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All cultures seem to have at least one thing in common—they write music and sing. But why? Music baffled the evolutionist, Charles Darwin. Humanity’s ability to produce and enjoy melodies, he wrote in 1874, “must be ranked amongst the most mysterious with which he is endowed.”
All human societies made music, and yet, for Darwin, it seemed to offer no advantage to our survival. He speculated that music evolved as a way to win over potential mates. Other scientists were skeptical. That debate continues to this day. Some researchers are developing new explanations for music. Others maintain that music is a cultural invention, like writing.
In recent years, scientists have analyzed the acoustic properties of thousands of songs recorded in dozens of cultures. One researcher offered the following guess for why we sing: “Maybe music was needed to improve group cohesion.” Or maybe sharing choruses and melodies, could have brought people together whether as a community or in preparation for a battle. Or maybe it helped parents bond with children.
The fact is, these are all guesses, but the Christian knows the best reason for singing—because the Living God is worthy of our joyful worship. He puts a new song in our mouth.
Source: Carl Zimmer, “Why Do People Make Music?” The New York Times (5-15-24)
In CT magazine, Brad East reflects on Olympic athletes sharing their Christian testimony:
The opening ceremonies of the Olympics are extravagant celebrations of national glories and global unity. But if you watch past the opener to the 2024 Games themselves, you’ll notice an unusual pattern: Athletes are always talking about God. Athletes of every kind continuously gave God the credit, often in explicitly Christian terms.
For my money, US track star Sydney McLaughlin-Levrone won. After breaking the world record (again) for women’s 400-meter hurdles, she answered a reporter’s question this way: “Honestly—praise God. I was not expecting that, but he can do anything. Anything is possible in Christ. I’m just amazed, baffled, and in shock.” The reporter laughed nervously and moved on to the next qualifier.
It’s not news that athletes thank the Lord for their success. But watching these public displays of piety made me wonder: Why is this still normal? Unlike other events, like the Oscars, sporting events appear to be the last refuge of “acceptable” public faith in our secular culture. In a time when belief is belittled, ignored, or relegated to one’s private life, athletes are unapologetically faithful in public. But why?
The place to start, I think, is the nature of sports itself. Athletic discipline is rigorously controlled because, when the whistle blows, nothing is under control. It’s chaos, contingency, and chance all the way down. The skies fill with rain clouds; the court is slick with sweat; the track is spongy; your opponents are strategically unpredictable.
With good reason, therefore, athletes turn to God. None but God is sovereign. I can’t control the weather, but he can. I can’t stop my body from failing, but he can. Even the wind and the waves obey him (Matt. 8:27). Shouldn’t footballs and softballs obey him too?
For athletes, God isn’t just in charge of the moment. He’s the governor of history. This is true for all of us, at all times, but elite athletes are viscerally reminded of it with a frequency few of us experience.
It should come as no surprise, then, that a victorious athlete will speak of more than God answering a prayer. Sure, they may be caught up in the moment. Deep down, though, they’re expressing faith in divine providence. It’s one more way to be clear about control. None of us has it, because only God does, and the sooner one recognizes that, the sooner peace is possible when losing and real joy available when winning.
Source: Brad East, “Penalty or No, Athletes Talk Faith,” CT magazine online (7-25-24)
Texas pastor Tan Flippin was left thanking God, after a cycling accident in 2018 landed him in the hospital with fractures to his hip. His ride that eventful day, past a stretch undergoing repair, beside a subdivision, led to the crash that threw him off his bicycle. He said later, “I’d gone through that area before with no issues.”
When the doctors at the hospital ordered a CT scan to check for a concussion, what they discovered was shocking. They noticed a large malignant tumor on the front of Tan’s brain. That discovery began a long journey of treatment that eventually led to bone marrow and stem cell transplants. Today, he is cancer-free.
Flippin said, “God allowed the accident for my brain tumor to be found.”
The story has led to Flippin's testimony being shared on a regular basis. He said, "People want me to tell this story and that my faith has inspired them and been an encouragement. I hear that about every week.”
Similarly, God can use the challenges and unpleasant situations we encounter to work out something good in our lives and to bring glory to his name. We can trust God to work out something meaningful through them (Phil. 1:12-18).
