Cathy Lynn Grossman's recent USA Today article on William Young's surprise bestseller The Shack is her second in a month, this one shifting attention to the long-developing and growing backlash against the book coming from a number of influential voices concerned about the book's implicit theological claims.
Several conservative Protestant heavyweights–Al Mohler, Chuck Colson, Mark Driscoll, and influential blogger Tim Challies–have sounded off on the dangers of The Shack's vision of God, salvation, and the Church, creating a quartet of caution for the casual Christian reader. These strong cautions are all the more notable in light of the over-the-top endorsement from one of evangelicalism's most respected spiritual sages, Eugene Peterson, which is featured on the book's back cover.
Among other things, this growing backlash broaches important questions about the proper relationship between art, theology, and the Church for evangelicals and their close kin. What does it mean for artists ...1