In high school, I took a class called “The Black Experience in White America,” studying stacks of books on critical race theory, reels of historical documentaries, and pages of prose written by African Americans. The course asked: What does it mean to be black in America?
For me, this was a driving existential question because my own story didn’t match the stereotypes. The media often portrayed blackness as being trapped in a socioeconomically oppressed “urban” neighborhood, eschewing formal education, being surrounded by black people, not having a relationship with one’s biological father, and facing blatant racism. As a black teen in an upwardly mobile, two-parent home in a San Francisco suburb, my experience was more like TheCosby Show than Boyz n the Hood.
Still, my young black identity already bore the scars of racism, suffered the isolating effects of otherness, and possessed deep questions about how far a brown-skinned girl like me could really go in our society. I wondered: Am I as black as the black kids whose lives match the stereotypical narrative? Does America see us as equally black?
Many years later, the conversation on what it means to be black in America extends far beyond the classroom. We see it happening in the public square: on hip-hop tracks, in movies, and in sketch comedy shows like Key & Peele. Now, it’s even happening on network television, with ABC’s new fall comedy Black-ish.
Black-ish on TV
Black-ish is about an upwardly mobile black family that lives in the Los Angeles suburbs. The father, Andre Johnson (Anthony Anderson), is a senior advertising executive who was born and raised in Compton—a predominantly black, socioeconomically ...1
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