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AMacario Martínez was one of the thousands of fluorescent-green uniformed street sweepers in Mexico City, toiling with their long-bristled brushes in 8-hour shifts for about $10 a day. Then came the video.
Martínez, a 24-year-old aspiring musician and composer, recorded himself riding on the back of his garbage truck as it rumbled down the city’s tree-lined Reforma Avenue, his fellow sweepers unaware. He made several takes early one morning and then laid the images over a plaintive, romantic song he’d written about a love scorned. At 7 p.m. on Jan. 27, he posted it on TikTok. Waking up the next day for his 6 a.m. shift, Martínez was shocked to see “Sueña Lindo, Corazón” (“Beautiful Dream, My Love”) had around 100,000 views.
“That day I went to work, but I was really distracted because I kept checking my TikTok,” Martínez said in an interview. Two weeks later, he quit.
Martínez became an overnight sensation… People now recognize Martínez on the streets of Mexico City and want selfies with him. His first performance after “Sueña Lindo” went viral was a free concert on Valentine’s Day in front of a few hundred enthusiastic fans at a landmark outdoor Mexico City cultural center. Martínez invited his former co-workers to the front row, where they cheered him on.
Preaching Angles:
The new birth in Jesus will most likely not give us fame and riches, but it will give us a new name, a new relationship with God the Father, the gift of eternal life, and all the spiritual riches of the heavenly places.
Source: Robert P. Walzer, "He Went to Bed a Street Sweeper. He Woke Up a National Celebrity." The Wall Street Journal (4-10-25)
In a story that moved even seasoned doctors to tears, a young girl named Pari inspired what her neurologist calls a “sort of miracle” after her father suffered a devastating stroke. Shared by Dr. Sudhir Kumar of Apollo Hospitals in India, the story has touched hearts around the world.
When her father was hospitalized, paralyzed and unable to speak, Pari arrived with a cracked, faded pink piggy bank—her most treasured possession—and offered its contents to the doctors. “I have saved a lot of coins in this,” she said, her voice steady despite her tears. “You can use all of them to make Papa speak again.”
Moved by her love, the medical team enrolled her father in an intensive rehabilitation program that included Melodic Intonation Therapy (MIT), which uses music and melody to help restore language. Slowly, with the help of Kishore Kumar’s classic Hindi songs—favorites he once sang with his daughter—faint hums gave way to broken words.
Each day, Pari visited the hospital, sitting by his side, reminding him of their cherished game of antakshari, a common Indian parlor game where people sing with and to one another. One song in particular became their bridge through the silence: “Rona kabhi nahi rona, chahe toot jaye khilona” (“Never cry, even if your toy breaks”). Though he couldn’t yet converse, his hums were filled with affection and hope.
Then, three months later, the miracle arrived. Pari walked into the outpatient department—this time with her father beside her. He stood tall, smiling. And then, with clear words and joy in his voice, he said, “Pari, let’s play antakshari.”
It was a moment no one in the room would forget. A father reclaimed from silence. A daughter’s love, translated into healing. For these two, in this moment, their love was the most effective treatment.
God can use the smallest acts of love and faith to bring about mighty healing and restoration.
Source: Staff, “Even the doctor cried when she gave her piggy bank to save her dad. Sort of miracle happened 3 months later,” Economic Times (5-19-25)
In a deeply disturbing scene in the television series “The Crown,” Prince Philip recounted to Queen Elizabeth his moving experience at a funeral for 81 children who had died in the tragic mudslide in Aberfan. (During a heavy rainstorm in October of 1966, a massive pile of accumulated coal waste positioned above the town of Aberfan turned to slurry. The massive flood tragically overwhelmed a school and a row of houses).
The dialogue went like this:
The Queen: How was it?
The Prince: Extraordinary. The Grief. The Anger – at the government, at the coal warden…at God, too. 81 children were buried today. The rage behind all the faces, behind all the eyes. They didn’t smash things up. They didn’t fight in the streets.
Q: What did they do?
P: They sang! The whole community. It’s the most astonishing thing I’ve ever heard.
Q: Did you weep?
