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Directed By
David Yates
Run Time
2 hours 26 minutes
Daniel Radcliffe, Emma Watson, Rupert Grint, Bill Nighy
Theatre Release
November 19, 2010


I first met Harry Potter when my grandmother was dying.

On New Years Day 1999, she had a massive stroke from which she would never recover. Not wanting her to die alone, we took turns sitting by her bedside, round the clock. The night I spent with her, I brought along my Bible, the biggest cup of Dunkin Donuts coffee I could find, and a new novel, picked up from the bookstore on the way to the hospital: Harry Potter and the Sorcerer's Stone.

Both the Bible and the "Boy Who Lived" proved good company during the watches of the night. Both pointed the way to hope in the face of death.

And there was at least one echo from the Scriptures in the Sorcerer's Stone: Lord Voldemort, the Hitleresque dark wizard in J.K. Rowling's fictional works, was defeated not by power but by love—by a young mother who sacrificed her life to save her young son. In Rowling's world, that kind of love is stronger than any magic. It can even conquer death.

By the time Harry Potter and the Deathly Hallows opens, however, it seems that death finally has the upper hand. Albus Dumbledore, Voldemort's greatest enemy, lies buried on the ground of Hogwarts. Lord Voldemort's Death Eaters have launched a reign of terror and are on the verge of replacing the Ministry of Magic with a Nazi-style government that will enslave muggles and "mudbloods" alike. Anyone who stands in their way will be eliminated.

The body count starts early—on page 12, to be exact—and the hunt for Harry and his friends doesn't let up for the next 700 pages.

A master storyteller

(Warning, spoilers approaching).

Rowling may not be as elegant or precise a writer as C.S. Lewis, or have a mythology as elaborate as J.R.R. Tolkien's, but she ...

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