Musicians

Three years ago, Josiah Jackson, then 18, was at Chicago O'Hare International Airport when he spotted a public piano near Gate C17. As a pianist since the age of 4, Jackson couldn't resist trying it out, but after a few notes, he was disappointed. “It was absolutely the worst piano I have ever played,” he recalled. The keys were sticky, and the sound was terrible. “I thought, ‘One day, I’m going to come back to the airport to tune this piano for free and redeem myself.’”

Jackson’s journey to becoming a piano tuner began when he was 15. Although he loved playing piano, he didn’t enjoy the pressure of performing. “I decided to find another career that would keep me around pianos,” Jackson said. He shadowed a local piano tuner and immediately knew he’d found his calling. “I loved seeing and hearing the transformation of each piano,” he said. By 17, he had dubbed himself The Piano Doctor and started sharing his tuning work on YouTube.

In 2024, Jackson finally got the chance to fulfill his promise to tune the O'Hare piano. After booking a return flight from Guatemala, he arranged an eight-hour layover in Chicago specifically to tune the piano. “I decided this is it — I’m going to tune that piano,” he said. He coordinated with an airport vendor to send his tuning equipment to the airport, taking care to avoid any issues with security.

When Jackson saw the piano again, it was in even worse shape than before. “It was in very rough shape… dust was everywhere, and there was a gluey substance under the keys that prevented them from working,” he said. After seven hours of cleaning and tuning, however, Jackson ended up played “Pirates of the Caribbean,” a piece that inspired his love for piano. He said, “Even with a quick tuning, the piano actually sounded really good.”

The restored piano has since brought joy to travelers. Jackson’s YouTube video, where he shares his piano restoration process, has garnered thousands of positive comments. "I’m thrilled that people are playing the piano again," he said, proud that his effort brought music back to the airport.

Possible Preaching Angle:

1) Restoration; Renewal - God spares no time or effort in lovingly restoring those who are damaged and neglected. 2) Gifts; Spiritual Gifts - God is honored when we take the initiative to use our gifts in greater service to the public.

All cultures seem to have at least one thing in common—they write music and sing. But why? Music baffled the evolutionist, Charles Darwin. Humanity’s ability to produce and enjoy melodies, he wrote in 1874, “must be ranked amongst the most mysterious with which he is endowed.”

All human societies made music, and yet, for Darwin, it seemed to offer no advantage to our survival. He speculated that music evolved as a way to win over potential mates. Other scientists were skeptical. That debate continues to this day. Some researchers are developing new explanations for music. Others maintain that music is a cultural invention, like writing.

In recent years, scientists have analyzed the acoustic properties of thousands of songs recorded in dozens of cultures. One researcher offered the following guess for why we sing: “Maybe music was needed to improve group cohesion.” Or maybe sharing choruses and melodies, could have brought people together whether as a community or in preparation for a battle. Or maybe it helped parents bond with children.

Possible Preaching Angle:

The fact is, these are all guesses, but the Christian knows the best reason for singing—because the Living God is worthy of our joyful worship. He puts a new song in our mouth.

Stradivarius musical instruments are renowned worldwide as some of the greatest ever shaped by the hand of man. Of the roughly 1,000 violins, cellos, guitars, and others that Antonio Stradivari created in the late 17th and early 18th centuries, only 650 exist today and are only played by world-class musicians.

So, you’d think people might be careful with them.

According to an official at Spain’s Royal Palace in Madrid, a Stradivarius cello worth more than $20 million has been damaged. The Spanish newspaper El Mundo explained that the prized cello broke after falling off a table during a photo shoot.

No details were released as to how the cello fell off the table, in what manner it was damaged or the identity of the butterfingers who dropped it. But according to the report, a piece that joins the neck to cello’s body broke and fell off. According to the Daily Mail, the palace official said the broken piece was a replacement installed in the 19th century and will be repaired.

