Sounds like … the warm baritone of the Man in Black at his most stripped-down, just him and his acoustic guitar
At a glance … there's nothing intrinsically revelatory in Cash's Personal File other than the folk singer's deep love for country music, storytelling, and the gospel.
The story of how Personal File—the latest in a long line of posthumous releases celebrating the heritage of Johnny Cash—came into being sounds too good to be true, almost as if it were the stuff of legend. Shortly after the deaths of Cash and his wife June Carter Cash, their son, John Carter Cash, decided to shut down the historic House of Cash, the family's renowned studio/office/museum.
Providentially, the younger Cash invited executives from Legacy Recordings to visit the premises. During an unofficial tour of the facility they unearthed, among other things, a number of neat white boxes the Man in Black had marked "Personal File." In them, there was a goldmine of unreleased material, informal sessions Johnny Cash never thought were suitable for commercial release.
He was right. At its most superficial, Personal File is exactly that, an unfettered two-disc collection of tunes—49 in all—dear to his heart, recorded during the artist's personal and spiritual renaissance following the periods of turbulence he faced in the '50s and '60s. There's no rhyme or reason to the order in which the tracks were recorded, but the compilers made sure to present them in a sensible manner, with all the love and story songs occupying Disc One and all the inspirational numbers grouped on Disc Two.
"Through times of loneliness and heartbreak and despair and sadness I've always found that a good song of inspiration will lift me up and ...1
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