Penelope
Review by Lisa Ann Cockrel | posted 2/29/2008
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It's often a bad sign when a movie's release date is bumped back. Penelope was bumped not once, but twice, hitting theaters now almost a full year after its original April 2007 release date. And it's not hard to see why it made distributors nervous. It's rare that a film comes along that has the mettle to charm moviegoers 7 years old, 27 years olds, and 47 years old. It's a marketing nightmare.
But the movie itself is a dream. A fairytale if you will, in which a wealthy, blue-blooded family suffers a curse—your next daughter will be born with the nose of a pig and she will stay that way until one of "her own kind" loves her. Several generations pass with only sons, until Penelope emerges, confirming the curse is still in effect.
Christina Ricci as Penelope
Played by Christina Ricci, Penelope is cute in a Miss Piggy sort of way, even with the snout. So, as with most fairytales, one must suspend disbelief long enough to fully grasp the conundrum she faces. In horror at her daughter's appearance, Penelope's mother has secreted her away since she was an infant, preparing her always to be the perfect wife—so as to woo a blueblood to marry her, for marriage will surely break the curse.
Catherine O'Hara, a fixture in many a Christopher Guest mockumentary, is splendid as the frequently histrionic mother who is desperate to fix (up) her daughter. O'Hara manages to make the mother endearing in the way that all good mothers are, and this despite the fact that she is not a very good mother. She's self-centered at practically every turn, with disastrous results. But you can never truly write her off and Penelope knows it. You can, however, run away. And Penelope does.
Despite her sequestered life, Penelope is a kind and spirited young woman. She's certainly intelligent given that her closest friends have long been books. She's spent seven years suffering the rejection of would-be suitors—young bluebloods attracted to the size of her dowry but immediately repulsed by the size of her nose—and is on the verge of giving up when one young man, Max, offers hope.
James McAvoy as Max
Max, played by James McAvoy, is a seemingly down-and-out blueblood enlisted by a tabloid journalist named Lemon (a fantastic turn by Peter Dinklage) and a disgusted suitor named Edward (Simon Woods) to get a picture of the ugly girl—a picture that neither Lemon nor Edward can get for themselves. Max and his unshaven charm are just along for the money. The fact that he and Penelope fall for each other complicates matters in a way that neither Penelope nor the audience understand for some time.
When Max dashes Penelope's hopes for marriage and an end to the curse, she decides to set off on her own to discover the world. This world is a sort of kindler, gentler version of a Tim Burton production. The British country village is embroidered onto a Manhattan-like metropolis to create a surreal urban palate of cobblestone and skyscrapers and bicycle messengers on Vespas outfitted with wings. Penelope's aesthetic devices never quite elicit the dark whimsy of Big Fish or Edward Scissorhands, but the scenery is both stimulating and fun, and it's easy to be happy for the heroine as she stretches her legs.
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