P: I might have wept. Yes. Are you going to tell me it was inappropriate? The fact is that anyone who heard that hymn today would not just have wept. They would have been broken into a thousand tiny pieces.
The mourners who gathered at the funeral at Aberfan sang the hymn “Jesus, Lover of My Soul.”
Jesus, Lover of my soul,
Let me to thy bosom fly,
While the nearer waters roll,
While the tempest still is high.
Hide me, O my Savior, hide,
Till the storm of life is past.
Safe into the haven guide;
Oh, receive my soul at last.
Other refuge have I none;
Hangs my helpless soul on thee.
Leave, oh, leave me not alone;
Still support and comfort me.
All my trust on thee is stayed;
All my help from thee I bring.
Cover my defenseless head
with the shadow of thy wing.
Source: Randy Newman, “Lamenting in Wartime,” Washington Institute (Accessed 1/2/25)
All cultures seem to have at least one thing in common—they write music and sing. But why? Music baffled the evolutionist, Charles Darwin. Humanity’s ability to produce and enjoy melodies, he wrote in 1874, “must be ranked amongst the most mysterious with which he is endowed.”
All human societies made music, and yet, for Darwin, it seemed to offer no advantage to our survival. He speculated that music evolved as a way to win over potential mates. Other scientists were skeptical. That debate continues to this day. Some researchers are developing new explanations for music. Others maintain that music is a cultural invention, like writing.
In recent years, scientists have analyzed the acoustic properties of thousands of songs recorded in dozens of cultures. One researcher offered the following guess for why we sing: “Maybe music was needed to improve group cohesion.” Or maybe sharing choruses and melodies, could have brought people together whether as a community or in preparation for a battle. Or maybe it helped parents bond with children.
The fact is, these are all guesses, but the Christian knows the best reason for singing—because the Living God is worthy of our joyful worship. He puts a new song in our mouth.
Source: Carl Zimmer, “Why Do People Make Music?” The New York Times (5-15-24)
In the fall of 2023, singer Oliver Anthony got his big break in the music industry with his song “Rich Men North of Richmond,” a scathing criticism of wealthy politicians and other movers and shakers. And now that he’s gotten a taste of the music industry in Nashville, he’s decided to live out his convictions.
Anthony revealed in a recent YouTube video, “I’ve decided that moving forward, I don’t need a Nashville management company. I don’t even need to exist within the space of music. So, I’m looking at switching my whole business over to a traveling ministry.” He added, “Our system is broken.”
The singer, whose real name is Christopher Anthony Lunsford, says his vision is not to participate in the system, but transform it. "I have this vision for this thing that I’m calling the Real Revival Project, and it’s basically going to start as a grassroots music festival. But hopefully it grows into something that can literally change our landscape and our culture and the way we live.”
Anthony says he wants to create something that exists parallel to Nashville that circumvents the monopolies of Live Nation and Ticketmaster, and it goes into towns that haven’t had music in them in a long time. And he insists he’s not doing anything revolutionary. “I just want to help bridge the gap between millions of people who all believe in the greater vision of us all just getting back to living a normal life.”
Anthony sees the decline of the industry as part of a larger pattern that discouraged his interest in pursuing the traditional path to music stardom. He said:
At the very beginning, our focus was just trying to figure out what we felt like God’s purpose was for our lives and trying to figure out how to pursue that. I think it was just being around all those people that weren’t of that mindset. There’s no way to create something that’s focused around God when you’re working with people who are just focused around making money.
God’s purpose for life is more than just seeking fame and fortune; God calls us to make a positive difference in whatever space we’re called to inhabit.
Source: Brie Stimson, “Country sensation Oliver Anthony leaving industry one year after meteoric rise to start traveling ministry,” Fox News (10-31-24)
What's blasting from your car speakers, and more important, how does it sound? For sound-system engineers at the audio-equipment manufacturer Bose, a playlist is more than tracks that slap. To test stereos, they need songs representing a variety of sounds and recording techniques to make sure new systems can re-create a song with the depth of the original recording.
To have a common reference point, Bose engineers all over the globe share a master playlist. Mark Armitage, head of the acoustical-engineering team at Bose says, "Every system engineer knows these tracks inside and out. It makes for a universal language we can use when testing and tuning." He named a few selections from the test list:
Bruno Mars, "24K Magic" – It features a lot of instruments from the high tweeter notes all the way down.