Source: Talia Wise, “'God Allowed the Accident': Stunning Discovery Saves Texas Pastor's Life, All Because He Crashed His Bike,” CBN (11-30-22)
“I gotta share this just to show you how cold G.O.D. is,” said Tracy Lynn Curry, posting on the social media X employing the hip-hop slang usage for cold as a synonym for cool, meaning “skilled, effective, talented, or great.”
Curry is known throughout the hip-hop world by his stage name, The D.O.C. He has been a critically acclaimed producer, collaborating with Ice Cube and Dr. Dre for some of the biggest hits in west coast rap during the early 90s.
But all of his dreams of rap stardom stopped after a car accident left him with a badly damaged larynx. The D.O.C. continued to contribute to the hip-hop scene as a producer and ghostwriter, but was never able to recover the unique voice that sent him to the top of the charts.
Until now, that is. Curry’s announcement on social media was for a new album that he’s producing in conjunction with the firm Suno, who will use existing recordings to recreate an AI version of his voice. In an interview on CBS Mornings with Michelle Miller, Curry explained that it was his old friend Fab 5 Freddy who convinced him to get on board. “When this thing happens, it sounds like the real me,” Curry said to one of the Suno software engineers.
As part of the segment, Miller also interviewed Mikey Scholman, Suno’s CEO, about the AI being taught to emulate Curry’s voice. When she asked about potential ethical considerations, Scholman defended the project, calling it “a slam dunk. ... Letting D.O.C. recreate the voice that has been in his head that he hasn’t been able to get out there for the last 35 years – I can’t think of a better usage of this technology than that.”
No tragedy is so great or so long ago that God cannot redeem it for good. God wants to take your place of wounding and use it to accomplish that which would seem impossible, because with God nothing is impossible.
Source: Christopher Smith, “The D.O.C. Reflects On Using AI To Make New Music,” Hip Hop Wire (11-14-23)
In his book, Every Deep-Drawn Breath, Critical Care Doctor Wes Ely explores the ordinary miracle of taking a breath.
We take for granted our ability to breathe. We do it again and again, one breath after another, without thinking. Yet the lungs are incredibly complex, the respiratory system made up of so many different actors, structures, and functions. Cells with hair like projections called cilia move fluid, goblet cells secrete mucus, and column-like cells line and protect. Our lungs have cells that are integral parts of our nervous system, lymphatic system … and immune system. They contain cartilage, elastic tissue, connective tissue, muscle, and glands, and all of this gives rise to a system of airways that is 1500 miles long, from New York City to Dallas, and filters every ounce of air entering the body.
Dr. Ely feels so much admiration for the simple process of taking a breath that he compares it to how “an artist admires a Rembrandt [painting], the way the light, the colors, the brushstrokes all work together to create something more.”
Source: Dr. Wes Ely, Every Deep-Drawn Breath (Scribner, 2021) p. 50
The message of Christmas changes our lives and we ought to tell others.
New York City has the largest Ukrainian population in the United States, a community of about 150,000. Thousands had come to the United States as Christian refugees, most of them Baptist or Pentecostal, under a special asylum for those fleeing Soviet religious persecution.
As President Vladimir Putin put his nuclear forces on high alert, some took to the streets to join the protests against Putin’s aggression. But mostly, these followers of Jesus gathered in the churches to pray, weep, lament, and sing to God. They called their praise songs “weapons of war.”
As the nuclear threat escalated tensions, people in the service were in disbelief about how quickly the situation had spiraled. One church leader told Christianity Today, “Our minds fail to understand: How is this possible in this day and age? God allowed this to happen, and we do not know why. But we know God is sovereign, and he is on his throne. There are people who think if they kill someone it will accomplish a goal.”
A worship leader said, “Our hope is in the Lord, the one who holds things together. No matter how things fall apart, the Lord created this world, and he holds things in his hands.” He played music and led worship in tears. But he also told his church family, “Even if a nuclear attack happens, the hope we have is we go home. And we will be together with Jesus, the one we know will help us.”
Source: Emily Belz, “Ukrainian American Churches Deploy Praise as a Weapon,” Christianity Today (2-28-22)
In 1779, a British pastor published a hymnbook titled Onley Hymns. It became an immediate bestseller. The public largely ignored Hymn #41 in the collection, titled “Faith’s Review and Expectations.” The author of the hymn made no further mentions of it in his diaries during the remaining 30 years of his life. For the next 120 years it never caught on with churchgoers, or with anyone else. Hymn #41 only made one appearance in all the other hymnbooks published in Britain in the 18th and 19th centuries. It was a hymn without honor in its own country.
