Editor's note: "Through a Screen Darkly," a monthly commentary by CT Movies critic Jeffrey Overstreet,explores films old and new, as well as relevant themes and trends in cinema. The column continues the journey begun in Overstreet's book of the same name.
As a kid, I looked forward to Christmas movies and television programs as much as most people look forward to the holiday parties, cookies, or the stuff in their stockings.
There were movies too, but they were on too late and I wasn't allowed to stay up to see how they ended. So, for The Sound of Music, I didn't learn about Liesl's Nazi boyfriend or the family's frantic escape until I was a teenager. But the sound of Julie Andrews singing "My Favorite Things" became as familiar as any Christmas carol. Other movies that often aired during the holidays included The Ten Commandments, It's a Wonderful Life, Miracle on 34th Street, and every so often, a new version of Charles Dickens' A Christmas Carol.
But as years went by, I became more and more puzzled about the absence of the Nativity story. Only two TV programs—The Little Drummer Boy and A Charlie Brown Christmas—bothered to acknowledge the baby born in the manger. There were no movies about it. What was the problem? Weren't the marvels, the mayhem, and the miracle of that "midnight clear" a fantastic subject for a Christmas movie?
1
You have reached the end of this Article Preview
To continue reading, subscribe now. Subscribers have full digital access.
You have reached the end of this Article Preview
The sexual exploitation of children is a symptom of a larger disease—one that we’re complicit in.
Long before Raphael Warnock’s Senate run, the biblical call for freedom for the oppressed stirred Atlanta Christians to social action.
Generations take up the gospel work of becoming a beloved community.