Tom Petty, "Learning to Fly (Live)” - The crowd starts singing along, Petty's voice drops out, and you get a real sense of how big that auditorium is.
Dave Brubeck Quartet, "Take Five" - Listen for the cymbals from the intro, which are hard to reproduce.
Straight No Chaser, "Homeward Bound" All a cappella. The vocals span all the way across the stage and you can independently hear each person singing.
We also use music to tunes our minds and souls. The world has its music, which attunes them to worldly thoughts, desires, and actions. But believers also have music which tunes our hearts to God by giving us the vocabulary to express praise and worship to God, unifying us as we gather for worship, and adjusting our hearts so that our faith is expressed to God in worship.
Source: Benjamin Hunting, “Top of the Charts: The Songs the Sound Engineers Use to Tune Your Stereo,” Car and Driver (10/23/21)
Gospel singer Bobbi Storm would seem to be aptly named, for her latest actions created a firestorm of controversy, testing the axiom that there’s no such thing as bad publicity. In Storm’s case, she might wish she had done things differently.
Storm is part of the Grammy-nominated praise-and-worship group Maverick City Music, which was recently nominated for two Grammy awards. In her excitement over the nominations, Storm stood up during the middle of a recent flight on Delta Airlines in order to make an unsolicited performance for the people in the cabin.
In a video posted to her Instagram Live account, Storm is heard saying, “I sing for the Lord … I'm doing what the Lord is telling me to do.” After a flight attendant insisted she sit down, she sang a portion of her new song, “We Can’t Forget Him,” at a lower volume, while seated.
Since it went public on Instagram, the video garnered a variety of comments, many of them negative. Storms actions were deemed by commenters as “wildly out of pocket,” and “one of the most egotistical things I’ve ever seen.”
One user summarized the criticism by saying: "Imagine the entitlement of thinking you are the only one with something that can bless folks and it happens to be in an airplane where they have no choice but to hear you because they can’t go anywhere?!?”
While it's important to be bold in our faith, that boldness should be clothed in humility and kindness, truly seeking the best for those around us.
Source: Naledi Ushe, “Gospel singer Bobbi Storm faces backlash for singing on a flight after Grammy nomination,” USA Today (11-13-23)
Federal law enforcement officers were dispatched to the Gold Coast Airport in Queensland, Australia after a drunk, disorderly woman refused to follow the crew’s instructions. Jetstar Airlines explained the situation in a brief statement afterward. “The safety of our customers and crew is our number one priority and we have zero tolerance for disruptive behavior.”
The woman, who one TikTok user referred to as a “drunk Karen,” clearly wore out her welcome among the nearby passengers who had to endure her belligerent behavior. On the posted TikTok video, police can be seen entering the plane and forcibly removing her from the aircraft, while onlookers began chanting the chorus to a 1969 hit from the band Steam. “Na na nahhh na, na na nahh na, hey hey hey … goodbye.”
In the words of the ancient African American proverb: “God don't like ugly.” While we're not to seek vengeance because it belongs to God, it's natural to be relieved when wrongdoers experience the consequences of their actions.
Source: Brooke Rolfe, “Entire plane bursts into song as ‘drunk Karen’ booted off flight,” New York Post (1-11-23)
William McRavenwas, commander of US Special Force Command, gave an oft-quoted speech at a university graduation in Texas in 2014. He spoke of his experiences in becoming a US Navy SEAL. SEAL training is regarded as being the toughest in the world. McRaven spoke about his Hell Week at Basic Underwater Demolition SEAL (BUD/S) training:
The ninth week of SEAL training is referred to as Hell Week. It is six days of no sleep, constant physical and mental harassment and one special day at the Mud Flats. The Mud Flats are an area between San Diego and Tijuana where the water runs off and creates the Tijuana sloughs—a swampy patch of terrain where the mud will engulf you. You paddle down to the mud flats and spend the next 15 hours trying to survive the freezing-cold mud, the howling wind and the incessant pressure from the instructors to quit.