Possible Preaching Angle:

You'd think that when you're dealing with something that valuable, you'd treat it according to its incredible worth. But unfortunately, this is how some spouses treat each other. One command in Scripture says, “Husbands, in the same way be considerate as you live with your wives, and treat them with respect as the weaker partner and as heirs with you of the gracious gift of life, so that nothing will hinder your prayers” (1 Pet. 3:7).

In the fall of 2023, singer Oliver Anthony got his big break in the music industry with his song “Rich Men North of Richmond,” a scathing criticism of wealthy politicians and other movers and shakers. And now that he’s gotten a taste of the music industry in Nashville, he’s decided to live out his convictions.

Anthony revealed in a recent YouTube video, “I’ve decided that moving forward, I don’t need a Nashville management company. I don’t even need to exist within the space of music. So, I’m looking at switching my whole business over to a traveling ministry.” He added, “Our system is broken.”

The singer, whose real name is Christopher Anthony Lunsford, says his vision is not to participate in the system, but transform it. "I have this vision for this thing that I’m calling the Real Revival Project, and it’s basically going to start as a grassroots music festival. But hopefully it grows into something that can literally change our landscape and our culture and the way we live.”

Anthony says he wants to create something that exists parallel to Nashville that circumvents the monopolies of Live Nation and Ticketmaster, and it goes into towns that haven’t had music in them in a long time. And he insists he’s not doing anything revolutionary. “I just want to help bridge the gap between millions of people who all believe in the greater vision of us all just getting back to living a normal life.”

Anthony sees the decline of the industry as part of a larger pattern that discouraged his interest in pursuing the traditional path to music stardom. He said:

At the very beginning, our focus was just trying to figure out what we felt like God’s purpose was for our lives and trying to figure out how to pursue that. I think it was just being around all those people that weren’t of that mindset. There’s no way to create something that’s focused around God when you’re working with people who are just focused around making money.

Possible Preaching Angle:

God’s purpose for life is more than just seeking fame and fortune; God calls us to make a positive difference in whatever space we’re called to inhabit.

David Crosby, the lead singer for Crosby, Stills and Nash., became one of the most successful rock musicians of all time. But even at nearly 80 years old, Crosby could not stop hitting the road and promoting his music. He was worth over $40 million. And his wife did not want him to travel, but his entire sense of significance was wrapped in his music.

In a film about his life, Crosby expressed a lot of regrets. “People ask me if I got regrets,” he said. “Yeah, I got a huge regret about the time I wasted being smashed. I'm afraid. I'm afraid of dying. And I'm close. And I don't like it. I'd like to have more time—a lot more time.”

Crosby tells his interviewer that music “is the only thing I can contribute, the only thing I got to offer.” Then toward the end of the film, he raises the volume of his voice and the intensity of his delivery with these summarizing words: “The one thing I can do is make music. Myself. So, I'm trying really hard to do that.” His interviewer asks, “To prove yourself?” Crosby responds, “That I'm worth a [expletive].”

In November 2019, Coldplay released their eighth album, Everyday Life. In twenty years of professional music, it was the first time that any of Coldplay’s records came with the famous “Parental Advisory” sticker. The whole of the album’s profanity came from three seemingly random “f-bombs.” Not only had Coldplay never had an explicit content warning on any album before. They had never even featured a single profanity on any of their full-length LPs before Everyday Life.

Less than a year later, Taylor Swift released Folklore. The same exact thing happened. Despite a 15+ year history of recording that featured zero strong profanity, Folklore earned the black and white sticker for featuring multiple uses of the f-word. This started a trend for Swift: Every album released since has the same profanity and the same explicit content warning (as is common in the industry, the albums each have a “clean” version that edits out the harshest words).

Both Coldplay and Taylor Swift have historically appealed to a younger, more sensitive demographic. They have a long and successful history of selling their music without profanity.

Tech writer Samuel D. Jones offers the following observations on the use of profanity by Coldplay, Swift, and other artists:

We live in an era where the combination of authenticity and vice means that we are seeing some examples of performative offense. Performative offense is what happens when people indulge in vice less out of a sincere desire to indulge it, and more out of a desire to sell their image in the public square. It’s because many modern Americans now associate vice with authentic lives that leaders and those who aspire to leadership may flaunt vulgar or antisocial behavior on the grounds that such things make them “real” to the masses.

