Subscribe to Christianity Today
Subscribe to Christianity Today
Donate to Christianity Today
login | my account
May 27, 2012

Home > Movies > Reviews > 2008
Wendy and Lucy






Wendy and Lucy

Our rating: 3½ Stars - Good Your rating:
Your Comments: see all

MPAA rating: R
(for language)

Genre: Drama

Theater release:
March 06, 2009
by Oscilloscope Pictures

Directed by: Kelly Reichardt

Runtime: 1 hour 20 minutes

Cast: Michelle Williams (Wendy), Lucy (Lucy the Dog), Will Patton (Mechanic), Wally Dalton (Security Guard), Will Oldham (Icky), John Robinson (Andy), Roger D. Faires (Recycler in Wheelchair), Marilyn Faith Hickey (Police Administrator), Ayanna Berkshire (Pound Employee), Larry Fessenden (Man in Park)

Related:
Talk About It/Family Corner


Another month, another movie about a female protagonist who loses her dog. But unlike Bolt and Beverly Hills Chihuahua, this month's model is about as far removed from a kid-oriented comedy as you can get. Directed by Kelly Reichardt, whose previous film Old Joy earned raves for its depiction of two male friends who have stayed in touch long after they began to grow apart, Wendy and Lucy is a gritty, slow-paced look at those who live on the margins of society, made all the more believable by Reichardt's lo-fi aesthetic. Shot in the trainyards and empty parking lots of Portland, Oregon with a cast of mostly unknown actors, the film has a close-to-the-ground documentary feel that draws us into the economic hardships of its main characters far better than a typical low-budget studio movie would do.

The part of Wendy, a woman who is only passing through Portland when she runs into a bit of trouble there, is played by Michelle Williams, one of the very few "name" actors in the cast. We know very little about Wendy when the movie begins, and we don't know much more by the time it ends, but we do learn that she has very few possessions, besides her car and her dog Lucy and a little bit of cash. We also learn that she has come from Indiana and that she now wants to go north to Alaska, where she hears there are good jobs. And we learn that she doesn't complain much about her lot in life, she just gets on with it, though not as industriously as some.

Michelle Williams as Wendy
Michelle Williams as Wendy

Early on, she collects some cans and bottles, hoping to earn a bit of money by recycling them, but when she gets to the depot, she finds a long line-up populated by people who have filled entire grocery carts with such items. One man, sitting in a wheelchair, offers to hold her bag for her while she goes and does other things, because the bottles she collected wouldn't be worth the time she spends waiting for her turn in line. Wendy gives up and decides to give him the bottles outright.

She then goes to a grocery store, where she ties Lucy to a bike rack outside while going in to pick up a few items. But instead of buying the items in question, she tries to shoplift them—and is promptly nabbed by a grocery clerk who hauls her in to the manager's office, demanding that she be punished so as to "set an example." (Note to fans of classic Christian rock music: The board on the manager's wall includes a card or sticker with the Stryper logo. Also, the judgmental grocery-store clerk is wearing a cross around his neck.) The cops take Wendy back to the station, forcing her to leave Lucy behind; when Wendy is finally released, she discovers that Lucy is no longer there outside the store.

Lucy (as 'herself') faithfully follows her owner
Lucy (as 'herself') faithfully follows her owner

This alone would be enough to upset Wendy. But she has other problems, too. Her car won't start, and the nearest auto shop stays closed for quite some time. (When it finally does open, the mechanic who runs the place is played by Will Patton, a familiar character actor whose habit of barking into the phone feels just a tad more "actorly" than the low-key performances of just about everyone else.) Sleeping in her car was never safe to begin with, but when Wendy turns it over to the mechanic, she needs to find another place to spend the night, and her slumber in the forest is disturbed by a somewhat threatening man. And when she places a call back to Indiana, looking for someone to talk to, she gets the long-distance equivalent of a cold shoulder. All of these incidents underscore how alone she is without her canine companion.

One of the recurring themes in this film is the way people, and thus the relationships between them, are defined by their jobs or their social positions. Wendy has arrived in Portland only recently, and she doesn't know anybody, except when they cross her path in some sort of official capacity; in the credits, many of them are identified by the likes of Mechanic (the Patton character), Police Administrator (Marilyn Faith Hickey), Pound Employee (Ayanna Berkshire), and so on. Ironically, it turns out that Lucy the dog (played by "Herself") is one of the few "characters" in this film who has been humanized to the extent that she has an actual name!




Christianity Today


  


Subscribe to Christianity Today and get 3 free trial issues. No credit card required.

Please allow 4-6 weeks for delivery. Offer valid in U.S. only.

If you decide you want to keep Christianity Today coming, honor your invoice for just $19.95 and receive nine more issues, a full year in all. If not, simply write "cancel" across the invoice and return it. The three trial issues are yours to keep, regardless.


Click here for international orders2-for-1 Gifts!
[Reader Reviews]

The allotted time for commenting has ended.

[Browse More Christianity Today]



Quiet

Quiet

Shhh! Introverts working

The Conversation

The Conversation

A tribute to "The Reformed Journal."

more | current issue

Christian Bible Studies

Unbalanced Blessings

Unbalanced Blessings

The balancing act of...

Books & Culture

Quiet

Quiet

Shhh! Introverts working...

Preaching Today

NFL Star Junior Seau Searched for Peace

Small Groups

Prepare with Prayer

Prepare with Prayer

Don't leave out this...

Search
Search




Search
Scripture Search
Go Deeper