As the sun began to set that Wednesday evening, my training class was ordered into the mud. The mud consumed each man till there was nothing visible but our heads. The instructors told us we could leave the mud if only five men would quit—just five men and we could get out of the oppressive cold.
Looking around the mud flat, it was apparent that some students were about to give up. It was still over eight hours till the sun came up—eight more hours of bone-chilling cold. The chattering teeth and shivering moans of the trainees were so loud it was hard to hear anything. And then, one voice began to echo through the night—one voice raised in song.
The song was terribly out of tune, but sung with great enthusiasm. One voice became two, and two became three, and before long everyone in the class was singing.
We knew that if one man could rise above the misery then others could as well. The instructors threatened us with more time in the mud if we kept up the singing—but the singing persisted. And somehow, the mud seemed a little warmer, the wind a little tamer and the dawn not so far away.
Source: Wes Brendenhof blog, “When You’re Up to Your Neck in Mud –Sing!” (8-9-22)
It is said that George Frederick Handel composed his amazing musical The Messiah in approximately three weeks. It was apparently done at a time when his eyesight was failing and when he was facing the possibility of being imprisoned because of outstanding bills. Handel however kept writing in the midst of these challenges till the masterpiece, which included the majestic, “Hallelujah Chorus,” was completed.
Handel later credited the completion of his work to one ingredient: Joy. He was quoted as saying that he felt as if his heart would burst with joy at what he was hearing in his mind. Sure enough, listening either to the entire work of The Messiah, or to the "Hallelujah Chorus" brings great joy to one's heart.
Similarly, in the midst of the many challenges he faced, including chains, imprisonment, and slander, the Apostle Paul, filled with the joy that Christ gives, could say, "Rejoice in the Lord always. I will say it again: Rejoice!" (Phil. 4:4). May the joy of the Lord fill your heart today!
Jesus is the reason for the season. But he doesn’t show up much in the top Christmas songs played on Spotify. According to October 2021 data from the streaming service collected by Every Noise, the most-played Christmas song around the world is Mariah Carey’s “All I Want for Christmas,” followed by Wham!’s “Last Christmas,” and Ariana Grande’s “Santa Tell Me.” Some top songs make oblique references to the religious aspect of Christmas, but most stick to love, the weather, and an occasional chestnut.
Globally, the most popular Christmas song to mention Jesus is Boney M.’s “Mary’s Boy Child/Oh My Lord,” which comes in at No. 71. It is followed by Nina Nesbitt singing “O Holy Night” at No. 79 and Josh Groban and Faith Hill performing “The First Nöel” at No. 90.
The presence of Jesus in popular Christmas music varies widely by country, however, revealing differences in musical taste, holiday traditions, and the spread of Christianity by missionaries, militaries, markets, and immigration.
Top Christmas Songs to Mention Jesus Around the World:
In Sri Lanka at #1 is “Bethlehem Pure” by Anil Bharathi
In Nigeria at #4 is “Silent Night” by Just Faithful
In Egypt at #6 is “What Child is This?” by Peter Basket
In Australia at #6 is “Silent Night” by Dean Martin
In the United States at #10 is “Hark the Herald Angels Sing” by Perry Como
In France at #28 is “O Holy Night” by Tracy Chapman
In Hong Kong at #93 is “O Holy Night” by Nina Nesbitt
Source: Daniel Silliman, “All I Want for Christmas Is a Song that Mentions Jesus,” CT Magazine (11-22-21)
In a recent issue of CT magazine Tim Larson reflects on Christ in Christmas:
Some of us are worried about others experiencing doubts: children, siblings, friends, or maybe even spouses or valued members of our churches. Perhaps we are even worried that our entire culture is losing its faith. If so, I have good news for you: Christmas is your ally in the tussle between faith and unbelief.
As a scholar of the subject, I can tell you with confidence that, by and large, atheists love Christmas. They see it as Christianity at its most inviting. Unbelievers often feel closest to the faith at Christmastime.
I have a friend who was once a zealous Christian. He left the church and became quite comfortable saying he no longer believed in God. Yet a few years ago, he told me rather sheepishly that he had gone back to his old church for its Christmas Eve service. Since then, the way he talks about Christianity has noticeably softened. I would not be surprised to hear someday that he had returned to Christ. Christmas draws even skeptics toward the faith rather than pushing them away.
