“A ploughshare is a nobler object than a razor. But if your natural talent is for barbering, wouldn’t it be better to be a barber, and a good barber—and use the profits (if you like) to speed the plough? However grand the job may be, is it your job?”
Harriet Vane, a fictional character created by Dorothy L. Sayers in Gaudy Night, posed this question during a college reunion at Oxford in 1935.
A former classmate, the “outstanding scholar of her year” who “had married a farmer and everything had gone wrong,” reasoned that despite her own difficulties, farming and marriage was “a finer thing than spinning words on paper.”
We can almost hear Sayers’ voice in Harriet’s response. “Look here! I admire you like hell, but I believe you’re all wrong. I’m sure one should do one’s own job, however trivial, and not persuade one’s self into doing somebody else’s, however noble.”
Simple yet profound. Women should do the job to which they are called.
I love Gaudy Night. I loved it even before I realized what a progressive argument it makes about female vocation. As a first-time reader, I was so absorbed with the story that I didn’t pay attention to the author. I was oblivious to how Harriet Vane mirrored controversial moments from Sayers’ own life, including the unhappy end of a long-term relationship and an illicit sexual affair. She also mirrored her exceptional aspects, such as Sayers’ degree from Oxford and her professional success as a single woman outside the hallowed halls of academia.
It wasn’t until I taught Gaudy Night that I really began to understand the implications of its argument: that women ...1
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