But when Hymn #41, originally written by the pastor and former slave trader John Newton, jumped over the shores to America, it quickly rose in popularity. After someone renamed it, a singing instructor from South Carolina set the lyrics to a new tune. During the 1850s, the hymn added some lyrics from African American worship. On December 10, 1947, the famous singer Mahalia Jackson recorded a version of the hymn.
Eventually, this obscure hymn, which is known today as “Amazing Grace,” has become what one person has called “the spiritual national anthem of America.” It’s original author, the pastor and theologian John Newton, would have been astonished by the universality today of the hymn he wrote 250 years ago for his local church worshippers. What he composed to illustrate a village sermon has developed into a global anthem.
Source: Adapted from Jonathan Aitken, John Newton (Crossway, 2007), pp. 231-237
Fender Musical Instruments Corporation sold a record number of guitars in 2020, driven in part by people forced to stay at home during the pandemic. The company calculates that nearly a third of those new musical instruments were purchased by people who play in praise and worship bands. This may not be surprising to anyone who knows a worship leader who are always wanting to “up” their guitars.
No one knows the first person to bring a guitar into church, but it became common in charismatic congregations in Southern California in the 1970s. Folk-rock went to church with the hippies who converted during the Jesus People movement. Guitars became staples of the Calvary Chapel and Vineyard church style before spreading to other evangelical churches.
The style signaled openness and authenticity to baby boomers raised on the Beatles. But guitars also had some practical advantages. They were portable. When a new church started in a school, or someone’s house, or even on the beach, no one had to haul over an organ. Guitars are also easier to learn to play than the pianos and organs traditionally used in church music.
Duke Divinity student Adam Perez says, “People joke about how simple it is—three chords or four chords—but that was a strength, not a weakness. You could have a beginner guitar player who learned to play to lead their small group or even a new church. You’re democratizing access to the sacred.”
Worship music in the 2020s is not all guitar-based, but industry experts know there is a lot of money in church guitars. According to Ultimate Guitar, an estimated one million guitar players are “gigging” at churches every weekend, and more people play praise and worship music than any other genre in the US.
Source: Adapted from Daniel Silliman, “1 out of 3 New Guitars Are Purchased for Worship Music,” Christianity Today (8-17-21)
You remember Scrooge’s story, I’m sure. In one night, the old miser Scrooge is completely transformed by the visit of the ghosts of Christmas past, present, and future. When he realizes he didn’t die, he’s a transformed man. At first he didn’t know how much time has passed.
Running to the window, he opened it, and put out his head:
“What's to-day?'' cried Scrooge, calling downward to a boy in Sunday clothes, who perhaps had loitered to look about him.
“To-day?'' replied the boy. “Why, Christmas Day.''
“It's Christmas Day!'' said Scrooge to himself. “I haven't missed it.”
At the very end, Dickens wrote,
“Ever afterwards; and it was always said of him, that he knew how to keep Christmas well, if any man alive possessed the knowledge. May that be truly said of us, and all of us! And so, as Tiny Tim observed, ‘God Bless Us, Every One!’”
Possible Preaching Angle: We know another story like The Christmas Carol, only with shepherds and angel visitors instead of ghosts. The transformed Scrooge glorified and praised Christmas. And over a 150 years later, we’re still following his lead. Unbelievers can’t find enough ways to glorify and praise Christmas. But as believers we take our cues, not from Scrooge, but from the shepherds who returned glorifying and praising God for all they had seen and heard .
Source: Charles Dickens, A Christmas Carol (Bantam Classics, 1986)
Seeing God for who he truly is results in joyful worship and compelling commendation.
There are two kinds of magnifying: microscope magnifying and telescope magnifying. The one makes a small thing look bigger than it is. The other makes a big thing begin to look as big as it really is.
When David says, “I will magnify God with thanksgiving,” he does not mean, “I will make a small God look bigger than he is.” He means, “I will make a big God begin to look as big as he really is.”
We are not called to be microscopes. We are called to be telescopes. Christians are not called to be con-men who magnify their product out of all proportion to reality, when they know the competitor’s product is far superior. There is nothing and nobody superior to God. And so the calling of those who love God is to make his greatness begin to look as great as it really is. That’s why we exist, why we were saved, as Peter says in 1 Peter 2:9, “You are a chosen race, a royal priesthood, a holy nation, a people for his own possession, that you may proclaim the excellencies of him who called you out of darkness into his marvelous light.”