In other words, it’s cool to be bad. It’s cool to sin a little.

What's blasting from your car speakers, and more important, how does it sound? For sound-system engineers at the audio-equipment manufacturer Bose, a playlist is more than tracks that slap. To test stereos, they need songs representing a variety of sounds and recording techniques to make sure new systems can re-create a song with the depth of the original recording.

To have a common reference point, Bose engineers all over the globe share a master playlist. Mark Armitage, head of the acoustical-engineering team at Bose says, "Every system engineer knows these tracks inside and out. It makes for a universal language we can use when testing and tuning." He named a few selections from the test list:

Bruno Mars, "24K Magic" – It features a lot of instruments from the high tweeter notes all the way down.

Tom Petty, "Learning to Fly (Live)” - The crowd starts singing along, Petty's voice drops out, and you get a real sense of how big that auditorium is.

Dave Brubeck Quartet, "Take Five" - Listen for the cymbals from the intro, which are hard to reproduce.

Straight No Chaser, "Homeward Bound" All a cappella. The vocals span all the way across the stage and you can independently hear each person singing.

Possible Preaching Angle:

We also use music to tunes our minds and souls. The world has its music, which attunes them to worldly thoughts, desires, and actions. But believers also have music which tunes our hearts to God by giving us the vocabulary to express praise and worship to God, unifying us as we gather for worship, and adjusting our hearts so that our faith is expressed to God in worship.

Rap artists Megan Thee Stallion and Missy Elliott have been burnishing their résumés as of late; following entries for “platinum-selling recording artist” there’s a new one: “budding philanthropist.”

Megan Pete, known onstage as Megan Thee Stallion, recently established a scholarship fund at her alma mater Texas Southern University. The $150,000 Flaming Hot Fund was established in partnership with Frito-Lay, and seeks to alleviate outstanding student debt. She said, “I feel like everyone knows I love education and I would definitely advise anyone to pursue a real degree and to finish school.”

The Flaming Hot Fund will be partially funded from sales of a streetwear apparel line inspired by Flaming Hot Cheetos, a favorite of hers. Additionally, Frito-Lay will make a separate donation of $100,000 to the Pete and Thomas Foundation, a non-profit Megan Thee Stallion launched in 2022 to help underserved communities in her hometown of Houston.

As for Missy Elliott, she recently celebrated the one-year anniversary of her street dedication in Virginia by donating to the Portsmouth Redevelopment and Housing Authority. Elliott’s donation of $50,000 was enough to pay the past-due rents for 26 families in the area. She said that she wanted the occasion to be an opportunity to give back to the community that gave her so much.

Patricia Elliott spoke at the Portsmouth ceremony, explaining her daughter’s motivation for giving back: “So when you give, you give because you remember those days when you didn’t have. If each person would give when they get to the top, then, what a real beautiful world we would be in.”

Possible Preaching Angle:

You don't have to be a titan of business to engage in philanthropy; no matter your role, position, or station in life, anyone can make an impact through generosity.

Gospel singer Bobbi Storm would seem to be aptly named, for her latest actions created a firestorm of controversy, testing the axiom that there’s no such thing as bad publicity. In Storm’s case, she might wish she had done things differently.

Storm is part of the Grammy-nominated praise-and-worship group Maverick City Music, which was recently nominated for two Grammy awards. In her excitement over the nominations, Storm stood up during the middle of a recent flight on Delta Airlines in order to make an unsolicited performance for the people in the cabin.

In a video posted to her Instagram Live account, Storm is heard saying, “I sing for the Lord … I'm doing what the Lord is telling me to do.” After a flight attendant insisted she sit down, she sang a portion of her new song, “We Can’t Forget Him,” at a lower volume, while seated.

Since it went public on Instagram, the video garnered a variety of comments, many of them negative. Storms actions were deemed by commenters as “wildly out of pocket,” and “one of the most egotistical things I’ve ever seen.”

