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A popular pizza chain known for its snarky ad campaigns has been forced to apologize after a sustained public outcry over its latest special. In early October, D.C.-based &Pizza (pronounced “And Pizza”) announced the addition of “Marion Berry Knots” to its dessert menu, referencing the late former mayor of the District of Columbia Marion Barry. The ads for the new product made extensive references to Barry’s drug use and public drug arrests (“so good, it’s almost a felony”).
Marion Barry was arrested in a drug sting in 1990 and was eventually convicted of a misdemeanor drug charge. After six months in prison, Barry was elected to the city council in 1992, and re-elected mayor in 1994. Despite his death in 2014, the memory of Barry, the district’s first African American mayor, still looms large over residents of Washington, a city with a sizable African American population.
The local chapter of the National Association for the Advancement of Colored People (NAACP), called the ad campaign “inflammatory, and culturally-insensitive,” calling for its removal. The organization also challenged &Pizza to donate to organizations doing substance abuse prevention as a way to rectify the wrong.
“Candidly, we made a mistake," said &pizza CEO Mike Burns in a statement. “And for that, we sincerely apologize.”
Legal representatives for Barry’s widow Cora Masters Barry and the Barry estate called the apology insufficient, issuing a cease-and-desist notice request that &Pizza refrain from profiting from Barry’s name, image, or likeness.
D.C. restaurant owner Peyton Sherwood said:
Barry’s life was about opportunity, dignity, and equality for everyone in Washington, D.C. To reduce that legacy to a crass ad about his darkest moments is not only offensive it’s cruel. It disregards the immense good Barry did for this city and the battles he fought on behalf of all its people.
A person is more than their failures. Every person is a mixture of good and bad, failures, and successes. We should always look to remove anything in our own eye before we try to remove the speck in other’s eyes (Matt. 7:1-5), even if done in jest.
Source: Taylor Edwards, “Marion Barry's widow, estate demand apology from &pizza over controversial dessert,” NBC Washington (10-28-24)
A Snapchat feature lets paying users see their position in their friends’ digital orbits. For some teens, whose friends are everything, it’s adding to their anxiety.
Snapchat+ subscribers can check where they rank with a particular friend based on how often that friend communicates with them. The result is automatically rendered in a solar-system metaphor: Are you Mercury, the planet closest to your friend? Great! Uranus? Bad sign.
“A lot of kids my age have trouble differentiating best friends on Snapchat from actual best friends in real life,” says 15-year-old Callie Schietinger. She said she had her own problems when a boyfriend noticed that he was Neptune in her solar system. He asked who held the Mercury position and when she told him it was a guy friend, he got mad.
More than 20 million U.S. teens use the app, though most don’t pay for Snapchat+. Young adults with those paid accounts have seen friendships splinter and young love wither due to the knowledge that someone else ranks higher on the app. Now, lawmakers, doctors, and parents are giving fuller attention to these apps and how they broadly affect kids’ mental health.
Callie and her boyfriend have since broken up, for other reasons. But that stress and the misunderstandings she has seen other friends experience have soured her on the feature. “It’s everyone’s biggest fear put onto an app,” Callie says. “Ranking is never good for anyone’s head.”
Source: Julie Jargon, “Snapchat’s Friend-Ranking Feature Adds to Teen Anxiety,” The Wall Street Journal (3-30-24)
In November 2019, Coldplay released their eighth album, Everyday Life. In twenty years of professional music, it was the first time that any of Coldplay’s records came with the famous “Parental Advisory” sticker. The whole of the album’s profanity came from three seemingly random “f-bombs.” Not only had Coldplay never had an explicit content warning on any album before. They had never even featured a single profanity on any of their full-length LPs before Everyday Life.
Less than a year later, Taylor Swift released Folklore. The same exact thing happened. Despite a 15+ year history of recording that featured zero strong profanity, Folklore earned the black and white sticker for featuring multiple uses of the f-word. This started a trend for Swift: Every album released since has the same profanity and the same explicit content warning (as is common in the industry, the albums each have a “clean” version that edits out the harshest words).
