Have you seen Timbuktu?
All of this movie’s main characters are Muslims. In fact, the screenplay’s deepest wisdom is spoken in a mosque by a passionate imam. But when I showed it to a room full of Christian writers, what followed was one of the most memorable experiences I’ve had at the movies.
Last January, at a conference center on Whidbey Island, The Chrysostom Society retreat organizers asked me to share movies with the group of writers that had gathered together. This year, Timbuktu lifted us from our soggy Pacific Northwest surroundings and set us down at the edge of the Sahara. When the movie was over, we sat in a heavy hush, reflecting on what we had seen.
Consider this: A 99% positive rating at Rotten Tomatoes. A Cannes Film Festival Ecumenical Jury prize. An Oscar nomination for Best Foreign Language Film. Top honors from the Africa Movie Academy Awards.
Yet, like so many world-class films, Timbuktu remains almost unknown to American moviegoers. It’s subtitled, after all. It’s foreign. It doesn’t star familiar names and faces.
In a recent promotional video, a Christian filmmaker declared with confidence that he would give Christians what they want to see:
- A Christian worldview on the screen (not somebody else’s).
- Two hours without any risk of being offended.
Christians gave him a lot of money, and his film was widely distributed.
By contrast, Timbuktu’s director Abderrahmane Sissako is not interested in affirming a particular “worldview.” He’s willing to offend audiences with hard truths. And “entertainment” is not his priority. As he did in his 2006 film Bamako, he bears artistic witness to the sufferings of our neighbors. He loves ...1
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