One user summarized the criticism by saying: "Imagine the entitlement of thinking you are the only one with something that can bless folks and it happens to be in an airplane where they have no choice but to hear you because they can’t go anywhere?!?”

Possible Preaching Angle:

While it's important to be bold in our faith, that boldness should be clothed in humility and kindness, truly seeking the best for those around us.

“I gotta share this just to show you how cold G.O.D. is,” said Tracy Lynn Curry, posting on the social media X employing the hip-hop slang usage for cold as a synonym for cool, meaning “skilled, effective, talented, or great.”

Curry is known throughout the hip-hop world by his stage name, The D.O.C. He has been a critically acclaimed producer, collaborating with Ice Cube and Dr. Dre for some of the biggest hits in west coast rap during the early 90s.

But all of his dreams of rap stardom stopped after a car accident left him with a badly damaged larynx. The D.O.C. continued to contribute to the hip-hop scene as a producer and ghostwriter, but was never able to recover the unique voice that sent him to the top of the charts.

Until now, that is. Curry’s announcement on social media was for a new album that he’s producing in conjunction with the firm Suno, who will use existing recordings to recreate an AI version of his voice. In an interview on CBS Mornings with Michelle Miller, Curry explained that it was his old friend Fab 5 Freddy who convinced him to get on board. “When this thing happens, it sounds like the real me,” Curry said to one of the Suno software engineers.

As part of the segment, Miller also interviewed Mikey Scholman, Suno’s CEO, about the AI being taught to emulate Curry’s voice. When she asked about potential ethical considerations, Scholman defended the project, calling it “a slam dunk. ... Letting D.O.C. recreate the voice that has been in his head that he hasn’t been able to get out there for the last 35 years – I can’t think of a better usage of this technology than that.”

Possible Preaching Angle:

No tragedy is so great or so long ago that God cannot redeem it for good. God wants to take your place of wounding and use it to accomplish that which would seem impossible, because with God nothing is impossible.

Here's the most famous place you've never heard of. It's St. Peter's Church Hall in Liverpool, England. It looks like a typical church gym except for the heavily-timbered cathedral ceiling and missing basketball hoops.

St. Peter's was having a church social with a local music group performing. During a break in the music, Paul, a 15-year-old guest, played songs on the guitar and piano impressing the teen band leader, John. A few weeks later, John Lennon invited Paul McCartney to join the Quarrymen, later known as The Beatles. That first meeting was July 6, 1957 - a historic place and moment in music but nobody knew it.

The Liverpool Museum reflected, "That meeting didn't just change the lives of John and Paul, it was the spark that lit the creative (fuse) on a cultural revolution that would reverberate around the world."

St. Peter's Church Hall is a temple where two music greats met. The stage from the hall is almost an "altar" since it was moved to a museum in Liverpool.

Possible Preaching Angles:

1) Altar; Worship - Christians also worship at an altar, but it is exclusive to New Testament believers (Heb. 13:10); 2) Temple - The New Testament names three places as the Temple of the living God on earth: 1) The physical body of Christ (Jn. 2:19; Matt. 26:61; Mark 14:58); 2) The church, the body of Christ (1 Cor. 3:16-17); 3) The body of the individual believer (1 Cor. 6:19).

Pop R&B duo Hall & Oates, hitmakers in the late 70s and early 80s, made their unlikely team-up thanks to a series of unfortunate setbacks, one of which involved an incident of gun violence.

Daryl Hall and John Oates both grew up in suburban Philadelphia and attended Temple University. Hall studied music while Oates majored in journalism, but both remained involved in musical groups during their teenage years. Hall was with a group called the Temptones; Oates was part of The Masters.

In 1967, both groups were invited to play a dance at the Adelphi Ballroom. It was sponsored by radio disc jockey Jerry Bishop, who promised airtime to the groups who played. Oates later said in an interview, “When Jerry Bishop contacted you, you had to go. If you didn’t, your record wouldn’t get played on the radio.”