Both Coldplay and Taylor Swift have historically appealed to a younger, more sensitive demographic. They have a long and successful history of selling their music without profanity.
Tech writer Samuel D. Jones offers the following observations on the use of profanity by Coldplay, Swift, and other artists:
We live in an era where the combination of authenticity and vice means that we are seeing some examples of performative offense. Performative offense is what happens when people indulge in vice less out of a sincere desire to indulge it, and more out of a desire to sell their image in the public square. It’s because many modern Americans now associate vice with authentic lives that leaders and those who aspire to leadership may flaunt vulgar or antisocial behavior on the grounds that such things make them “real” to the masses.
In other words, it’s cool to be bad. It’s cool to sin a little.
Source: Samuel D. Jones, “Performative Offense,” Digital Liturgies blog (3-21-24)
Puerto Rican rapper Benito Antonio Martínez Ocasio, also known as Bad Bunny, recently opened the telecast of 2023 Grammy Awards. It was the first time a musical act that does not primarily speak or sing in English was featured in such a prestigious timeslot. As a result, many Latin American people beamed in pride at seeing someone from their culture (or one adjacent to theirs) be represented on such a big stage.
But one particular detail caused a stir in the immediate wake of the telecast. Viewers responded in real time on social media platforms to the way that Bad Bunny’s performance was captured by the live closed-captioning text at the bottom of the screen. His words and music were not transcribed, but rather described simply as “non-English.”
This was a disappointment for viewers hoping to see a live transcription of Bad Bunny’s Spanish lyrics, considering that he’d been nominated for Album of the Year. That oversight was particularly galling, according Melissa Harris-Perry of WNYC, because it was so avoidable.
Harris-Perry said, “Bad Bunny does not generally or ever perform in English, right? I mean, this should not have been a surprise.”
Dr. Bonilla is director of the Center for Puerto Rican Studies (at CUNY), and a guest of Harris-Perry’s podcast . Bonilla says that Bad Bunny is so important to Puerto Rican audiences in part because of his refusal to cater to English-speaking audiences, which is causing the industry to change.
Bonilla said, “Okay, you're making history here. For the first time, you have a Spanish language act nominated for Album of the Year. This is the largest streaming artist in the world. You know that he sings and speaks only in Spanish. Do better, Grammys.”
The good news is that this is less a function of malice than of lack of planning or intentionality. Hopefully, the Grammys will be ready the next time they feature a Spanish-speaking act so prominently in their telecast.
Language is one of the ways that we define and reinforce culture. The church can also be sensitive to this and welcome other language speakers into God's family. We can assist in that mission by accommodating the languages of vulnerable people with less power or influence.
Source: Author, “Now, Who Speaks [non-English]?” The Takeaway (2-8-23)
Federal law enforcement officers were dispatched to the Gold Coast Airport in Queensland, Australia after a drunk, disorderly woman refused to follow the crew’s instructions. Jetstar Airlines explained the situation in a brief statement afterward. “The safety of our customers and crew is our number one priority and we have zero tolerance for disruptive behavior.”
The woman, who one TikTok user referred to as a “drunk Karen,” clearly wore out her welcome among the nearby passengers who had to endure her belligerent behavior. On the posted TikTok video, police can be seen entering the plane and forcibly removing her from the aircraft, while onlookers began chanting the chorus to a 1969 hit from the band Steam. “Na na nahhh na, na na nahh na, hey hey hey … goodbye.”
In the words of the ancient African American proverb: “God don't like ugly.” While we're not to seek vengeance because it belongs to God, it's natural to be relieved when wrongdoers experience the consequences of their actions.
Source: Brooke Rolfe, “Entire plane bursts into song as ‘drunk Karen’ booted off flight,” New York Post (1-11-23)
There is a powerful scene near the end of Wendell Berry’s novel Hannah Coulter. Hannah, the main character of the book, experienced profound mistreatment from her stepmother, Ivy. Hannah held onto the resentment for years until one day she encounters Ivy as an older woman in a grocery store. Wendell Berry writes:
Ivy was wearing a head scarf and a dress that hung on her as it would’ve hung on a chair. She was shrunken and twisted by arthritis and was leaning on two canes. Her hands were so knotted they hardly looked like hands. She was smiling at me. She said, “You don’t know me, do you?”