In our culture … the Christmas season takes up 10 percent of the year! Our entire culture is geared up during the holiday season to make it easier to talk about Jesus. Even the Salvation Army suddenly becomes part of mainstream culture.
We can’t force our secular culture to celebrate Christmas in a Christian manner. And yet, our culture is amazingly interested in the Christian aspects of Christmas. A Christian sacred day is also a federal holiday. Many churches gather their largest congregation of the entire year at Christmas.
In the Chicago area there is a radio station that uses the standard rock format for most of the year. But for about the last ten percent of the year, you can tune in and hear, “Joy to the world! The Savior reigns,” or be invited to “cast out our sin” and let Jesus enter in, or be offered “tidings of comfort and joy” because “Christ our Savior was born on Christmas Day.” We should be grateful that for six weeks during every year, even pop stations sometimes play songs that proclaim salvation through Jesus Christ.
Source: Timothy Larsen, “No One Took Christ Out of Christmas,” Christianity Today (11-22-21)
Fender Musical Instruments Corporation sold a record number of guitars in 2020, driven in part by people forced to stay at home during the pandemic. The company calculates that nearly a third of those new musical instruments were purchased by people who play in praise and worship bands.
No one knows the first person to bring a guitar into church, but it became common in charismatic congregations in Southern California in the 1970s. Folk, rock, and folk-rock went to church with the hippies who converted during the Jesus People movement. Guitars became staples of the Calvary Chapel and Vineyard church style before spreading to other evangelical churches.
Guitars also had some practical advantages. They were portable. When a new church started in a school, or someone’s house, or even on the beach, no one had to haul over an organ. Guitars are also easier to learn to play than the pianos and organs traditionally used in church music.
Duke Divinity School’s Adam Perez says, “People joke about how simple it is—three chords or four chords—but that was a strength, not a weakness. You could have a beginner guitar player who learned to play to lead their small group, their cell group, or even a new church. You’re democratizing access to the sacred.”
According to Ultimate Guitar, an estimated one million guitar players are “gigging” at churches every weekend, and more people play praise and worship music than any other genre in the US.
Source: Daniel Silliman, “1 out of 3 New Guitars Are Purchased for Worship Music,” Christianity Today (September, 2021), p. 17
When the prospect of war threatened the viability of the annual international classical Kharkiv Music Fest, organizers were left scrambling. But their answer was found in the same place as many other Ukrainians looking for shelter amidst the conflict: underground.
Instead of the Kharkiv Philharmonic concert hall, musicians assembled their instruments inside of an underground subway station. They played their instruments for a grateful public in an ad hoc event known as the “concert between explosions.”
Among the first pieces was the Ukrainian national anthem, played while members of the audience stood with their hands over the hearts. Art director Vitali Alekseenok said, “Music can unite. It’s important now for those who stay in Kharkiv to be united.”
The program was intended to highlight the connections between Ukraine and other Western Europeans. It included arrangements of Ukrainian folk songs, interspersed with works by Bach, Dvorak, and other well-known composers.
One violinist said that the concert was unique among his performance experiences. “There was no stage excitement that usually happens when performing for people. But I knew that I was where I should be.”
Even in a time of deadly conflict, music and art are gifts that can point us back to God.
Source: Meryl Kornfield & Adela Suliman, “‘Concert between explosions’ provides respite in Kharkiv subway shelter,” The Washington Post (3-27-22)
In an issue of CT Magazine, singer-songwriter Kira Fontana shares how she was delivered from a new-age mindset to a life-changing relationship with Christ:
From the outside, my life looked great. I was enjoying a fantastic job as one of the top vocal coaches in Los Angeles. I had worked with major-label and top-40 artists, as well as hit TV shows like The Voice and Glee. Clients regularly flew in from around the world.
Though I had moved to LA to pursue a career creating my own music, somewhere along the way that dream got lost. Throughout this dry time, I managed to find temporary peace and joy through an LA megachurch for “spiritual but not religious” seekers. The church was transdenominational, which appealed to me. I adopted Eastern beliefs about God and practices like meditation.
