Stones to Bread
The Power and the Glamour
I recently returned from Hollywood. I was flown there and back, housed more than comfortably at the Hyatt Regency on Avenue of the Stars. I was there (ahem!) on official Christianity Today business, accepting an award for an article about food and animal welfare. I can still see the plush of the red carpet, the glamour of the designer gowns, the gleam of the chandeliers in the grand ballroom.
Given the deeply theological person I am, and given the sophistication of CT's readers, let me get to essential matters: What did I wear? A black chiffon dress with just one problem: a visible hole near the hem, which I discovered five minutes before show time. I had to wear it—I had brought nothing else. So much for class and beauty.
I slunk into the ballroom late feeling disheveled and underdressed, with barely enough time to fix my face. I found myself surrounded by flocks of unearthly beautiful people. I sat across the dinner table from a bejeweled and tuxedo-clad couple who treated me to stunningly perfect profiles. During the televised ceremonies, a parade of famously gorgeous faces filled the stage and mega-screens mounted beside it. At the after party, in line for exquisite vegan fare, I stood in front of—or, rather, beneath—one of the presenters, a goddess in a swooping gold lamé gown, bronze makeup, and a flawless face. I could hardly stop staring. Among such company, I was, at best, faceless.
And how does such beauty enter a ballroom? Not the ordinary way, I discovered. The celebrities waited behind a 40-foot banner with the Genesis Award logo in front and a red carpet at the base. A gaggle of photographers, some of them perched on ladders, jockeyed for position. The entire area was heavily guarded and cordoned off from riffraff like me. When a celebrity emerged onto the carpet, the ballroom lit up and the shouting began: "Over here! Here! Look this way!" Like a fluid mannequin, she would move into poses, locking her eyes onto every camera she could see, her face following the voices. With lights exploding, faces radiant, hands and voices raised, the mood was exultant. I felt like I was in church.
In such a place, I thought of a C. S. Lewis quote: "The sweetest thing in all my life has been the longing … to find the place where all the beauty came from."
Was this the place? Had I found it?
Like so many others, I am in pursuit of the beautiful. "Beauty will save the world," said the Prince in Fyodor Dostoevsky's The Idiot. I almost believe this. I live on an island in Alaska, on a cliff over the ocean, beneath spruce and snow-covered mountains. I follow beauty's trail into landscapes, music, theology, literature, art. Yet as stunning as it all is, somehow I know—as the glittering audience in the ballroom that night knew—it is not enough. We long for more, for beauty as not just idea or place or artifact, but the human-beautiful. Beauty in the flesh, personal, animate. Beauty like us, only better.
But their beauty, and our need for it, appeared a calamitous burden. So many faces I saw that night had been visibly altered—plumped, sliced, stitched, patched, pulled. "Nothing is in its final form," Lewis wrote in Till We Have Faces: A Myth Retold. I marveled at what we have done to the face and body searching for that form. Some stars were so changed by surgeries, I almost couldn't recognize them. Some, like the couple facing me at the table, wore rigid, inexpressive features. The towering goddess in the thick eye shadow could not seem to turn her eyes to look down at me. Their beauty kept them distant, unrecognizable, less human.
Stones to Bread
- The Cosmos's Best-Kept Secret
- Throwing Christ Over the Cliff
- Why Are Our Communion Meals So Paltry?
- A Pro-Life Plea This Election Season
- Intercultural Fiesta Fail