I knew her then, and almost instantly there were tears on my face. I started feeling in my purse for a handkerchief and tried to be able to say something. All kinds of knowledge came to me, all in a sort of flare in my mind. I knew for one thing that she was more simple-minded than I had ever thought. She had perfectly forgot, or had never known, how much and how justly I had resented her. But I knew in the same instant that my resentment was gone, just gone. And the fear of her that was once so big in me, where was it?
“Yes, Ivy, I know you,” I said, and I sounded kind.
I didn’t understand exactly what had happened until the thought of her woke me up in the middle of that night, and I was saying to myself, “You have forgiven her.” I had. My old hatred and contempt and fear that I kept so carefully so long, we’re gone, and I was free.
Source: Wendell Berry, Hannah Coulter (Counterpoint, 2005), pp. 103-104
A Chicago teacher thought he was doing something helpful for his students, but his refusal to receive constructive feedback ultimately resulted in a swift suspension. According to Principal Joyce D. Kenner, the White teacher, unidentified pending an investigation, hung a black doll by its neck with the pull cord from the projector screen at the front of the class.
The White teacher told Principal Joyce D. Kenner that he thought dangling the doll in the center of his classroom would help its owner claim the item, Kenner told students and parents last week in an email.
Because of its visual similarity to lynching, the teacher’s Black colleague approached him to inform him that the doll’s hanging was potentially offensive. That initial interaction devolved into a shouting match, which one student recorded on video.
Parents were subsequently told via email that the administration had spoken with both teachers, and the teachers themselves also discussed the situation at length with their students. Meanwhile, the incident was referred to the district for a formalized discipline process.
The Chicago Teachers Union wrote in a subsequent tweet “We understand the investigation is ongoing, but practices that mitigate the harm of racial biases must also be ongoing and consistent, in our schools.”
Mature believers are those who can receive criticism and apologize for offenses, rather than stonewalling and counterattacking.
Source: Andrea Salcedo, “A teacher hung a Black doll by its neck. The district suspended him.” The Washington Post (4-4-22)
In order to combat racism, the Good Humor Ice Cream company has decided to decommission the popular tune “Turkey in the Straw” from all of its ice cream trucks, and replace it with a new customized hip-hop track.
Minstrel songs were often played in ice cream parlors, which is how they became jingles on ice cream trucks. “Turkey in the Straw” was derived from a nineteenth century Irish fiddle tune, but it was popularized in the US through vocal renditions containing lyrics that would greatly offend a listener with today’s sensibilities. Traveling minstrel shows sang it as “Zip Coon” as far back as 1834. In 1916, another recording of the tune by Harry C. Browne became popular. Its title? “[N-word] Love a Watermelon, Ha! Ha! Ha!”
To come up with a replacement, Good Humor tapped Robert Fitzgerald Diggs of the famed NY collective The Wu-Tang Clan. In a press release, Diggs, who goes by the stage name RZA, explained his involvement:
I remember the days when I would hear that iconic ice cream truck jingle outside, and I would drop what I was doing to chase it down for a treat. When I learned about that song's problematic history this summer, I knew I had to get involved.
You can listen to the new tune here.
As Christians we need to be discerning about the inadvertent ways we might cause offense, and be willing to change our ways in order to communicate our values of love, peace and justice
Source: Isabella Jibilian, “Good Humor teamed up with Wu Tang Clan's RZA to write a new song for ice-cream trucks that isn't racist,” Business Insider (8-14-20)
Their hearts may be on their sleeves, but their tattoos are under them. While participating in the 2019 Rugby World Cup, the manager of Samoa’s men’s national rugby team required his players to don special sleeves to cover their tattoos. The edict complied with an advisory statement by World Rugby, issued as part of the sport’s cultural awareness program. Manager Va'elua Aloi Alesana said, “We have to respect the culture of the land we are in wherever we go. We have our own culture as well, but we are not in Samoa now.”
