Years ago, I was part of the editorial team for a magazine published by a conservative Christian organization. Because the organization’s name was on the masthead, its reputation was linked with the ideas and authors that appeared within the magazine’s pages. Some of our readers were also donors who occasionally complained when an author’s pedigree or the nature of the ideas expressed did not appear to conform to the organization’s distinctive theological perspective.

The result was a kind of predictability. Some of my friends joked that our slogan should be “The magazine you don’t have to read to know what it is going to say.”

Writers, like composers and other artists, are chided if they repeat themselves too much. Especially today, novelty is prized above nearly all else when it comes to creative expression.

But to focus too much on originality misses a fundamental principle of what enables originality in the first place: namely, the fundamentals. It’s why top-tier cellists still practice hours of scales and other technical exercises, why Michael Jordan practiced free throws until he could shoot them with his eyes closed. Only in the confidence built through endless repetition are great performers free to improvise melodies or dazzle on offense in ways that showcase their unique, individual giftings.

Where faith is concerned, repetition is also a virtue. This is precisely what Scripture demands of the church. In 1 Corinthians 1:10, the apostle commands: “I appeal to you, brothers and sisters, in the name of our Lord Jesus Christ, that all of you agree with one another in what you say and that there be no divisions among you, but that you be perfectly united in mind and ...

Subscriber access only You have reached the end of this Article Preview

To continue reading, subscribe now. Subscribers have full digital access.

Have something to add about this? See something we missed? Share your feedback here.

Issue: