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November 21, 2009
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Home > Movies > Reviews > 2008 |  
The Curious Case of Benjamin Button
| posted 12/25/2008




The Curious Case of Benjamin Button

Our rating: 3½ Stars - Good

Your rating:  

MPAA rating: PG-13
(for brief war violence, sexual content, language and smoking)

Genre: Drama, Romance

Theater release:
December 25, 2008
by Paramount Pictures

Directed by: David Fincher

Runtime: 2 hours 47 minutes

Cast: Brad Pitt (Benjamin Button), Cate Blanchett (Daisy), Taraji P. Henson (Queenie), Julia Ormond (Caroline), Jason Flemyng (Thomas Button), Jared Harris (Captain Mike)

Related: Talk About It/Family Corner


The Curious Case of Benjamin Button is an epic, not of scale, but of time. It is the story of an infant born suffering the infirmities of old age who lives his life in reverse, growing younger with each passing year until he dies in infancy. The film is a charmed, enchanted fable steeped in melancholy and wistful serenity. And it is an artistic and narrative triumph, which, while colder and more emotionally remote than necessary, embodies one of the most beautiful love stories set to screen in a very long time. Benjamin Button is not the finest film of the year, but it gets awfully close.

The film is based on F. Scott Fitzgerald's 1921 short story. Screenwriter Eric Roth, the latest in a long line of scribes to take a whack at the material, borrows the famed American author's premise but creates a richer, lusher narrative than the short story could ever convey. Roth sets the film in New Orleans, a city of Old South gentility and infinite color and spice, bookending it between World War I and Hurricane Katrina.

Taraji P. Henson as Queenie, Brad Pitt as Benjamin
Taraji P. Henson as Queenie, Brad Pitt as Benjamin

Benjamin (Brad Pitt) loses his mother in childbirth, and his father, a button manufacturer (Jason Flemying) is so horrified by the child's ravaged appearance that he abandons him on the steps of a rest home, where he is discovered by Queenie (Taraji P. Henson), a loving black employee. Queenie raises Benjamin as her own, among the elderly patrons. Even as a toddler, Benjamin fits right in—stooped, balding, bespeckled, hard of hearing and confined to a wheelchair. The doctor claims Benjamin has one foot in the grave already, but instead of dying, Benjamin grows taller, stronger … and younger.

When the pre-pubescent (though he looks like a man in his 70s) Benjamin meets the granddaughter of one of the residents, the red-haired beauty named Daisy, he is instantly smitten. If Daisy minds the attention paid her by the shriveled, little man, she doesn't show it. Perhaps she senses his youthfulness. As the years pass, Benjamin and Daisy retain a special connection. Daisy is Benjamin's only anchor in an ever-changing world viewed in reverse.

As Benjamin, who is beginning to notice changes to his body, grows younger, he begins to sample the delights of the outside world. He takes a job with a hard-drinking Irish tugboat captain (Jared Harris) who introduces his innocent-in-the-ways-of-the-world employee to the pleasures of drink and the flesh. Benjamin's travels take him to Russia, where he has an affair with a British diplomat's wife (Tilda Swinton), a relationship from which he learns about both love and lust.

As Benjamin ages, he gets younger
As Benjamin ages, he gets younger

But Benjamin's heart is still with Daisy, now an up-and-coming, headstrong ballet dancer in New York City, whose selfishness, bohemian lifestyle and unabashed sensuality take him aback. No matter how Benjamin pursues his childhood crush, he is rebuffed at every turn. Only after Daisy suffers a terrible tragedy does her perspective realign—and does she see Benjamin for the man he really is.

Much of Benjamin Button's allure is its reliance on precise calculations to ensure Benjamin and Daisy come together at just the right time. They can meet in the middle only once. More than just timing, however, Benjamin and Daisy's romance throbs an ephemeral poignancy at once ethereal and tragic—physically, the lovers are headed in opposite directions. As Benjamin grows ever younger, Daisy will become an old woman, and at some point he will catch up to the young daughter their lovemaking produces. The question they are forced to ask is, what form will their love take then?

This omnipresent impermanence informs every frame of the film, which is elegiac and blisteringly aware of human mortality. For Benjamin, death is a constant companion, from the retirement home to the battlefields of Europe. Like the dirge of science fiction's immortals, Benjamin's inverted life invites profound loneliness. It is a bittersweet pill he must swallow. The transitive nature of life and love and the need to embrace it with gusto when it is at last within our grasp is one of Benjamin Button's most abiding thematic elements.




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[Reader Reviews]
Average User Rating: 

Allie   Posted: September 25, 2009 1:33 AM
Is there a rating for 0 stars? What a horrible movie.

Annie   Posted: May 14, 2009 10:38 AM
The acting was great and the story made you think, but it was slow and too even. It needed some more ups and downs to make it more realistic. Even death was routine and mundane with very little emotion. I found it hard to finish. The end was predictible in that he would grow younger and die.

Linda Moon   Posted: March 28, 2009 12:06 PM
Benjamin Button was all that the critic said. But, the sentimentality rose to my expectations, partially because I am in my sixth generation of life. Bob Dylan has expressed that sentimentality in his lyrics, "I was so much older then, I'm younger that that now" and, theologically in, "Time is running backward and so is the bride." Life does often appear to run backward as we age and look back and yet savor every moment we have left.

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