Daryl and John were at the Adelphi at the same time, but didn’t meet each other until a fracas broke out before the show started. “We were all getting ready for the show to start when we heard screams—and then gunshots,” Oates said in 2016. “It seemed a full-scale riot had erupted out in the theater, not a shocker given the times. Philly was a city where racial tensions had begun to boil over.”

The show was canceled, but because the show was happening on an upper floor, the only way out for the musicians was to take a small service elevator. Daryl and John ended up standing next to each other, striking up a nervous conversation. Hall remembers saying, “Oh, well, you didn’t get to go on, either. How ya doin’?”

By the time they met each other again on campus to reminisce on their brush with tragedy, Oates’ group had been disbanded, so he joined the Temptones as a guitarist. Then later, after the Temptones disbanded, they continued their musical friendship as roommates.

But their partnership didn’t truly solidify until Oates returned from a trip to Europe and found himself in dire need of shelter. With nowhere else to go, John showed up to crash at Daryl’s house. And the rest is history. Oates said, “That was our true birth as a duo.”

Possible Preaching Angle:

Even when we don't get what we want, God knows how to use any circumstance to bring us one step closer to our destiny in his will.

Music icon Bono, lead singer of the popular band U2, tells the Atlantic magazine that lately God has been leading him to desire silence and listen to Him more. Bono points out that Elijah had to go to the cave to hear God, and God was heard not in the thunder and the wind but in the sound of silence.

All of his life, he has reinvented himself. Now he thinks it may be time to do it again. Bono says, “Music might be a jealous god. It was always the easiest thing for me. I wake up with melodies in my head. But now I feel more like: ‘Shut up and listen. If you want to take it to the next level, you may have to rethink your life.’”

Bono has been grappling with the challenges to his faith since the band first achieved success: "How do you reconcile the humility of faith with the egotism of superstardom, the purity of the Holy Spirit with the material excess of show business, the drive to achieve musical greatness with the posture of surrender to grace?"

His focus once again is to surrender his life: “It’s just out of my reach. I’m getting to the place where I do not have to do, but just be. It’s trying to transcend myself. It’s like my antidote to me. The antidote to me is surrender.”

The writer asks whether Bono can achieve the perfect stillness he craves. It’s hard to know the answer to that. At one point he told me that throughout his whole life, he’s been searching for home, and that lately he has come to realize that home is not a place, but a person. The writer says, “I neglected to ask the follow-up question. Is that person (his wife) Ali? Jesus? Any random soul he happens to be in front of that day? Maybe all of the above.”

By 2018, country artist Walker Hayes had gotten sober but then tragedy struck. He and his wife, Laney, lost their seventh child, Oakleigh, at birth. It's a moment he now recognizes as a "real test down here on earth." He described it by saying, "Just holding a lifeless child. It's indescribable. I can't imagine a worse pain." He admits that for a moment, his sobriety was in jeopardy. "I'd been sober for three years when we lost Oakleigh. I was ready to not be. As soon as that happened, I was like, this is why you drink."

The loss of Oakleigh is what Hayes credits with helping him find his faith. He said, “When we lost Oakleigh, I would have called myself an atheist.” Hayes said that he grew up in a Southern Baptist church but that as a rebellious child he did not connect with religion. He grew to resent it. But when faced with a kind of grief he'd never experienced before, things began to change. "I think I found out in a roundabout way that I was screaming at somebody. I would have called myself an atheist, but I was looking for someone to blame."

But it wasn't just one thing that suddenly brought him to church. Laney had befriended a fellow mom and that mom invited the family to her and her husband's new church. Hayes said that although he went in kicking and screaming, he suddenly felt the opposite of how he'd felt in church before.

But the final push came while reading a book late one night on his tour bus. "By the grace of God somebody recommended a book to Laney called Secrets of an Unlikely Convert by Rosaria Butterfield. This woman's testimony, it's exactly like mine except I hadn't surrendered yet … I wolfed this book down. I finished it by the time the sun came up.”

