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Olympia Revisited
Tracing Christian roots in the Olympics.
Elesha Coffman | posted 8/08/2008 12:33PM
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"Ancient
Immortal Spirit, chaste Father of all that is Beauty, Grandeur and Truth Descending
appear with Thy presence Illumine Thine Earth and the Heavens. Shine upon
noble endeavors wrought at the Games on Track and in the Field … To Thine
Temple, to Thy Worship, come all. Oh! Ancient Eternal Spirit!"
Whatever religion the Olympic anthem espouses (some nineteenth-century
version of the cult of Zeus, it would seem, though he was anything but chaste),
it sure isn't Christianity. Yet members of the Christian tradition were involved
at the inception of the modern games, and Christians have tried in various ways
to redeem the event or infuse it with orthodox religion ever since.
Two Olympic catchphrases
originated with church leaders. The beginning of the Olympic creed, "The most
important thing in the Olympic Games is not to win but to take part," was adapted
from an address by Anglican Bishop Ethelbert Talbot of Pennsylvania to athletes
at the 1908 games. The Olympic motto, "Citius, Altius, Fortius" (Faster, Stronger,
Higher) was coined by Dominican Father Henri Didon in 1891. But neither of these
men had a direct role in organizing the modern games, which are modeled on pagan
games that began in 776 B.C. but were banned by Christian Emperor Theodosius
I in the fourth century. That honor goes to French baron Pierre de Coubertin.
De Coubertin was educated by Jesuits, and his mother hoped he would enter the priesthood. Instead, he
became enchanted with late Victorian humanism, which was busily rediscovering
the glories of pre-Christian Greek and Roman society, and a relatively new trend
in English education, sometimes associated with "Muscular Christianity," that
stressed sport as an aid to the development of morals and even godliness. De
Coubertin fused these ideas into "Olympism," and he began stumping for a revival
of the games, preaching what has been called a "gospel of sport." "Have faith
in it; pour out your strength for it," he said. "Make its hope your own."
De Coubertin knew that
his project promulgated a new belief system. When he announced his decision
to reinstate the games, he said, "The first essential characteristic of the
Olympics, both ancient as well as modern, is to be a religion. … [I]t represents, above and outside the Churches, humanity's superior religion." He also consciously modeled its ceremonial aspects—processions, oaths, hymns—on rituals he learned in the Catholic Church. This idea of Olympic religion extended beyond de Coubertin to figures like former IOC President Avery Brundige, who called
Olympism "a twentieth-century religion, a religion with universal appeal which
incorporates all the basic values of other religions, a modern, exciting, virile,
dynamic religion, attractive to the youth."
Some church leaders immediately
resisted this encroachment on their territory. Pope Pius X opposed the games
for their "Pagan-seeming character" until a private exhibition by French, Belgian,
and Italian gymnasts convinced him to give his blessing in 1906. Most Christians,
however, responded by coming alongside the Olympic movement and adding their
message—and music—to the celebration. At the opening ceremonies in
Stockholm, 1912, Sweden's royal pastor preached a sermon in Swedish and the
spectators sang "A Mighty Fortress Is Our God." Cardinal Mercier, the prelate
of Belgium, gave a long-winded sermon on moderation and moral discipline to
athletes and Olympic officials before the 1920 Antwerp games. In London, 1948,
and Melbourne, 1956, the Olympic hymn was followed by Handel's "Hallelujah Chorus."
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