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For most people, Christianity and art no longer resonate as a glorious pairing. It's a sad and sorry truth that even as Christians, we've largely lost our respect and reverence for "Christian art."

Wandering through Western Christendom, in which artists are currently arting, I've sampled just about all the flavors of Christian creator and Christian consumer. The too-sugary-sweet, message-is-master types. The respect-me-at-all-costs-hard-bitten types. The ironic. The naïve. The truly talented. The posers. The Christians who can't tell a story without an altar call and the Christians who write as if all of reality fits into that one guilt-ridden moment when Cain was busy slaying Abel—giving man's sinful nature the last word. And of course, there are also those Christian artists who don't want their art to be "Christian" at all. (And the Christian consumers who feel the same way.)

Despite the vast confusion of taste in the kingdom, and the proliferation of art of varying quality, we share one profoundly common bond: Everyone is insecure about the branding of Christian art. Everyone worries about being labeled cheesy—even the cheesiest people I know. Some artists delude themselves into thinking that they aren't, and others attempt to divorce their faith from their creations with a secular firewall.

Many actually believe that they are building something that has never been built before, like they are the first to stand against the raging tide of schlock and do something worthwhile. They are in pursuit of Christian art, but, you know—good this time.

As Christian artists and Christian consumers, it is all too easy for our eyes—particularly (but ...

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In the Magazine

November 2013

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