Hayes explained that he didn't "come to Christ" that morning but rather he bought a Bible and began to read on his own and learn. Slowly, his faith was restored. But he is confident that the catalyst for this huge awakening in his life was a direct result of immeasurable loss. He said, “I know for some reason losing Oakleigh led me to Christ. I would not know Jesus if I had not known the loss of my daughter. That's what it took for me.”

During the late-Medieval period, London had a strange law on the books—each entry gate into the city had to keep a musician on duty. This could be a dangerous job—city gates were where attackers and other threatening outsiders first appeared. It’s like border patrol nowadays, but they gave the job to musicians.

As strange as it sounds, musicians took charge of many essential services back then. These hired municipal minstrels started showing up everywhere in Europe around the year 1370. They typically played wind instruments—including trumpets, trombones, fifes, bagpipes, and recorders—as well as percussion.

To the modern mind, musical skills and police responsibilities have little in common, but in an earlier age the two roles often overlapped. Musicians not only helped defend the city gate but might also be required to patrol streets at night. In Norwich in 1440 a tax was instituted to pay the waits for their watch—and these musicians were required to take an oath of office. In Germany, a minstrel was expected “to acquit himself well as a swordsman.”

Why musicians? The most obvious answer is that musicians were ideal first responders because they could sound the alarm in case of a major disturbance. Certainly, a loud horn or drum helps in that regard. This signaling capacity of musical instruments also explains their longstanding use in military operations.

Possible Preaching Angles:

In the same way, every follower of Jesus is called to stay awake, to stay at our post, to guard and protect, and pray for the “city gate” where the Lord has posted us.

It is said that George Frederick Handel composed his amazing musical The Messiah in approximately three weeks. It was apparently done at a time when his eyesight was failing and when he was facing the possibility of being imprisoned because of outstanding bills. Handel however kept writing in the midst of these challenges till the masterpiece, which included the majestic, “Hallelujah Chorus,” was completed.

Handel later credited the completion of his work to one ingredient: Joy. He was quoted as saying that he felt as if his heart would burst with joy at what he was hearing in his mind. Sure enough, listening either to the entire work of The Messiah, or to the "Hallelujah Chorus" brings great joy to one's heart.

Similarly, in the midst of the many challenges he faced, including chains, imprisonment, and slander, the Apostle Paul, filled with the joy that Christ gives, could say, "Rejoice in the Lord always. I will say it again: Rejoice!" (Phil. 4:4). May the joy of the Lord fill your heart today!

Jesus is the reason for the season. But he doesn’t show up much in the top Christmas songs played on Spotify. According to October 2021 data from the streaming service collected by Every Noise, the most-played Christmas song around the world is Mariah Carey’s “All I Want for Christmas,” followed by Wham!’s “Last Christmas,” and Ariana Grande’s “Santa Tell Me.” Some top songs make oblique references to the religious aspect of Christmas, but most stick to love, the weather, and an occasional chestnut.

Globally, the most popular Christmas song to mention Jesus is Boney M.’s “Mary’s Boy Child/Oh My Lord,” which comes in at No. 71. It is followed by Nina Nesbitt singing “O Holy Night” at No. 79 and Josh Groban and Faith Hill performing “The First Nöel” at No. 90.

The presence of Jesus in popular Christmas music varies widely by country, however, revealing differences in musical taste, holiday traditions, and the spread of Christianity by missionaries, militaries, markets, and immigration.

Top Christmas Songs to Mention Jesus Around the World:

In Sri Lanka at #1 is “Bethlehem Pure” by Anil Bharathi

In Nigeria at #4 is “Silent Night” by Just Faithful

In Egypt at #6 is “What Child is This?” by Peter Basket

In Australia at #6 is “Silent Night” by Dean Martin

In the United States at #10 is “Hark the Herald Angels Sing” by Perry Como

In France at #28 is “O Holy Night” by Tracy Chapman

In Hong Kong at #93 is “O Holy Night” by Nina Nesbitt

In a recent issue of CT magazine Tim Larson reflects on Christ in Christmas:

Some of us are worried about others experiencing doubts: children, siblings, friends, or maybe even spouses or valued members of our churches. Perhaps we are even worried that our entire culture is losing its faith. If so, I have good news for you: Christmas is your ally in the tussle between faith and unbelief.