The whole duty of the Christian can be summed up in this: feel, think, and act in a way that will make God look as great as he really is. Be a telescope for the world of the infinite starry wealth of the glory of God.
Source: John Piper, “How to Magnify God” DesiringGod.org (11-27-12)
Many questions we ask about Christmas today were asked at the first Christmas, too.
Two-time Academy Award-winning actor Denzel Washington is best known for his roles in Glory, The Preacher's Wife, Remember the Titans, and Training Day. But the Hollywood A-lister has sounded more like a pastor when has spoken at events. Washington has publicly stated that he reads his Bible every day and that he strives to consistently "get up and speak of what God has done for him."
At a church banquet he urged his listeners to live in a constant attitude of gratitude for God's goodness:
Give thanks for blessings every day. Every day. Embrace gratitude. Encourage others. It is impossible to be grateful and hateful at the same time. I pray that you put your slippers way under your bed at night, so that when you wake in the morning you have to start on your knees to find them. And while you're down there, say "thank you." A bad attitude is like a flat tire. Until you change it, you're not going anywhere.
Source: Jeannie Law, "Denzel Washington: God Has 'Faith in Me,'" Christian Post (11-12-15)
We often hear someone say: "Well, I'm not very religious, but I'm a good person and that is what is most important." But is that true? Imagine a woman, a poor widow with an only son. She teaches him how she wants him to live, to always tell the truth, to work hard and to help the poor.
She makes very little money, but with her meager savings she is able to put him through college. Imagine that when he graduates, he hardly even speaks to her again. He occasionally sends a Christmas card, but he doesn't visit her, he won't even answer her phone calls or letters; he doesn't speak to her. But he lives just like she taught him—honestly, industriously, and charitably.
Would you say this was acceptable? Of course not. Wouldn't we say by living a "good life" but neglecting a relationship with the one to whom he owed everything he was doing something commendable?
In the same way, God created us and we owe him everything and we do not live for him but we "live a good life" it is not enough. We all owe a debt that must be paid.
Source: Timothy Keller, Shaped by the Gospel: Doing Balanced, Gospel-Centered Ministry in Your City (Zondervan, 2016), page 3
It’s not only okay to seek praise from God—it’s absolutely necessary.
In the book Sitting at the Feet of Rabbi Jesus, authors Ann Spangler and Lois Tverberg explore how the Jewish culture and heritage of Jesus influenced his life and ministry—and how it should influence our understanding of the Gospels.
Spangler travelled to Israel several times while researching the Second Temple Period and writing the book. Her first flight was aboard El Al Airlines, which is the preferred method of travel for many Orthodox Jews. She writes of being fascinated by the ritual and symbolism of the Jewish faith she observed even during that flight:
I tried not to stare as a bearded man three rows ahead stood up and began carefully winding a long strip of leather around his arm. He was observing a daily custom common among Orthodox Jews—binding small boxes, called tefillin, to both head and arm. These boxes, I knew, contained parchment scrolls inscribed with the ancient command recorded in Deuteronomy 6:6-8: "These commandments that I give you today are to be upon your hearts. Impress them on your children. Talk about them when you sit at home and when you walk along the road, when you lie down and when you get up. Tie them as symbols on your hands and bind them on your foreheads."
As the young man wound the dark strand of leather around his arm, I could hear him speaking in Hebrew. Later I learned that he was echoing the words of Hosea 2:19-20: "I will betroth you to me forever; I will betroth you in righteousness and justice, in love and compassion. I will betroth you in faithfulness, and you will acknowledge the Lord"….
In the seat next to me was a teenage girl, piously bent over her prayer book. When she wasn't sleeping through the long flight, she was reading and praying, rocking rhythmically back and forth as she read and meditated on the Hebrew words. Later, I asked a white-haired rabbi I met in Israel about this practice, called davening. The rocking motion during prayer, I discovered, is a way of expressing that one's whole self, body and soul, is caught up with God. The old rabbi explained that the movement of the body mimics the flickering flame of a candle, calling to mind the saying that "the candlestick of God is the soul of a man."
Source: Ann Spangler and Lois Tverberg, Sitting at the Feet of Rabbi Jesus (Zondervan, 2009)