Most audiences—especially religious audiences—will have a complicated relationship with Ridley Scott's new epic film Exodus: Gods and Kings, out tomorrow (here is Brett McCracken's review). It's an old story that's been retold many times on screen (read Peter Chattaway's exploration of the history of Moses movies here). It's a beloved story that's vital to the identity and story of three major world religions.
And there is the complicated problem of casting white actors in the film's major roles—a question that has implications that go far beyond the film and that deserves to be treated carefully and in more depth, particularly given the story of the Exodus.
But no matter what, it's a film that many people will see and discuss. On Monday, I participated in a roundtable discussion with a number of journalists, during which director Ridley Scott, Christian Bale (who plays Moses), and Joel Edgerton (who pretty much steals the show as the Pharaoh, Ramses) talked about about Exodus: Gods and Kings.
After the roundtable, I got to sit down alone with Bale and Edgerton, who were funny and gracious. I asked them about how they prepared for their roles, what makes this film different from its predecessors, and why the story of the Exodus continues to be made into movies.
I'm really intrigued by the family dynamic of the story. The whole movie was set up as being about choosing your family, or being rejected by family. There's a really big emphasis on the question: “Are these your people, or not?” There's the death of the firstborn sons, and of course there's the brotherly relationship. This all feels really close to what the story of Exodus ...1
Already a CT subscriber? Log in for full digital access.
Subscribe to Christianity Today and get access to this article plus 60+ years of archives.
- Home delivery of CT magazine
- Complete access to articles on ChristianityToday.com
- Over 120 years of magazine archives plus full access to all of CT’s online archives
- Learn more
Christian Bale and Joel Edgerton on Reading the Bible, Making a Modern 'Exodus'
This slideshow is only available for subscribers.
Please log in or subscribe to view the slideshow.