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Protestant churches at the turn of the century asked themselves, How can we continue to build lavish buildings when there are people in need and missionaries to support? Like the rising modernists, they argued that ornamentation was frivolous and costly, and that they could do much more with much less. However, few churches saw modernism as a solution to their concerns, and they abandoned innovative design.

If churches then had seen what they had in common with modernism, they could have allied their sense of responsibility with cutting-edge design. Instead, churches, which were the architectural focal points of early American settlements, left the conversation of progressive architecture. But in the past few years, missions-minded Protestant churches have begun to rediscover architecture.

The following churches decided that their buildings were an important part of their ministry, not merely afterthoughts. And while many churches are moving toward traditional design, these churches believe there is still something to be said for a contemporary approach. They believe that buildings can express the values of congregations, bringing new meaning to the act of stewardship in architecture.

The old building of the First Presbyterian Church in Encino, California, mirrored its congregation: it was aging quickly and in desperate need of renovation. Attendance was dwindling. The church's leaders hoped that if they injected vitality into the building, the congregation would follow suit.

The church chose Abramson Teiger Architects, a firm that did not have a church or religious space in its portfolio.

Architect Trevor Abramson recalls that it was one of his initial concepts that won over the committee. "During the interview, I envisioned the two sides of the ceiling as hands cupped in prayer over the congregation," he said. The spaces between the crossed fingers would allow filtered light into the space.

That concept was preserved through the building process, which cost the church less than $1 million, including architectural fees.

The pastor wanted to be among the congregation, so the lectern was designed to be on the floor with casters. The Communion table is also mobile. A light well (a shaft that opens to the outside) mysteriously illuminates the choir.

After the church's renovation, the size of its congregation grew. Besides that, Abramson says many more weddings now take place in First Presbyterian. In addition, secular organizations have requested to hold concerts in First Presbyterian. For the congregation, that means greater opportunities for outreach.

Simplicity. Quietness. Plainness. Those were the words that were to guide Lake|Flato architects in designing this Quaker meetinghouse. Before a new space was built, the San Antonio Friends owned what they thought was the perfect site, a beautiful piece of land ideal for contemplation. After negotiating with the church, architect Bob Harris began site analyses and preliminary proposals.

The few people living next door protested the project. Out of respect for their neighbors, the Friends decided to move elsewhere. They eventually chose a site far from perfect. It was semi-urban and faced a beauty salon and a drainage ditch.

Harris flattened the sloping land and created a plateau to look out over the drainage ditch. The Friends planted trees and greenery between the ditch and the church—a sanctuary for birds and wildlife amid busy streets.

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May 2009, Vol. 53, No. 5, Page 33

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