After almost 20 years of spiritual seeking, I truly believed I had attained higher levels of consciousness than most people. I believed there were many roads to God, and my thoughts were awash with “love and light” and other positive-thinking mantras. However, when I really looked at my life, I knew something was missing.
Around this time, several members of my family became born-again Christians and started talking about Jesus. I remember one of my brothers calling my spiritual center “satanic.” What could be so horrible about channeling love and light, attaining higher consciousness, and finding inner healing?
When my brother asked me, “Who do you think Jesus is?” I answered, “He was a great spiritual teacher, and one of the most enlightened people who ever lived.” He said, “How can you live like Jesus when you have no idea who he really is? You’ve never read the one book that would tell you who he is.”
I spent a solid year praying and reading the Bible. Scripture confronted me with many ideas my new-age mindset simply couldn’t process. As I did this, God began revealing his truth in ways that radically transformed my mind.
In time, I came to see that my most cherished beliefs had all been focused on myself. Even though they were framed in spiritual ways, they were oriented toward self-realization and self-help. But discovering the Bible’s definition of good shattered this confidence. I finally saw that I wasn’t capable of being a good person on my own. And I sensed my need for a Savior.
Meanwhile, God gradually opened my eyes to the reality of evil in the world. But day by day, God revealed to me the real state of the world—pulling back a veil and showing me depths of darkness, I had never fathomed.
I began attending a local church in Santa Monica, asking God to reveal himself and praying he would bring me out of the darkness. I asked a ton of questions, and I read multiple books on apologetics. Eventually, I was ready to finally surrender my life to Christ.
As a new Christian, I prayed that God would show me how to use my musical gifts for the sake of his kingdom. I soon realized I no longer belonged in the secular music industry. The lyrics of most pop songs disturbed me, and I was concerned about the destructive impact these songs were having on young people.
After only a couple of weeks of praying, I felt God clearly call me to leave LA and move to San Diego County. Alone one night in my new home, I felt I had truly reached the end of myself. I cried out to God with a desperation and sadness I had never felt before, asking, “Why did you even make me?” I felt I had completely failed in so many areas of life, including my own music.
That very night, I woke up from a dream at 3 a.m. In the dream I heard an amazing song. I got up, rushed down to the piano, and recorded the chorus for “Refuge.” It was my first worship song. From that day forward, I experienced a complete revival of musical creativity. God was saying, “I made you to worship me.”
Since I put my faith in Christ, God has redeemed everything that was lost in my life. He has freed me from the prison of my selfishness, rescued me from darkness, and brought me into his glorious light. He has given my life new purpose, equipping me to serve his kingdom and glorify his name with music. There is no greater joy.
Source: Kira Fontana, “Singing a New Song to God,” CT magazine (September, 2021), pp. 87-88
Mary, was a local drama student at a large university. The professor of her introductory acting class had asked all the students to present “something extreme” to the class. Mary decided that, as a Christian, she would write a hymn of love to Jesus and sing it.
Alice was the student presenting before her. Alice took a Bible, led the class out by a trash can on campus, and proceeded to slowly read portions of the Old Testament about commands to make war, God punishing the nations, and sending Israel into exile. She read imprecatory psalms. With each violent passage, Alice would say something like, “Who would ever believe in a God like that?” Then she would tear out the page from the Bible, burn it, and drop the page in the trashcan. It was extreme drama.
This was the warm-up for Mary. She pulled out her guitar, said a brief prayer under her breath, and sang a love song to Jesus. The class was silent and then went home. All, that is, except for Alice, who came forward with tears in her eyes. “That was beautiful. That is the God I want to know. Can you help me get to know Jesus?” And so, after a few days of Bible study and prayer, Alice gave her life to Christ.
Source: Scott Sunquist, “Why Church? A Basic Introduction,” (IVP, 2019), p. 69-70
In 1779, a British pastor published a hymnbook titled Onley Hymns. It became an immediate bestseller. The public largely ignored Hymn #41 in the collection, titled “Faith’s Review and Expectations.” The author of the hymn made no further mentions of it in his diaries during the remaining 30 years of his life. For the next 120 years it never caught on with churchgoers, or with anyone else. Hymn #41 only made one appearance in all the other hymnbooks published in Britain in the 18th and 19th centuries. It was a hymn without honor in its own country.