When asked to elaborate, Alesana clarified his stance further:
There are some training venues that have allowed us to show our tattoos and some places where we can't, and for those places, we've been given “skins” to wear to cover our tattoos. The extra skins are only for when we go to the pools though. At the training we can wear our normal clothes.
It might not have been an easy choice for the players to follow, because tattoos are a revered aspect of Pacific Islander culture. But in Japan, they are often associated with the Japanese organized crime syndicates known as yakuza.
In the run up to the tournament, coach Steve Jackson consulted Japanese cultural experts to ensure players respect and appreciate the local culture. As a result, team captain Jack Lam was on board. Lam said, “It's quite normal in our culture. But we are respectful and mindful to what the Japanese way is. We will be making sure that what we are showing will be OK.”
Potential Preaching Angles: Respect for others means understanding your own culture and being willing to adjust when you visit other places. The call of Christian discipleship involves the practice of laying down our own preferences for the sake of others.
Source: Hardik Vyas, “Rugby: Tattooed Samoans don skin suits to avoid offending Japanese hosts” Reuters (9-17-19)
A pastor in Tulsa, Oklahoma, had an opportunity to practice what he preaches regarding turning the other cheek and showing forgiveness.
The pastor was standing in front of a group of people when a man punched him in the face. Victory Christian Center's pastor, Billy Joe Daugherty, continued his sermon even though the blow had opened a cut above his eye that would later require two stitches.
Church members subdued his attacker, and police arrested 50-year-old Steven Rogers. Daugherty, however, did not press any charges. In fact, he prayed for his assailant during the church service, and visited him in jail a few days later.
Source: www.firstcoastnews.com
To John Barrier, it wasn't the 60 cents, it was the principle. Barrier walked into his bank to cash a $100 check and then asked the receptionist to validate his parking ticket. Even after mentioning that he was a "substantial depositor," Barrier's request was refused. The receptionist explained that validation was only given for transactions involving a deposit.
Barrier felt his appearance—dirty construction clothes—contributed to his treatment. He thought the bank manager looked at him like he'd "crawled out from under a rock." Barrier contacted bank headquarters with his complaint. When no one returned his call, he started emptying his account, $1 million at a time.
According to Barrier, "If you have $100 in a bank or $1 million, I think they owe you the courtesy of stamping your parking ticket."
Source: Elisa Tinsley, "Bank gets $2M Lesson," USA TODAY (2-21-89, p. 1A)
Text: "Do not judge, or you too will be judged" (Matthew 7:1).
Object: A black robe. Use a baptismal, clerical, or academic robe; or rent one from a theatrical supply store.
Action: I entered the service wearing a black robe. This was an unusual sight to a non-liturgical congregation. The robe built curiosity. After explaining the text, I refered to the robe saying, "This is not a clerical robe worn for a religious service. This is not an academic robe worn during commencement activities. This is a judge's robe. Jesus tells us not to judge each other. In obedience to him, we must take off our judge's robe."
Then I dramatically removed the robe and tossed it aside, calling the congregation to "get rid of that robe."
Purpose: To demonstrate our need to put aside our judgmental attitudes.
In two full pages of advertisement, the Japanese government declared its desire to right wrongs committed in World War II. The Asian Women's Fund, led by former Japanese Prime Minister Tomiichi Murayama, placed the ads to announce the offer of atonement payments to "comfort women." During the war women were forced to provide sexual services to members of Japan's wartime military. In an effort to make atonement, the organization sent donations, messages, and a letter of apology from the Prime Minister to hundreds of former "comfort women."
Murayama says, "We hope these projects have helped to remove at least some portion of the permanent scars these women bear. I consider it essential that we Japanese maintain a firm conviction that we must never violate the dignity of women again, as we did in our treatment of 'comfort women.'"
Source: A Nation in Search of Atonement, Newsweek (12-22-03)
We don't want to be personally or institutionally offensive, but we cannot buffer the offense of the cross.
Source: John MacArthur, Jr., Leadership, Vol. 12, no. 4.