As a scholar of the subject, I can tell you with confidence that, by and large, atheists love Christmas. They see it as Christianity at its most inviting. Unbelievers often feel closest to the faith at Christmastime.

I have a friend who was once a zealous Christian. He left the church and became quite comfortable saying he no longer believed in God. Yet a few years ago, he told me rather sheepishly that he had gone back to his old church for its Christmas Eve service. Since then, the way he talks about Christianity has noticeably softened. I would not be surprised to hear someday that he had returned to Christ. Christmas draws even skeptics toward the faith rather than pushing them away.

In our culture … the Christmas season takes up 10 percent of the year! Our entire culture is geared up during the holiday season to make it easier to talk about Jesus. Even the Salvation Army suddenly becomes part of mainstream culture.

We can’t force our secular culture to celebrate Christmas in a Christian manner. And yet, our culture is amazingly interested in the Christian aspects of Christmas. A Christian sacred day is also a federal holiday. Many churches gather their largest congregation of the entire year at Christmas.

In the Chicago area there is a radio station that uses the standard rock format for most of the year. But for about the last ten percent of the year, you can tune in and hear, “Joy to the world! The Savior reigns,” or be invited to “cast out our sin” and let Jesus enter in, or be offered “tidings of comfort and joy” because “Christ our Savior was born on Christmas Day.” We should be grateful that for six weeks during every year, even pop stations sometimes play songs that proclaim salvation through Jesus Christ.

Compton High School celebrated one of its most famous alumni when construction started on the Andre “Dr. Dre” Young Performing Arts Center. The $200 million facility is part of a larger school renovation stemming from a partnership between public and private sector, and included a $10 million donation from Young himself.

At the groundbreaking ceremony Young said,

I was an artistic kid in school with no outlet for it. I knew I had something special to offer to the world, but with nothing to support my gift, schools left me feeling unseen. I’ve always wondered how much further ahead I might have been had the resources I needed in school were available. If I had learned more about the business industry, I would have saved myself [an] extreme amount of time, money and [made] a lot of friendships.

As a founding member of the seminal rap group NWA and a leading producer in the wave of west coast hip-hop, Dr. Dre’s constant shouts out to Compton made the city virtually synonymous with his brand of music. His already large music profile swelled after the release of 2015 NWA biopic Straight Outta Compton. That same year he also released solo album Compton, the proceeds from royalties of which he promised to allocate toward the new school campus.

When Marquis Boone first heard the gospel song “Biblical Love” by J.C., he listened to it five times in a row. “This is crazy,” he said to himself. What amazed him was not the song, but the artist. The person singing “Biblical Love” was not a person at all.

J.C. is an artificial intelligence (AI) that Boone and his team created with computer algorithms. Boone said his interest in creating a Christian AI musician began when he started hearing about AI artists in the pop music genre. He said, “I really just started thinking this is where the world is going and I’m pretty sure that the gospel/Christian genre is going to be behind.”

Christians, he said, are too slow to adopt new styles, new technologies, and new forms of entertainment—always looking like late imitators. For him, it would be an evangelistic failure not to create Christian AI music. Boone said, “If we don’t want to grow with technology or we don’t want to grow with this. I think we’re going to miss a whole generation.”

Possible Preaching Angle:

What is the nature of worship music? Should we be singing songs written by AI to praise God? Matt Brouwer, a Canadian Christian singer-songwriter with four original top-20 hits, said that the more he thought about it, the more strongly he disliked the idea. He said:

If ever there was a desperate need for a human connection and a moment when the world is longing to unplug from technology, social media and Zoom calls, it’s now. Christian music should be an invitation to join a faith journey. That invitation means more when it comes from someone who’s already on that road. The idea of opting for a nonhuman machine to produce pop Christian hits instead of engaging with true worshiping hearts and young people who need encouragement to pursue what God is leading them to, is pretty grim.