But when Hymn #41, originally written by the pastor and former slave trader John Newton, jumped over the shores to America, it quickly rose in popularity. After someone renamed it, a singing instructor from South Carolina set the lyrics to a new tune. During the 1850s, the hymn added some lyrics from African American worship. On December 10, 1947, the famous singer Mahalia Jackson recorded a version of the hymn.
Eventually, this obscure hymn, which is known today as “Amazing Grace,” has become what one person has called “the spiritual national anthem of America.” It’s original author, the pastor and theologian John Newton, would have been astonished by the universality today of the hymn he wrote 250 years ago for his local church worshippers. What he composed to illustrate a village sermon has developed into a global anthem.
Source: Adapted from Jonathan Aitken, John Newton (Crossway, 2007), pp. 231-237
Fender Musical Instruments Corporation sold a record number of guitars in 2020, driven in part by people forced to stay at home during the pandemic. The company calculates that nearly a third of those new musical instruments were purchased by people who play in praise and worship bands. This may not be surprising to anyone who knows a worship leader who are always wanting to “up” their guitars.
No one knows the first person to bring a guitar into church, but it became common in charismatic congregations in Southern California in the 1970s. Folk-rock went to church with the hippies who converted during the Jesus People movement. Guitars became staples of the Calvary Chapel and Vineyard church style before spreading to other evangelical churches.
The style signaled openness and authenticity to baby boomers raised on the Beatles. But guitars also had some practical advantages. They were portable. When a new church started in a school, or someone’s house, or even on the beach, no one had to haul over an organ. Guitars are also easier to learn to play than the pianos and organs traditionally used in church music.
Duke Divinity student Adam Perez says, “People joke about how simple it is—three chords or four chords—but that was a strength, not a weakness. You could have a beginner guitar player who learned to play to lead their small group or even a new church. You’re democratizing access to the sacred.”
Worship music in the 2020s is not all guitar-based, but industry experts know there is a lot of money in church guitars. According to Ultimate Guitar, an estimated one million guitar players are “gigging” at churches every weekend, and more people play praise and worship music than any other genre in the US.
Source: Adapted from Daniel Silliman, “1 out of 3 New Guitars Are Purchased for Worship Music,” Christianity Today (8-17-21)
When we begin to live into the Story, it changes the way we understand the world and our place in it.
Enrique Rodriquez from Central Jersey, left behind a life of crime and violence after turning to religion. He is now a phlebotomist at Robert Wood Johnson University Hospital, where he’s become famous for his musical talent.
In 2009, Rodriguez started getting involved in gangs to fill the emotional void left when his eldest brother went to jail. In search of what he calls “the wrong kind of family,” and easy money, he joined the local Bloods gang, where he remained a member for three years.
Rodriguez said, “The gang lifestyle is pure manipulation. They make you feel like they care about you, that they’ve got your back, that you are family; but all they do is use you so they don’t have to get their hands dirty.”
Criminal life began to lose its luster for Rodriguez after he crossed the “wrong person,” which resulted in two attempts on his own mother’s life by a rival gang seeking retribution. The assailants were eventually detained, and his mother survived—a fact Rodriguez attributes to God.
He said, “I have done a lot of bad things and mixed with a lot of bad people. I’m just grateful God looked out for me and my family. He has given me the opportunity to start a new life, and music is a huge part of that.”
The former Bloods member quickly sought out a job working at the hospital, where in 2012, he got a housekeeping position. After a year, he finished care training for patients in ICU. He is now a phlebotomist shuttling virus and blood samples to labs. Over the course of his nine years working at the hospital, he revealed his hidden musical talent, teaching himself to play the piano and the guitar.
After he started singing, playing the piano, and the guitar for critically-ill patients in the hospital’s Intensive Care Unit, he started recording his music sessions. He started posting his video hymns on TikTok, where he has garnered over 80,000 followers.
Source: Staff, “Former Bloods Gang Member Turns Life Around, Now Sings God Hymns for Hospital Patients Where He Works” Epoch Times (9-1-21)