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Christian filmmaker David Cunningham, director of the gritty (and, by most accounts, aesthetically and narratively successful) To End All Wars, updates Sayers's warning by applying it to "Christian" films made not by filmmakers but by "evangelists trying to use film." Such efforts are bound to compromise story, realism, complexity, leaving only an unsatisfying pablum.

In the end, it may be that eager, culture-savvy preachers who use popular forms to convey the gospel risk foisting on the world impoverished—even laughable—expressions of those genres. And in so doing, they may well do what they would never wish to do: compromise the message of the gospel itself by hitching it to a poor-quality product.

So to anyone out there growing their sideburns and brushing up their sneer, in hopes of joining Mr. Priestly in leading "the king's" faithful to faith in The King, take heed:  "Caveat gyrator." If you want to borrow from the world, as Jesus and Paul did, to get across the message they preached, be prepared to do the thing right. Gospel kitsch may get some notice in the short term, but it's only a matter of time before people notice it doesn't touch the deep things of life or the true grandeur of the evangelium.

Chris Armstrong is managing editor of Christian History magazine.

Copyright © 2003 Christianity Today. Click for reprint information.

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