The TV series had to wait months to go up online due to a legal dispute with its former partner Angel Studios over content licensing.

As Christian romances make their way to theaters, their writers are seizing opportunities for evangelism.

Furiosa begins with a retelling of the biblical Fall. After its apocalypse comes something new.

For seven seasons, the show has offered a clichéd (and nostalgic) vision of how atheists and believers relate to each other.

The controversial iPad ad proves that technology can indeed flatten—or crush—what is real.

Ethan Hawke has made a movie as scandalous as one of the writer’s short stories.

The popular kids series reminds parents that playfulness is next to godliness.

Series like The Wingfeather Saga bring children along for the adventure of following Jesus.

The new dystopian thriller reminds viewers it’s not just what we witness that matters, but how.

The writer of the best-selling children’s book series The Wingfeather Saga hopes season 2 of the television adaptation “will be taken as a story first.”

The “cheerful prudery” of Ned Flanders has given way to vulgarity, misogyny, and partisanship. What does this mean for our witness?

What happens when a savior chooses not a cross but a sword?

Drawing from their long experience in the Islamic world, evangelical novelists pen fiction to help Muslims and Americans better see Jesus.

Netflix’s live-action Avatar: The Last Airbender speaks to a longing C.S. Lewis described—and can remind us of our promises in Christ.

Rob Reiner’s documentary makes a strong case against political extremism in the name of Christ—for those who already agree.

Season 4 of the popular Jesus show, now in theaters, takes a turn for the serious. CT reports from its premiere and press junket in LA.

We’ve romanticized stories of destiny-driven love—even at the expense of fidelity. This Oscar-nominated drama shows the beauty of limits.

The Zone of Interest, nominated for Oscars including best picture, is a Holocaust horror movie about the corruption of the human heart.

Jeymes Samuel’s anachronistic biblical epic nods to classics like “Ben-Hur” and “Life of Brian”—and ends with a surprisingly earnest view of Christ.