduce closing words and themes in the Bible: Jesus’ last words to his disciples, Jacob’s last words to his sons, Moses’ last words to Israel, David’s last words, or Paul’s last words to one of his churches.
Source: “Really Achieving Your Childhood Dreams,” Wikipedia (Accessed 6/1/21)
When someone requests a grave with a view, it’s usually a plot overlooking a valley or an ocean—not an actual window down to the casket underground. But that’s exactly what Dr. Timothy Clark Smith wanted when he died in 1893.
Dr. Smith was a schoolteacher, a clerk for the Treasury Dept., and a medical doctor. But according to a well-established story, he suffered from severe taphephobia, a fear of being buried alive. Let’s just say that although Dr. Timothy Clark Smith has been dead for many years, things are definitely looking up … or at least he is. Beneath the odd, grassy mound of earth, Dr. Timothy Clark Smith’s face was positioned beneath a cement tube that led to the surface. The 6-foot tube ended at a piece of 14×14-inch plate glass allowing Tim to gaze upward if he was buried alive.
Supposedly, Smith also had his tomb outfitted with “tools for his escape.” Although condensation and plant growth inside the shaft now block one’s view, past residents claimed to see the tools along with Smith’s bones. Said one, “You can see the face of the skeleton down there with a hammer and chisel crossed on the ground next to it.” Another source claims that when Smith was interred, “In the corpse’s hand they placed a bell that he could ring should he wake up and find himself the victim of a premature burial”
Source: The authors of Curious New England: The Unconventional Traveler’s Guide to Eccentric Destinations, (Citro and Foulds, 2003), p. 292; Julia Dunn, “A window to the deceased: Vermont doctor buried with window to his coffin due to phobia,” 6News (10-13-21)
Stressed out by the overwhelming events caused by the coronavirus in her city, New York City resident Gabrielle Bellot has a thirst for reassurance that everything will turn out all right. Bellot attempts to find comfort and encouragement apart from God.
She writes, that literature on pandemics, such as The Plague by Albert Camus, is never mainly about the disease:
Instead, it examines how humans deal with disease, how our inner lives shift as our outer worlds do. It affirms how precarious our place on this planet is. We move, unceasingly, in a dance with Lady Death. Her … perfume of necropolis grass and old flowers always near. If our life is always a dance macabre, the question is simply when she will take our hand in hers, blue and black nails against our skin, and bring us … into the sunless place beyond our life’s ballroom. Death, plague literature reminds us, is always, always with us.
We are living in a world “that seems to hang on the edge of apocalypse, climate or virus-related” tragedies. She doesn’t know what lies ahead, but “plagues, after all, will always return, whether or not we are ready. I still don’t know if I am. ... The literature of disease reveals the ghostly ballet we live in, ever so close to the grave. But it shows, too, those surprising moments of joy, love, and beauty we can find during disasters, even just briefly.”
In desperate times people search for assurance, peace, and security. In spite of the best man can do with medicine, philosophy, and technology, true peace of mind is only found in a genuine relationship with God.
Source: Gabrielle Bellot, “Why Do We Read Plague Stories?” Catapult Magazine (4-6-20)
For some motorcycle owners, biking is simply a hobby. For others, it's more than a hobby; it's a way of life. For one Pennsylvania man, however, biking has been both a way of life and a way of death. Arthur Werner Sr., of Steel City, PA, passed away recently after a hard-fought battle with cancer. Before his passing, however, he requested that he would be laid to rest in the sidecar of his 1990 Harley-Davidson Heritage Softail.
The funeral home chosen by the family is run by a group of motorcycle enthusiasts, who were honored to comply with the request. The sidecar would not even require any modification for the arrangement, they said. Werner's family says he bought the bike with his retirement bonus after 42 years as a steelworker. His daughter-in-law noted shortly after his passing, "he lived for that bike."
Potential Preaching Angles: The Lord bestows upon us bountiful blessings during our lives on earth, and we are right to enjoy them fully. But Jesus also reminds us in scripture not to let the joy of the gift distract from joy in the Giver. Matthew 6:19-21 reads: "Do not store up for yourselves treasures on earth, where moths and vermin destroy, and where thieves break in and steal. But store up for yourselves treasures in heaven, where moths and vermin do not destroy, and where thieves do not break in and steal. For where your treasure is, there your heart will be also."
Source: Yahoo News, "Motorcycle Lover to Be Buried In His Harley-Davidson Sidecar," (6-28-17)
Bob Mankoff is the cartoon editor for The New Yorker magazine. His jobs is a laugh-a-minute. The New Yorker has published more than 80,000 cartoons since its first issue. In an interview on 60 Minutes, Mankoff said that the Grim Reaper has appeared in the magazine's funny pages more than any other character. For example, in one cartoon the Reaper's latest acquisition is saying: "Thank goodness you are here—I can't accomplish anything unless I have a deadline."
Mankoff told 60 Minutes, "Honestly, if it wasn't for death, I don't think there would be any humor … Grim Reaper's going to get the last laugh. Until then, it's our turn."
Possible Preaching Angles: One day, the Grim Reaper will be fired and abolished. He won't get the last laugh, at least not for the follower of the Risen Christ.
Source: Adapted from Ron Jones, Mysteries of the Afterlife (Harvest House, 2016), page 37