The Hunger Games

Though based on a young adult novel, The Hunger Games is no fluffy Twilight. This is not a "teen movie," but a movie about a teenager—a strong character whose story deserves to be told. This is also not an adaptation hastily thrown together to capitalize on a pop culture sensation. It is a well-crafted film with genuine inspiration, creative innovation, and a defined voice—with something real to say.
This is what teen lit adaptation can look like when the subject is respected, when the audience is not being pandered to, and when the source material is a strong story. The Hunger Games is a dark and engaging action/drama laced with social critique and dystopian sci-fi. But most of all, it's the story of a girl and crushed innocence.
Jennifer Lawrence, who plays the lead role of Katniss Everdeen, described Suzanne Collins' Hunger Games trilogy as holding up "a terrible kind of mirror: This is what our society could be like if we became desensitized to trauma and to each other's pain."

Jennifer Lawrence as Katniss
We see this society through the eyes of Katniss, a 16-year-old girl in Panem, an iron-fisted society that rose from the ashes of North America's collapse. Long ago, Panem's districts rebelled against its governing Capitol—and have paid dearly for it ever since. As a painful reminder of who they serve—or as President Snow (a reserved Donald Sutherland) says, a reminder of The Capitols's generosity and forgiveness—two children, called "tributes," from each district are selected each year to participate in the Hunger Games, a fight to the death. Most tributes are selected by lottery—and the odds of getting chosen increase each time they must borrow food from the government. Some kids, in districts closer to the Capitol, are born and bred as champions. Part entertainment, part brutal intimidation, the televised Hunger Games are reality TV gone amok: Survivor meets The Running Man meets The Most Dangerous Game.
Having read the books, I had two central questions for the film. The stories are told in Katniss's first-person voice, so we're always aware of her internal dialogue and inner turmoil. She might act one way for the Capitol's ubiquitous cameras, but she thinks another. From the books, we learn that Katniss is a strong, bright, complex young woman, driven by sacrificial love and responsibility for her family—but she is forced to mature beyond her years by poverty, loss, oppression, and burden. She experiences true grief, anger, and disgust over how the Capitol manipulates her. Would the film capture what's going on inside her head?
The answer is yes, thanks to excellent acting. Katniss's emotions are naturally and beautifully expressed in a twitch, an expression, a tremble, or a subtle inflection. Lawrence shows the nuance, depth, and professionalism that earned her an Oscar nomination for 2010's Winter's Bone. That film's character, Ree, is similar to Katniss; both hail from the impoverished American South. Both are sullen but loving, wounded but tough. Lawrence seems to excel in these roles.

God Among the Roma

Grieving with the Good Friday God

(on articles open to the public, you must at least register for a free account).













Comments
Displaying 13 of 82 comments
See all comments
MIchael Waldron
This movie greatly disturbed my girlfriend and I. We went to see it based on everyone's rave reviews and were very disappointed. One of the few times I simply felt an extremely evil thread working through a film I was watching (granted I dont watch horror films and even many of the mainstay movies nowadays due to the content). Watching a film where children are brutally murdering other children and with the sense of joy in which it was being performed is not my idea of entertainment. There also seemed to be a sense that the American public in this movie had completely and utterly forsaken God and lapsed into complete depravity of morality and lasciviousness. Not recommending to anyone...
Urbane Diletante
Discussion Starter #6: "Haymitch tells the Game Maker to focus on romance to distract the people from their anger and riots. How does entertainment distract you from what matters?" Haymitch tells the the Game Maker to focus on romance to enhance his assigned Tributes chances for survival - to make them more likable. That Seneca the Game Maker falls for this ploy says much about how intellectually and ethically stunted people are who buy into the mores of a despotic society. Or, in other words, if entertainment distracts one from what matters then one could not comprehend what matters anyway.
Anonymous
I have'nt seen the movie yet. After reading the entire series and seeing how the graphic violence escalates and ending with an intentional and unprovoked kill, I'm afraid of what the next two movies will be like and don't want to start a movie series that I am unable to finish. I will wait until they have all been released