Sounds like … similar to previous entries in the acclaimed series-worshipful acoustic pop with alternative touches, featuring Jars of Clay, Sixpence None the Richer, Bebo Norman, and several others
At a glance … though weaker in many ways than the previous efforts, The Gathering still stands as an outstanding album that offers thought-provoking worship and sophisticated acoustic pop sounds
With three albums in as many years, the highly acclaimed and undeniably popular City on a Hill series has left a lasting mark on Christian music, generating one of the most enduring modern worship songs ("God of Wonders") and selling a combined total of more than 700,000 units. With the fourth and final edition, City on a Hill: The Gathering, producer Steve Hindalong has drawn things to a close.
The City on a Hill series is unique in its community-inspired collaborations of worship between prominent Christian musicians. With the exception of Third Day, the long-time participants are back for round four: Jars of Clay, Caedmon's Call, FFH, Sixpence None the Richer, The Choir's Derri Daugherty, and Glassbyrd (which was involved behind the scenes the whole time). The Gathering also features returnees Sara Groves, Bebo Norman, and Paul Colman Trio, plus City on a Hill newcomers Andrew Peterson, Ginny Owens, and acoustic-pop band Silers Bald. Hindalong is again joined by fellow producers Daugherty and Marc Byrd of Glassbyrd.
With all the returning creative forces, The Gathering retains many of the characteristics that made previous efforts so endearing: impressive duets, sophisticated acoustic-pop arrangements, and a reverence for ancient church tradition blended with modern worship. I've always loved how one album seems to inspire ...1